Released in 1979, "Starting Over" is a romantic dramedy about a recently divorced man, Phil Potter (Burt Reynolds), who tries to get back into dating and finds a new potential mate (Jill Clayburgh) while the ex-wife still hovers (Candice Bergen). Charles Durning and Frances Sternhagen are on hand as the protagonist's brother and sister-in-law.Who knew Burt could do drama? This movie proves it; and the first hour is quite entertaining, as far as romcoms go. Bergen is stunning and it's hard to see Phil settling for Clayburgh's character. In any case, amusing moments abound. Unfortunately, the last 45 minutes morph into a slow-moving bore. It's almost like they hired someone else to write the third act. If it weren't for the dull third act I'd easily give this a grade of "B" or 7/10. Still, this is a must-see if you're a fan of Reynolds (or Bergen, even though her role plays second fiddle to Clayburgh). The film runs 105 minutes and was shot in the Boston area.GRADE: C+

A freshly divorced man tries to maneuver the singles field. It gets off to a great start but half-way through the script runs out of steam, which is somewhat surprising given the track record Brooks has as a comedy writer in TV and film. Shedding his usual macho screen persona for an understated performance as a decent fellow, Reynolds has never been more appealing. Clayburgh is also good as an insecure woman he becomes involved with. However, it is Bergen who steals the film as a songwriter who can't carry a tune but fancies herself a great singer. Pakula rarely did comedies, but he manages to push the right buttons in eliciting laughs.

"All the President's Men" director Alan J. Pakula stepped out of his comfort zone so to speak to helm this lightweight 'divorce' romance comedy with Burt Reynolds, Jill Clayburgh, Candice Bergen, Charles Durning, and Frances Sternhagen. Previously, the closest that Pakula came to "Starting Over" was "The Sterile Cukoo" (1969) and "Love and Pain and the Whole Damn Thing" (1973). Usually, Pakula specialized in dark-themed conspiracy thrillers, such "Klute" and "The Parallax View," or melodramas like "Comes A Horseman," "Rollover," and "Presumed Innocent." Not only was Pakula venturing out of his usual zone, but also Burt Reynolds definitely stepped out of his comfort zone, too. Reynolds made "Starting Over" between his "Smokey and the Bandit" movies and "Hooper." Although both Clayburgh and Bergin received Oscar nominations respective for Best Actress and Best Supporting Actress, Reynolds didn't get a Best Actor nod for what is essentially one of his more winning as well as offbeat performances. He did receive a Golden Globe nomination for Best Motion Picture Actor in Musical/Comedy for his performance in "Starting Over." Indeed, Reynolds is more subdued than you can ever imagine this action hero being. He slows down his cadence and displays a vulnerability that was never apart of his action hero roles. Reynolds' wardrobe reflects this change-of-pace casting. He dons sweater vests to wear with his sports jackets and trench coat. Reynolds plays Phil Potter. His wife Jessica (Candice Bergen of "Bite the Bullet") has slept with his boss and she gives Burt the boot. Phil is heart-broken that his wife is kicking him out. He didn't want to part company with her, but she has a popular tune hit and is able to go out on her own. You know that you're watching a comedy because Bergen's character has no vocal talent and sounds distressingly off-key. Here is a sample of the lyrics of her song: "I'm sure I've cried more tears than you-ooh-ooh, but I've gotta be more than a shadow of my mannnnnnnn-nuh." A dejected Phil starts over with the help of his older brother Michael (Mickey) Potter (Charles Durning of "The Choirboys") and his wife Marva (Frances Sternhagen of "Outland") and they set him up with a variety of women. When he isn't dating, Phil participates in a divorced men's workshop in the basement of a church. These scenes are amusing in themselves because the women constantly antagonize the men into leaving early. Meantime, the winner of all the women that Phil sees is a school teacher, Marilyn (Jill Clayburgh of "An Unmarried Woman"), but they endure a rocky romance, principally because Phil hasn't gotten over his ex-wife. Incredibly enough, just as Phil is adjusting to his new life and getting along with Marilyn, Jessica shows up to collapse that house of cards between Marilyn and Phil. When Phil tries to reunite with Jessica, Marilyn asks him to swear on his brother's life that he won't bother her again. Of course, this is not to be and Phil and Jessica cannot rekindle the glow that once warmed their romance. "Starting Over" is just a change of pace for both Pakula and Reynolds that you could almost ignore it, were it not for scenarist James L. Brooks' adaptation of Dan Wakefield's novel. Interestingly, Reynolds had appeared earlier in another lightweight football comedy that was derived from Wakefield's novel "Semi-Tough." It is refreshing to see Reynolds play a role that doesn't require him to pack a pistol or perform dangerous automobile stunts. Actually, he does run a small car off a road onto a snowy embankment where he crashes into a tree, but it isn't a life-or-death stunt. The funniest scene occurs when Phil and Marilyn are shopping at Bloomingdale's for a sofa and Phil experiences a panic attack. Eventually, Micky comes to his rescue and convinces Phil that he was just hyperventilating. Mickey asks the spectators if any of them have a Valium and everybody tries to fork over the medication. If you want to see Burt Reynolds stretch himself as an actor and watching an entertaining comedy, "Starting Over" is a good start.

Between this movie and The End, this is what Burt Reynolds should have been doing all along. In the few vehicles that he's given himself to work in some sort of halfway sophisticated comedy, he shows himself to be a master at timing and understatement. He could have built a career for himself as the level, likable handsome lead who is continually put upon by wacky supporting characters and sticky situations.I think it's a shame that Burt Reynolds opted for so much lowbrow drive-in movie slapstick or for playing caricatured hardboiled detective sex symbol types and supposed Dixie anti-heroes. He's got so much more talent than that.