I found the establishing scenes at the beginning of this film to be the weakest point (in particular the inexplicable decision to shoot just a handful of voice-over scenes using a narrator's-eye camera), but from there on it grows from strength to strength, climaxing in a real humdinger of an ending.An astute decision which adds to the tension is to use an opening scene which makes it clear that the protagonist's escape attempt is ultimately foiled, and treat the rest of the picture in flashback from there; we are constantly, almost subliminally aware that disaster awaits in some unknown form just around the bend, which lends a sense of brooding menace to what might otherwise be a lighthearted caper. (It also makes it entirely plausible, for a few moments, that the whole adventure *will* end very badly indeed, thus delivering considerable emotional punch to an ending which does not insult the audience's intelligence.) The romantic interest is subtly -- no saccharine speeches are ever delivered, save in the most literal sense! -- and effectively indicated, and both Douglas Fairbanks Jr and Glynis Johns perform competently as the innocents on the run with a dangerous state secret. But the real show-stealers lie among the supporting cast, in particular Herbert Lom in an outstanding minor role as as Theodor the smuggler, and Jack Hawkins as the urbane Colonel who masterminds our hero's liquidation without personal rancour in an entirely disinterested spirit.As one would expect from a Gilliat/Launder production, the film boasts a sharp script, and the setting in a dictatorial Balkanesque state provides the opportunity for many mordant observations. The picture, however, is less a comedy than an intelligent thriller/chase scenario enlivened with flashes of black humour. Gilliat's original plot concept dates back as far as 1938, but the post-war setting proves equally apt. Production values are generally high (perhaps the greatest proof of that is that an entire mythical 'Vosnian' language was concocted for the use of the film, elements of which can be picked up by the attentive listener!) and the film is an effective piece of entertainment.

"State Secret" is one of the best political thrillers that I have ever seen. The storyline, script, acting, photography and direction are all top notch. Considering that the film is over 50 years old, it does not seem dated at all; in fact, the plot could easily be applicable to this day. Douglas Fairbanks manages to convince in his role as the visiting American surgeon, but it is the supporting cast - Glynis Johns, Jack Hawkins and particularly Herbert Lom that runs the show. Lom has one of the best one-liners in Hollywood history when he disdainfully tells Fairbanks "Oh please, don't say that it is the principle of the thing....that usually turns out to be so much more expensive!" Sidney Gillat's direction keeps the pace brisk & eventful. A must buy on DVD, certainly for me.

This is a wonderful film and well worth seeing; if you can find it! It used to be on TV all the time, but I haven't seen it in years and cannot find a copy. One very interesting fact about the movie is that it was, to the best of my knowledge, the first film to make use of Esperanto. In the film, all the citizens of the made up nation of Vosnia speak Esperanto! Esperanto was constructed in 1887 as a universal language, drawing words and structure from many different languages. The hope was that it would be adopted as an "everyman's language" and be equally difficult for all people to master. State Secret gives the viewer a chance to hear fluent Esperanto, as well as adding flavor to the underlying excitement of the plot.

I viewed this film at Cinevent in Columbus, Ohio on Memorial Day weekend, 2001. It is one of Fairbanks's best performances. He is believable as an American physician brought to a eastern European nation under false pretenses. When his patient, the current dictator, dies he is slated to be killed as part of the coverup. He escapes with the unwilling aid of a cabaret singer (Glynis Johns), a stranger who is the only person he can find that speaks English. The story is told in flashback and contains some highly tense moments of an escape over high mountains and a bit of comic relief provided by Herbert Lom. First rate! I hope this film can be released on video or seen on television. It shouldn't be missed.