Non, no, no, that's not a thriller but a crime, noir movie, a film noir in the UK manner, if you prefer. But quite different from the usual British stuff you find since one decade now, directed by the likes of Paul Tanter and starring guys like Bill Murray - not the American actor but the one, from UK...Corny and awkward movies for most of them, some in the Tarantino ( Reservoir Dogs) fashion. This movie I am talking now is closer to HYENA than the rest of the UK noir production, and far better too, darker, bleak and depressing too. Characters are powerful, and editing breathless. No thriller here, no hero vs bad guys. The lead is a born looser seeking for pardon or a sort of redemption, as the hero of another noir movie from France called : J'IRAI AU PARADIS CAR L'ENFER EST ICI. Very close to this one in the overall scheme, if not the story itself and the atmosphere, but only the message.

First off, this movie is not going to be for everyone and probably not most people. I am big fan of British indie crime dramas so obviously I was excited to watch this film. The script is focused on a young criminal and drug addict named Dave who was born into a life of crime. A series of events leads him to rethink his life and the people he chooses to call family. The acting, directing and cinematography saved this movie, because the script could have been stronger... although not totally disappointing. All the actors played their roles well with an exceptionally strong performance from the film's lead. The setting of the movie in dreary London added to film's character and appeal. The cinematography was difficult to watch at times due it's drug induced scenes and flashbacks conveying Dave's mind on drugs. This type of cinematography/editing will be tough for most to watch who cannot appreciate the art behind it; somewhat reminiscent of a Requiem for a Dream. At times, I could really feel the whirlwind inside the mind of Dave.This is not an enjoyable feel good movie by any means, but does give you a glimpse into a life of person who feels his life is at the end of the road at such a young age. Is there a way for this young man to find peace after all? Overall, a solid indie flick that will appeal to those who enjoy the darker side of filmmaking.

Dave is a London gangster who works for his uncle Jimmy . After his friend Tariq goes missing Dave's troubles are only just beginning as he becomes more and more reliant on cocaine and alcohol and finds he can no longer trust anyone An unknown British independent film featuring a backdrop of gangland crime and instinctively I only watched it due to misguided jingoistic reasons of watching a Brit flick , In other words I knew in advance I wasn't going to enjoy it and considering it had no big names and a look of a student film it was going to be a waste of almost two hours After seeing SNOW IN PARADISE one instinct that was confirmed is that it's not an "enjoyable" film . However that doesn't mean it's a bad film , in fact all things considered that most of the production team are inexperienced as are the cast this is a very well made film indeed . It's just that the tone is extremely bleak and nihilistic and while it's a film that shows the power of redemption we have to endure a lot of bad things happening in a depressing manner . In it's favour it is very compelling and much of this is down to the performance of Frederick Schimdt as Dave , an actor I'd never heard of prior to this film but look forward to seeing more of in the future . Perhaps due to Schimdt's obscurity I was never aware of an actor playing a role and was able to buy in to a gangster heading towards self inflicted total destruction This is director Andrew Hulme's debut after spending several years working as an editor . Most of his work in SNOW IN PARADISE is surprisingly effective and achieves this via composer Kevin Pollard's constant and brooding musical score which adds a lot of heavy mood to scenes but unfortunately also tends to drown out the dialogue in some scenes due to a poor sound mix . Apart from that everyone involved in the film can feel some pride in making a hard hitting drama on a low budget

The synopsis of this indie film is that our main man, Dave, is a petty criminal who works for his rather unsavoury uncle – Jim. He does this by running errands and being a lower rank foot soldier. He also likes a taste of the goods now and then too as it's always drugs in with crime. He has a best mate in Tariq – who says 'Bruv' at the end of nigh on every sentence which becomes more annoying than a car alarm.Well Dave messes up and Tariq pays the price – then in a pique of remorse Dave runs off and discovers Islam; but the past was always going to catch up with him. Now despite that synopsis the Islam part is actually downplayed and is only one of the many facets that go to make this film actually work. The acting is all very strong Martin Askew as Uncle Jimmy is completely terrifying and actually co-wrote this too. The camera work is very good and tries really hard to have art-house shots and it pulls it off convincingly. There is some violence and it is nasty but it is very tastefully done – in that it is mostly off screen. Many indie crime Brit films have been of poor quality lately this I am glad to say is one that raises the bar and shows what can be done with a decent script and a committed group of actors.