There is nothing like Italian Giallo to get your heart pumping, and Giallo with the lovely Edwige Fenech is something to see.One of the fun features of Giallo, and this film, is that naked women don't bother to cover up with a robe while they are creeping around the house looking for someone who breaks in. The rich red blood on the creamy white skin makes an interesting contrast. Of course, it does get a little gory at times.Franco Diogene was absolutely hilarious as the lecherous husband of the model agency owner (Amanda). Seeing him in his tighty whiteys with a blowup doll in one hand and a knife in the other as he hunts for the killer was priceless.The motive was clear throughout, but you still had to guess the killer. At least Fenech survived.

I have just watched Strip Nude For Your Killer this evening and i found it to be a very good film it features several good looking young women who are working for this model agency who agree to strip for this photographer. But at the same time there is a murder on the loose who is out to kill as many of the models as possible. there are some very gory moments in the film, and it also features a lot of nudity in many sences as the title says. I found the dubbing of the actors not to bad which is good compared to other films i have seen. I think that Andrea Bianchi is a good director from what i have seen in this film. Good Movie!(Recommended).

Strip nude for Your killer must be, for me, the most outrageously sexist giallo ever made. Fair enough, you've got to expect a fair amount of it in these movies(or else you'd be let down) but Andrea Bianchi runs with misogyny ball so far that he leaves the park, gets in a taxi with it, goes to the airport, and throws the ball on a plane to some uncharted island in the pacific.Which, by the way, makes this film quite entertaining.After someone kills a doctor who's botched abortion killed his patient, the film shifts focus to a modelling agency and all the suspects/victims therein. Specifically, we get to focus on Magda (Edwige Fenech), a photographer...and Carlo, who is also a photographer. Carlo takes the biscuit as the most sexist Italian movie hero I've laid eyes on. We first see him sexually harassing a young girl (and succeeding!), then he hooks up with Edwige, seemingly immediately moving in to her apartment, moaning about his coffee, and reading the paper while ignoring her. Edwige, for her part, doesn't seem to mind being called stupid, being shouted at, or even throttled. Ah, the innocence of young love.Oh, and there's some murders too. Our motorcycle-helmeted killer starts working his way through the cast, and I won't really go into much detail about it as it's a giallo, but if you want to see an extremely fat man trying it on with a model, then this is the film for you. Our chicks are there for eye candy, except for the boss of the agency, so of course that makes her a lesbian.Weirdly, I expected LESS from the director of The Zombie Dead, but here, at least on a technical level, he seems to do a bit better. There's some nice Argento/Bava style cinematography, and the music is what you'd expect. Violence wise it's touch and go, with some nice gore effects but not much carnage. However, clothes fly off without much prompting so you've not got much to worry about there.Fun stuff...not a top giallo, but I can't help but be impressed.And, as usual, the ending is jaw-droppingly stupid, and morally questionable.

I give credit to Andrea Bianchi (at first I thought it was a female director, the one lone one among the pack of the Giallo, but digging deeper Andrea is apparently a male name), for trying to put a couple of crazy twists: the killer looks like a cross between a dominatrix and a hardcore biker out of Mad Max, covered in total black leather with a big black helmet, there is a moment or two that do startle with the killer's presence. Indeed, the killer is for the most part much smarter than almost all of the cast, which can be fun to watch once or twice... But the problem with Bianchi's direction is that past the excess nudity, which isn't a bad thing for a sleazy Italian horror flick, there's no suspense to his craft. While the cinematography is accomplished the actual direction as far as suspense goes is pretty weak. Suffice to say, Bianchi is no Argento. It's not a total loss, but it's also weakened by the really bad dubbing (Godzilla sometimes fares better), and some really ridiculous characters, like the fat guy that tries to have his way with the older blonde owner of the fashion studio, that aren't very funny.It's got some hip 70s music, and a few memorable bits (mostly early on, with stuff that doesn't have to do even with the killer), but really this movie doesn't live up to the awesome potential of its title. The trailer on the Blue Underground DVD, on the other hand, is really amazing.