**SPOILERS ahead... ** This movie was well done, but not as captivating as I'd hoped it would be. The film mostly focused on Saoirse Ronan and Cynthia Nixon after the girl had been returned "home" to her family. The scenes featuring Jason Isaacs were, by far, the most interesting, but the movie showed very little of the girl's life before she returned "home." I would have liked to have seen more of life in the basement, vs life afterward, as the concept was interesting an Isaacs was brilliant, as he always is. The movie was very sad, but not for the reasons one would imagine. The mother was a complete monster and it was difficult to watch the mother daughter scenes as the movie progressed.

An absolutely brooding piece where a girl is returned home 17 years after her abduction.It's as if there is a brick wall standing between the girl and anyone she deals with. Hesitant but universally religious, she has this wall around here when she speaks and it appears that she is either in isolation or totally spaced out. Kept in a basement, she still harbors feelings for the man who abducted her and even goes so far to visit him in jail.Saiorise Ronan and Cynthia Nixon are both excellent as daughter and mother, respectively.The father is a more upbeat type and is much more optimistic than the Nixon character.You can actually feel the tension in the air, but you would want the film to break out more, possibly with other characters.

Pros: The movie was well captivated, it kept you in wanting to know what was gonna happen next. At times your feeling for all the characters and at the same time trying to find which to connect with. It's realistic and genuine thanks to the actors performances. Cons: I honestly think with time the film started being a one track plot and did not account for all the layers it was producing at the beginning. Some elements were lost when the mother ends up being worse than her captor which I believe wouldn't happen as such unless the mother was already a messed up person which could be true adding to a realistic situation. The doctor wasn't concerned as much as one would be in real life unless again to add some realism they ended up with a doctor who just wants to put in their hours and go home with that 9 to 5 attitude. In all: my cons were along the lines of critique personally... where there were nuances of dislike I easily found a way to ignore it or justify it in order to follow the story, the ending was intense and could not be truly felt by only watching that part, the whole build up to that point makes for one of the best endings I've seen in a film, a television film at that... because of that ending it was awesome.

There are some interesting ideas in this movie sadly they were not implemented..."Stockholm, Pennsylvania" a young woman kidnapped at 4 and kept in a basement for 18 years is reunited with the parents she doesn't remember,the child-kidnapping genre usually it focuses on the victim and the abductor and ends when the subject is found.This film had a more original spin and focused on the after math.I give the film points for originality, one usually does not see this part we only see the victim's arms wrapped around their parents and the credits start to roll. Leia is deeply attached to the mild-mannered end-of-days cultist (Jason Isaacs, in a very small role) who kidnapped her and cut her off from the outside world. But that enforced seclusion also means that at 22 she's facing the childhood challenges and embarrassments of learning how to operate in the adult world.all this sounds like a filmmaker's dream protect.Sadly it takes a turn we put ourselves in the shoes of the mother although her intentions are good, she becomes extremely obsessive to get her daughter back to the point that her actions are not so different from the kidnapper,that's when the film loses me,it becomes unrealistic, it is an obsession to achieve her daughters love at all costs.Strong performances from Saoirse Ronan and Cynthia Nixon, they manage to get the high points of the movie,I leaned more to Emma Donaghue's compelling 2010 novel Room, which developed far more bracing and psychologically nuanced drama out of a similar scenario of shut-ins readjusting to an unknown world.