I thought perhaps this one would be different, but sadly no. This film left me with an overwhelming sense of sadness. For the main character, for those who deny themselves to live the way society expects. For his girlfriend who ends up in a marriage that's a lie. I could go on. However, suffice to say that it's just another homophobic film dressed up as a "gay" film. Frankly, I wouldn't be surprised if it was funded by ultra-conservatives. Disappointing. It gets 4/10 only because of the better than usual acting you find in this genre. Also, some of the guys, including the lead actor, are hot. That's about it.

Had this movie been made in the time that it allegedly portrays, I would understand, and it would be simply a statement of the times.However, this movie was made during a time when homosexuality, at least in Tel Aviv, is not only widely accepted, but celebrated.Tel Aviv is probably the "gayest" city on earth. There are gay couples with children, everywhere. Pride, is huge.So... why this movie? What are you trying to tell me? That people in 1989 were conflicted? No kidding! That the super-macho Israeli society was... not very accepting, and men who questioned their own sexuality were tortured souls?The plot and the characters were, VERY predictable. I have seen thisstory so many times before.Waste of 70 minutes of my life that I will NEVER get back. The only reason it was not a 1* was that it was at least, from a technical standpoint, well written, and shot, at thankfully SHORT!

Just watched this film, and as other reviewers have indicated, the cover photo is misleading.I think those reviewers who refer to the hero as homosexual, are missing something. Boaz has always been afraid of his own same-sex attraction, and as often as not, strikes out against any gay man who approaches him. One could label him a gay-basher. Homophobic bisexual probably fits him more accurately.The story takes place in 1989, one year after homosexuality has been decriminalized in Israel and four years before gays could serve openly in the army. As such, it takes place in a time of great change. This factoid may have also played a part in his inner struggle.Yoav Reuveni, beyond eye candy, gives a nuanced performance. The production is well-paced and professional (a far cry from the early Israeli-gay films). I'm glad to see that Eytan Fox is not the only great Israeli director of gay-themed films.

The main actor is gorgeous; very buff body, chiselled face, lush locks of hair: a Hebrew Adonis. One could gaze at him for the duration of the film alone, if looks were of single importance here. But I suppose if this film is meant for the gay market, then that stud should be taken into homosexual situations more so than it does here. Alas, in this film, homosexuality is merely his closeted state of being. As such, the film delivers very little thrill. 90 percent of the content of the film is taken up with heterosexual relationships and a very stern heterosexual environment (that nagging girlfriend being in the picture most of the time, really gets on my nerves, no surprise he gives her a good whack at one point). The other 10 percent constitute to, at most, ten minutes of exciting secret sexual shenanigans between guys in dimly lit cruising spaces. However, those ten minutes do not add up, to enough excitement for me to have to sit through a whole feature length film of boring heterosexual people that are of no interest to me whatsoever. The erotic film poster with two men kissing is misleading, as it's an infinitesimal moment in the film; be warned!