Having read about this film as part of a few film festivals I was intrigued and yet hesitant to watch it myself. I knew that it was about a very emotionally challenging relationship and experiences. As things happen, it resurfaced right at the right time, following a break up and challenging custody agreement process I was in. This movie does not shy away from the challenges and experiences we as humans go through in the attempt to relate, love and build lives together with other humans. And in particular it brings to the forefront how our innocence, expectations, earlier emotional wounds greatly impact how we exist and relate to others. For women, I believe this movie begins to create a way to peal off layers we have put on to face the world, to ultimately heal our own wounds by acknowledging and accepting them as wounds. I would say for any woman that has had a relationship with challenges in relating, which I feel is most relationships (also between friends and family) this film begins to create a means of talking about why it can be so difficult to be in relationship. The scenes from the theatrical play group within the movie are so cinematically beautiful and the female nudity which is presented is so raw and real and natural.

Inanna (Amy Ferguson) joins an experimental theater group that works on the Mesopotamian myth of Inanna, and more specifically on the liberation of enslaved women. After a few rehearsals, she comes to the conclusion that she does not possess the primal rage and the raw longing for freedom that the other women in the play possess. In a most upsetting scene, these women tell how they have been victims of extreme (sexualized) violence. At the same time, Inanna falls head over heels in love with Derek, a mask maker (Morgan Spector), and marries him. Right from the start, she adapts her life to his, while he refuses to change anything in his own life. He doesn't even stop the affair he had with his assistant (Antonia Campbell-Hughes), claiming that she was there first. Inanna soon realizes that she is losing her identity while getting nothing in return. Profoundly wounded and feeling like drowning, she is now able to express the primal rage and the raw longing for freedom that the play requires from her.

I watched this movie thinking it was Split by M. Night Shyamalan. Half way I realized I was watching the wrong movie but I decided to give it a chance. Well, what a mistake. This has to be the most pointless, boring, disgusting movie I have ever watched in my life. Now I understand to the letter the meaning of I rather watch paint dry.

This stunning new film uses familiar images from prior Kampmeier films (e.g., the naked women in the lake in VIRGIN, the snakes in HOUNDDOG, etc) to go in daring new directions that are even deeper, darker & more rewarding.Amy Ferguson is very good as "Inanna" (an actress piecing together a career in New York's Indie Theatre scene), but Morgan Spector is a revelation as "Derek" (a tormented artist who makes brilliant theatrical masks which seem to have been born in Julie Taymor's worst nightmares).SPLIT is not for the faint of heart & I have no doubt it will prove to be just as controversial as VIRGIN and HOUNDDOG. But remember this: no one knew Elizabeth Moss before Kampmeier cast her as the lead in VIRGIN, and Dakota Fanning had only played kid roles before Kampmeier cast her as the lead in HOUNDDOG. She also cast Robin Wright in key supporting roles in both films. So if actresses of this stature have put their trust in Deborah Kampmeier, then so should you!