Stand-In
Stand-In
NR | 29 October 1937 (USA)
Stand-In Trailers

An east coast efficiency expert, who stakes his reputation on his ability to turn around a financially troubled Hollywood studio, receives some help from a former child star who now works as a stand-in for the studio.

Reviews
dpickell

If you want Coen Bros and Tarantino, avoid this like the plague! 'Next time rattle before you strike!' Great parthian shot!The ex-vaudevillians show their egregious talents in long single take action sequences.This is a blast! Joan and Leslie. Just set up a camera u p, give them a script, and stand back.Fun look at movie makers making a movie about movie makers making movies.

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wes-connors

Financial wizard Leslie Howard (as Atterbury Dodd) is sent by New York bankers to save Hollywood's "Colossal" film studio, which is going bankrupt. Arriving in town, Mr. Howard picks up pretty blonde "Stand-In" and former child star Joan Blondell (as Lester Plum), on the corner of Hollywood and Highland. Stroking her tired feet and legs in the limousine, Ms. Blondell gives Howard his first lesson about movie-making. Appalled by the excesses at the studio and the audition of an underdressed Shirley Temple clone, Howard moves into Blondell's more down-to-earth boarding house...On the set, Howard becomes involved with "Sex and Satan" producer Humphrey Bogart (as Doug Quintain) and his amorous star Marla Shelton (as Thelma Cheri). There are obviously problems at the studio for Howard to solve, while dealing with romance. The satire isn't sharp enough, especially as the running time wears on, but "Stand-In" hits the mark fairly often. Given the subject matter, producer Walter Wanger and the studio take the opportunity to draw from a great supporting cast of character actors, former stars and bit players. This makes for many good moments.****** Stand-In (10/29/37) Tay Garnett ~ Leslie Howard, Joan Blondell, Humphrey Bogart, Marla Shelton

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MartinHafer

This film is enjoyable to watch mostly because of the performances of Tully Marshall and Leslie Howard. While Marshall is in a smaller role, it's hilarious seeing him playing the old and nasty guy who is the head of a mega-corporation--and the way his son and grandson react to him. Marshall has never been funnier--and the same can also be said for Howard. Howard is in his element playing a very stuffy but funny guy--one of his best.The film begins at a meeting of the board. Marshall learns that his corporation owns a failing movie studio and he's not sure whether they should sell it or keep it--so he dispatches Howard to investigate and makes him the temporary head of the studio. Soon, however, it becomes obvious that Howard is ill-prepared for this job. Although he's great with economics and figures, he doesn't know people. Many of his employees run all over him and he barely notices that one of them (Joan Blondell) is infatuated with him. Can he somehow work all this out or will the studio be sold to the highest bidder? The film has some nice supporting actors. In addition to Marshall and Blondell, you've also got Humphrey Bogart in a VERY unconventional role as the head of programming. All in all, the stars did a nice job. And, it didn't hurt that the script was quite witty and fun. All in all, a nice little parody of the studios--with many of their foibles roasted here in this cute film. Worth seeing.

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didi-5

From the moment you see an epic movie about gorillas, or performing seals in a boarding house, or horrendously untalented little kids with showbiz mommas, you know you have a marvellous Follywood spoof.This little-mentioned or cited comedy pits snappy Joan Blondell against – of all people – versatile Leslie Howard, in a studio-set tale of corruption, change, and romance. You'll also find Humphrey Bogart in one of his climbing-up-the ladder roles as a crusty, hard-drinking backroom man.Blondell plays the ‘stand-in' of the title, that is, the girl who burns under the lights while the leading lady gets pampered and the shot gets set up. Howard is an accountant, transported into a world he doesn't initially appreciated, to discover the reason for the studio's cash-flow problems.Do you know how it ends yet? This was the film that persuaded me of Howard's incredible gift for getting laughs as well as his dramatic skills, and I've been a fan ever since. Blondell and Bogart are also terrific, and this is a minor, but hugely enjoyable, 30s gem.

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