I enjoy movies like this as it reminds me of better days in my youth. Very thoughtful movie and one that doesn't have poor humor and tired jokes tied in. True to life story with coming of age teens. We all have experienced good times and bad times growing up and unfortunately most have dealt with dark times or tragedies of life. The movie shows typical problems and growing pains that we all have experienced in some way or another growing up. Some of the movie isn't hard to figure out where it is going, but again still it is well thought out and true to real life. A good piece with raw talent and an above average story line to go with it.

This is not the first 'coming of age' film, nor will it be the last. It is however a refreshing take on this familiar theme.The film is a slow build, that covers a summer in what is Canada's 'cottage country' but could be anywhere in North America, but for some minor nationalisms. Cinematography nicely celebrates the wilderness, while the editing nicely mimics the YouTube aesthetic that informs much of today's youth media.This is a particularly, almost entirely, male vision of coming of age. The three young male leads are credible and familiar -- struggling to present themselves as adult, unsure of how to assert their masculinity, the role models they observe are flawed or absent. One of the three has a father; he reveals himself to be cad. Another has been abandoned to his grandmother by parents who are absent emotionally and physically. The third is revealed to have lost his father to suicide. They turn to a local man, himself trapped in adolescence despite his age -- but though his routine of video games, pot smoking and petty crime amuses, even the boys recognize the essential hollowness of his life.Women in this story are thinly drawn: the mother that still sees her son as a child; the grandmother that can but dote; the 'girlfriend' whose own budding sexuality has her as confused as the boys; the mistress ... Ultimately and interestingly, the story is often summarized as of the struggle between two of the boys for the attention of the girl. But this is only partially, and not entirely, true.There are many struggles at work in this film. Two of the boys are 'from away' -- and anyone with cottage country experience understands immediately that dynamic. The one boy who lives full time in the region knows himself to be an outsider to the modern world, which is revealed to him only through the internet and movies, often porn. There is a material class conflict at play, with those that enjoy beach front summer homes and those that support this industry. There is the struggle of success at education -- ultimately the trigger that begins the final tragic act begins with a snub of one boy's 'school smarts' or lack there-of. And there is the struggle for sexual satisfaction.Interestingly, the sexual angle is not a simple triangle. Or better put, it is, but not the one expected. The competition for the girl is actually much more sophisticated in the filmmakers execution, and is never fully revealed as some reviewers simplify. In fact, there is as much suggestion that there is a sexual struggle between the boys for one another. The 'girl' is well positioned to be a barrier to the homoerotic yearnings of the star as she is to be the reward. The protagonist is struggling with his friend's attachment to the girl -- but is it because he's losing the boy, or the girl? Smartly, the film leaves the question unresolved. And hints that the character himself is undecided ...The film is well acted by amateurs, or better put the director pulls very convincing performances from inexperienced talent. The narrative is informed by a believable view of the dynamics at work between young-old, wealthy-poor, city-country, male-female. A promising first effort, I'll keep my eye open for more from this director.

"Sleeping Giant" is a low-key Canadian film that builds to an explosive climax; even if sensitive coming of age stories tend to give you the indie fidgets, I'd still recommend this one. It does start out slowly, with improv'd ensemble scenes (quite convincing), standard montages of teenagers doing carefree teenage stuff and gorgeous shots of the Lake Superior shoreline. The POV character, Adam, is too shy and passive to generate much storyline on his own—how many kids like that grow up make indie films?, I wonder—though the shaky family dynamic is laid out very nicely: A scene where Adam's well intentioned but clumsy dad urges him to start something with his childhood friend, Taylor—now a lovely young woman who's caught the eye of one of Adam's bad-boy cousins—signals clearly that Dad may be up to something himself… These and a few more wispy, unresolved subplots don't build up much momentum till the final scenes, beginning with a teenage tantrum that busts up a family Monopoly game… (I know, pretty Canadian, eh?) Great performances by the teenage principals, esp. first-time actor Nick Serino as another bad-boy cousin, Nate, the tantrum thrower. Not essential, but still quite watchable and available on streaming Netflix—otherwise how would we ever get to see it?

I didn't expect much from this film. It didn't look bad, but I just thought maybe it'd end up being a forgettable independent coming-of-age film. Luckily, I found it to be a lot better than that. I thought the acting was a bit inconsistent overall (the lead male being the best actor of the boys), but the sensitive, nuanced direction and screenplay helped the film become something actually special. It's a film that is willing to contemplate ideas that do weigh a lot, but I bet a lot of people the same age as these characters might actually relate. I don't think it's a great, original film, but definitely well-executed for the most part.