Straightheads
Straightheads
R | 18 September 2007 (USA)
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There is instant chemistry between Alice (Gillian Anderson), a businesswoman, and Adam (Danny Dyer), a younger working-class man who installs a security system in her London apartment. She takes him to a party in the country, and they end up making love. But the night turns horrific when they encounter three thugs who maim Adam and rape Alice. The incident turns them into fearful recluses until Alice spots the leader of their attackers (Anthony Calf) -- and the two victims plot a brutal revenge.

Reviews
eensley95

The one thing that irritated me the most about this movie was the fact that it was only about 80 minutes. I saw a lot of the deleted scenes on YouTube and think they definitely should have left most of them in. The last thing that irritated me was Adam's transition from not wanting to hurt anyone to almost raping Sophie and Alice and then murdering two of the attackers. I think the makers of the movie could have done a better job with that storyline. Other than those two things,the movie was well done. Some of the nudity and sex was unnecessary. (The second rape scene definitely was.We get it.She was raped and Adam is impotent!)The main reason I watched this movie was for Gillian Anderson (I'm a huge fan) and she was the best thing about it.

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MBunge

If this movie had been made in 1990, it might have caused a minor stir. If it had been made in 2000, it would have produced a global nerdgasm of epic proportions. Making it in 2007, though, is just being behind the curve.The story is about successful British businesswoman Alice (Gillian Anderson) who invites security system installer Adam (Danny Dyer) to a party at her boss' country estate. Adam is very much a working class guy who doesn't fit in with Alice's crowd, but they fit together well enough to slip out into the woods for a quickie. Driving home from the party, they encounter three strangers who beat Adam to a pulp and rape Alice on the hood of her car. We next see Alice and Adam a month after the attacks, living in Alice's apartment and still recovering from the trauma. When she returns to her parent's home after her father dies, Alice sees one of the men who attacked them and she and Adam set out to get even and more.When I say it would have caused a minor stir 20 years ago, that's because this revenge film casts the woman as the cold hearted seeker of vengeance and the man as her conflicted, reluctant sidekick. Alice is the driving force, both formulating the plans and planning to do the killing herself. Adam, scarred and blind in one eye from the beating, clearly has no appetite for the scheme but clings to Alice like a life jacket at sea. The movie plays nicely with the idea of Adam's scars being visible but Alice's being hidden in her heart and her spirit. It also has a very interesting and provocative take on Adam's sense of emasculation and how he regains his manhood.If it had come out 10 years ago there also would've been a noticeable reaction because Gillian Anderson gets naked. She's thoroughly topless in just about exactly the way every horny X Files fans ever wanted her to be (and I'm not referring to the rape scene). She was rubbing up against 40 years old when she made this film and does have the somewhat drawn look in the face women can get when they try to be too thin as they enter middle age, but everything between the ankles and the neck is still quite outstanding.The problem with making a film like this in 2007, though, is that the bar for revenge films is set so high now. The beating and rape, while they would be life-changingly awful in the real world, are fairly tame by this genre's standards. Alice and Adam's violent vengeance itself, except for one penetrating moment, is also pretty unremarkable. And while making the woman the Charles Bronson of the picture is a different take, the movie only establishes and never really explores the dynamic between Alice and Adam. They're more like pieces moved around by the plot than they are characters controlling the story through their actions. And then when the movie flips Alice and Adam's perspective on their terrible intentions, it never really explains why it happens and then ends too quickly to explore how the shift would change the characters' relationship. This is one of those rare films that would have really benefited from being about half an hour longer and going several steps beyond where it now ends.If it were a fresher, rawer story, its weaknesses wouldn't be as apparent and it could get by on its strengths. But we've seen this story so many times before, with the violence and emotional conflict far more heightened, that you can't help but notice the movie isn't quite as good as it could or should be.This certainly isn't a bad film but except for Gillian Anderson's impressive boobage, there's really no reason to watch this movie instead of something else.

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Greatornot

I thought this was a nice film that entertained but it did have its flaws. I liked the irony in the movie. Alarm systems protect on the inside but in the outside world , one is still vulnerable. I also thought it was clever to have the socioeconomic status removed by having a couple of different upbringings and castes being involved and on the same side to try and rectify this situation. It was a good movie to actually show the otherside of the coin. Coming at this from the dilemma of the rapist. The protagonists obsession with bringing down the horrible gang was just .Having the rapist with a sweet daughter was a nice touch as well. I thought the movie cover most of the psychological and social barriers. This movie did show what can happen to 'normal' people when pushed over the edge. Comparisons to STRAW DOGS are fine . Danny Dyers is no Dustin Hoffman. Not that the acting was bad , it just was slightly above par. Gratuitous nudity is always OK with this guy. The movie did not have to show the killing of a dog to get its point across. I also felt the movie was too short. The end was perfect with the birds singing when revenge was finally meted. Life is OK again.

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Claudio Carvalho

After the installation of an alarm system by the twenty-three year old low-class Adam (Danny Dyer) in her fancy upper class apartment, the sophisticated owner Alice (Gillian Anderson) invites him to go with her in her boss' "opening house" boring party in the countryside. Adam dates Alice and has a dream night in the fashionable party inclusive having sex with her. While driving back home in a lonely cobblestone road in the middle of the night, Alice hits a moose and the couple parks the car to remove the wounded animal from the road. However, a van stops and a gang brutally assaults Adam and rapes Alice. One month later, Adam is impotent with Alice, has awful scars in his face and a blind eye and the traumatized Alice returns to her work. However, she is informed that her father has passed away and she travels back to the countryside to visit her father's home. While driving back home, she meets one of her rapist by chance and she discovers where he lives. Alice meets Adam and convinces him to come with her to take revenge against the violent man."Closure" is a weird movie, with a promising premise wasted in an awful and pointless screenplay. The story begins with an absolutely poor development of the lead characters: who is upper-middle class Alice; what is her profession; and how is her relationship the "alarm guy" Adam? I understand that they might have had a past since Alice has a suit that fits perfectly in Adam; otherwise she is simply a woman seeking for one night stand. In the story, Alice is a tough character seeking revenge while Adam is weak; however, the situation reverts in the end, and Adam's attitude is totally plausible and believable; but Alice seems to feel sorry and sympathy for the violent rapist and the whole plot becomes senseless and pointless. In my opinion, Dan Reed lost the opportunity to make a great revenge movie like, for example, Neil Jordan's "The Brave One" of the same year (2007) is. My vote is five.Title (Brazil): Not Available

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