This was one of the best movies I've ever watched. The hope & spirit of the future. I wasn't sure if this was going to be a religious movie or not, but decided to see what it was all about. And I'm so glad I did. It doesn't have anything to do directly with the Lord but with the gift he bestowed upon us. The medical profession in the 30's, was an amazing time to be part of something bigger. This movie is based on a true story, and is about man and his 'assistant'. With the love of a good woman & supportive friends you can make miracles happen. I believe that this movie hits on so many emotions. It will satisfy your need to believe in yourself.I truly enjoyed the acting in this movie. Rickman is a great actor and always enjoy all of his movies. And Mos Def plays his part very well (he plays a very humble man who doesn't fight for what acknowledgment he deserves.

Apparently Mos Def is a rapper. But alongside veteran actor Alan Rickman, we'd be hard-pressed not to regard him as Rickman's thesp equal.A True Story worthy of movie status. Not another Viet Nam bore-fest or boxer's tragic rhapsody or musician's clichéd biopic, SOMETHING THE LORD MADE addresses an aspect so embedded in our modern culture we take it for granted - the story of the first heart bypass surgeries.Alan Rickman is cardiologist Dr. Alfred Blalock (endowed with that god-attitude intrinsic to most heart surgeons), who arrives at John Hopkins Hospital in 1941 with Vivien Thomas in tow (Mos Def), his poverty-stricken, creative, resourceful lab technician.Blalock and Vivien together create a new discipline in operating on malformed hearts adversely affecting blood circulation. The means by which they arrive at solutions to their biological puzzles must seem simple and obvious to today's heart surgeons, but it was counter-intuitive in those days when the medical profession's idée fixe was that the human heart was so complex that Man should go nowhere near it. It was Something The Lord Made (which presumes - for people who believe "the Lord" had anything to do with the human body at all - that he either didn't make everything else, or that he made the rest of it as simple as a cucumber).The OTHER prejudice in SOMETHING THE LORD MADE is that good old good ole boy standby - racism. Vivien is black, which, in those times only minimally less tolerant than these, meant denigration, deprivation, and prejudiced dismissal at every opportunity. You know, exactly like today. Couple that with the fact he has no medical degree and the race/medical prejudices are off the doctor's charts. Though he had no formal education, the didactic, ambitious Vivien's understanding of medical procedures was so innate he ended up advising Blalock in the operating room (on the special procedures for heart shunts they invented). To the chagrin of the all-white surgeon country clubbers.Movie dramatizes and compresses all the double-prejudices (the heart-operation thing and the black-guy-as-doctor thing). Only those who lived through those times would ever know the gutshock reality. Nothing can truly convey the utter contempt that the ruling white classes harbored for blacks – we can only be reminded by movies that such times existed. In this age when there is still much racism to be overcome, we cannot imagine how frightful it must have been for whitey to accept a black man in the operating room touching his innards. Especially a rapper.Mary Stuart Masterson is Dr. Helen Taussig, another cardiologist instrumental in Blalock's and Vivien's research. These three far-seeing minds pioneered treatment of the "blue baby" syndrome (called tetralogy of Fallot, a congenital heart malformation that robs the blood of oxygen, causing the baby's face to turn bluish).If we're to believe the end credits, the "blue baby" operations at Johns Hopkins launched the field of cardiac surgery.I spent most of this movie on the verge of tears, for the greatness of these people. (And for the greatness of Mos Def's talent in burying himself in this humble role.) Tempering my admiration - ego, politics, peer pressure. Blalock was a respected white doctor and there were times when he simply succumbed to passive racism for its political benefits. Yet when he needed Vivien most - in the operating room (his oft-repeated question, as he hunched over patients' open hearts without the luxury of turning around, "Are you there, Vivien?") - Vivien was always at his shoulder.In Blalock's defense, the double-whammy prejudice thing has a tendency to overshadow the achievements and courage of the white guy. Blalock did, in fact, forge new methods for heart surgery. Give the honky a little sugar, activists! Both their portraits hang in equal prominence at John Hopkins, and Vivien received an honorary degree for his work; achieving the recognition he neither sought nor cared for, but through the recognition, gaining his long overdue respect. But for Mos Def to win any sort of award for this magnificent performance, well, don't turn blue holding your breath...--Review by Poffy The Cucumber (for Poffy's Movie Mania).

This movie offers a surprisingly low-key account of the work of Dr. Alfred Blalock (Alan Rickman) and especially his assistant Vivien Thomas (Mos Def) who, working together, created the techniques that led to the first successful heart surgery in the world. It's ostensibly a medical movie, and it does include a lot of medical jargon which, in all honesty, was over my head although it made the point that this was truly revolutionary work they were pioneering. And yet, while the movie revolved around medical experiments and surgeries, it was much more than that. Without becoming a movie about the civil rights struggle, the movie was definitely set in that context. As a black man, Thomas (who wanted to go to medical school but couldn't afford it) had to deal with all the assorted challenges of living in that time - segregation, racism and a general lack of respect from those among whom he worked. Even Blalock, who obviously did respect Thomas and his knowledge and abilities and who did fight to improve Thomas' salary and working conditions, seemed to take him for granted at times, not understanding Thomas' reaction at being given no public credit for the work in which he had shared (and in which he was, in many ways, more knowledgeable of and more proficient in than Blalock.) The complexities of such an inter- racial partnership were well portrayed in one simple scene where Blalock shows up at Thomas' home one night. Thomas' wife tells him that in 12 years he's never come to their home; Blalock responds that in 12 years he's never been invited to come to their home. As closely as Blalock and Thomas worked, they were still two solitudes - the point was briefly but well made, and it has to be noted that both Rickman and Def were excellent in their respective roles.The conclusion was appropriate, as we finally see Thomas get the credit he deserved for his work, being granted an honorary doctorate by Johns Hopkins, where he and Blalock had perfected their heart surgery techniques and having his portrait hung on the wall beside Blalock's. One certainly couldn't call this an exciting movie, but it has important stories (medical, social and biographical) to tell. 7/10

This is a docudrama about the two people behind the first open heart surgery: Dr. Alfred Blalock (Alan Rickman) and Vivien Thomas (Mos Def). One of the many qualities of the film is how it gives enough technical medical details so that you can appreciate the ultimate achievement of the successful operation in 1944 - on a baby with a heart defect - but it does not dwell on the technical specifics to the extent that only a medical doctor could appreciate them. As interesting as the medical aspects are, the real strength of the movie lies in the character development of the two men and the depiction of the racism that Thomas had to endure. Sometimes I felt we were being hit over the head a little too hard with the racism angle (Blacks to the back of the bus, Thomas serving drinks at Blalock's social parties, documentary footage of blacks being hosed and attacked by dogs, Blacks having to enter through the hospital back doors, separate restrooms, and so forth), but that was what Thomas was facing at the time. At least he lived long enough to see the end of institutionalized racism and get some of the respect he deserved.Blalock was an interesting character. When Vivien was the janitor in his lab Blalock was interested enough in him as a person to find out that he had been a skilled carpenter. When Thomas showed some interest in Blalock's surgical experiments on animals, it occurred to Blalock that, given Thomas' background, he might have uncommon dexterity. When this turned out to be true, Blalock was open-minded enough to train Thomas to work with him on surgical procedures. When Blalock stands up for Thomas' working with him in the face of racist comments from colleagues and resists certain racist customs you are thinking that this is going to be one of those stories to warm the hearts of ardent liberals. But Blalock had either an insidious form of racism or such an ego that he could not seem to look much beyond how he could use Thomas to further his career. He could unreasonably fly into a rage when he thought that Thomas was not living up to his impossible expectations and he did not push for any promotions or pay raises for Thomas in spite of the fact that Thomas' skills were developing to equal or surpass Blalock's own. When Blalock's pioneering work received national recognition, he did not include mention of Thomas' contributions.When Blalock showed up at Thomas' house one night, Thomas' wife said to him, "In all the years that you have worked with Vivien you have never come to our house," and Blalock responded, "You never asked me." Trying to figure Blalock out and just what the bond was between these two men is quite a puzzle.I would have liked to know more about Thomas as a person. Whereas Blalock is presented warts and all I have the feeling that there was more to Thomas than the saintly image we get here.The final scene is very moving, where the faces of the actors resolve into the real portraits of the two men that now hang in the Johns Hopkins Medical Center.It is an unusual movie where you get a history lesson as well as an engaging character study.