Son of the Pink Panther
Son of the Pink Panther
PG | 27 August 1993 (USA)
Son of the Pink Panther Trailers

The illegitimate son of Inspector Clouseau is on the case of the kidnapped Princess Yasmin.

Reviews
TheLittleSongbird

I say this as a big fan of The Pink Panther. This movie is a shameless mess, with just two redeeming qualities. One is that the music is wonderful, appropriately zany and jazzy. The other is the amusing title sequence. These aside, you have here the worst of the Pink Panther movies, as bad as Trail and as mediocre as Curse were even they aren't as close to unwatchable as this.The locations are quite nice, but the editing and photography aren't as striking, often feeling rushed and dull. The cast are really quite ineffectual. I don't mind Roberto Benigni personally, but he is in my opinion miscast and he mugs shamefully. In fact the only thing he manages to succeed in doing is annoying poor Herbert Lom who is saddled with an underwritten character and a badly misguided plot.The basic plot is to do with a kidnapping, and how it is written and constructed is mind-bogglingly inane. The comedy is even worse, the script is shambolic and the slapstick is inept and unfunny. It is nice to see the lovely Claudia Cardinale but she sadly doesn't have that much worthwhile. And I don't think Edwards has done a poorer directing job than what he does here.All in all, a big mess and only really worth seeing to see how bad it is. 1/10 Bethany Cox

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studioAT

Blake Edwards should really have stopped making Pink Panther films after Peter Sellers died and realised after the cut and paste film that was "Trail of the Pink Panther" and the flop that was "Curse of the Pink Panther" that the public just weren't interested in Clouseau clones. The franchise was already thirty years old at the time of this release and although there are some funny moments to be had everything feels tired and the cast can't save this weak film. Panther regulars Burt Kwonk and Herbert Lom all appear in an attempt to make this feel like a classic Panther but without the talent of Peter Sellers this film fails to match the high standards of the previous entries.A weak end to Blake Edwards franchise that deserved a better conclusion.

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disdressed12

i had very low hopes for this eight and final installment in the original Pink Panther series of films.i just didn't believe Roberto Benigni would be a good fit.i'm happy to say i was wrong.Benigni was the best part of the film.he was brilliant,exceptionally funny.the man is a natural born comedian,with great comedic timing or at least it looks that way in this movie.beyond that,though,the slapstick sequences actually work much better here than in the previous movies.i laughed out loud a lot during this film.i don't agree at all with the the undeserved(in my opinion)current rating on this site of 3.5/10.for me,Son of the Pink Panther is an 8/10

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fullonrobotchubby

I have not seen the latest Pink Panther movie starring Steve Martin, but from what I gather, it at least has redeeming qualities. Its most popular credit is the song Beyonce provided for it (I'm not a fan - "Check on Me" is it called?), and most had no idea the song and movie were connected (I also read that Martin's comedic timing slightly saves the family film). Clearly, it can't be as bad as Son of the Pink Panther... can it? I mean Son is really bad; I've heard Peter Sellers (the original Inspector Clouseau) roll in his grave a time or two, but I thought there was thunder outside when I saw this. A then-unknown Roberto Benigni (yup, that wacky Italian who, five years later, would beat Tom Hanks AND Edward Norton for the Best Actor Oscar and declare he wants to "kidnap you and make love to you") plays what many suspect to be Clouseau's offspring. Of course, it's up to him to solve the case, which I won't even bother going into detail with. My favorite scene, uhhh... some physical comedy with a bicycle toward the beginning. Can't we all, as a whole, agree to never make or support another Pink Panther movie ever again? The Bobby McFerrin (?!?) musical intro to this gunk should have served as enough indication that the genius work of Blake Edwards and Sellers should not be outweighed by a steaming pile of pink whatsit.

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