Sleepaway Camp
Sleepaway Camp
R | 18 November 1983 (USA)
Sleepaway Camp Trailers

After a terrible boating accident, Angela Baker is sent to Camp Arawak, where a series of bizarre and violent "accidents" begin to claim the lives of various campers.

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Reviews
jessikanc86

I think because it's a cult classic and have heard so much hype about it before watching I expected It to be better then what it was. I found it to be kinda predictable but overall I guess u could say the ended was a head of its time if u know what I mean.. lol

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Samuel-Shovel

I'd previously heard of this movie and it's disturbing twist of an ending so I knew what I was getting myself into when I decided to toss this one on. With the ending already ruined for me, I was expecting it to not be that enjoyable (since I'd heard that the rest of the movie was kind of a snore); but this movie actually exceeded my expectations!This movie has some really fun horror elements and climatic death sequences. The scene with the hornets nest in the bathroom I will always remember. And even though I was prepared for the big finale, it was still a shocking, grotesque, disturbing image that greeted me.There are some parts of this that were fairly boring. I definitely could have done with out that entire baseball game, but all in all it's hard to complain about a movie that's under 90 minutes. The acting isn't spectacular but I think it tells a twisted psychological story that people might "sleep on" just because it's a cheaply made 80's horror movie. It's actually decently done.

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Gregory Mucci

Sleepaway Camp was released in the early heyday of 80's slasher films, sandwiched between Friday the 13th (1980) and A Nightmare on Elm Street (1984). Sleepaway Camp clung to the summer camp motif that began three years prior, as well as a particular camera angle that was first effectively used more than two decades earlier. Clinging even harder to the franchise that first began making teens afraid to attend any summer overnights, the movie opens years before its initial time setting, demonstrating a borrowed need to establish a rhyme and reason for the inevitable blood shedding.After a tragic incident while swimming in a lake (sound familiar yet?), Angela (Felissa Rose) attends a summer camp along side her protective cousin Ricky (Jonathan Tiersten), who despite his small frame is willing to stand up to anyone for his introverted cousin. After being introduced to the crusty ex-gym teacher looking camp owner Mel (Mike Kellin), whose attempts to cover up each murder as accidents, we are quickly thrown into the cruel world that befalls Angela. As the body count rises, so does the bullying, allowing for multiple suspects to open up within the realm of psychopaths; could it be Angela, the one being bullied, or Ricky, the aggressive protector, or possibly Paul (Christopher Collet), Angela's new admirer?Throughout the film we are continually guessing, as director Robert Hiltzik admiringly utilizes the first person camera established back in 1960 with the then controversial film Peeping Tom. After being re-established in John Carpenter's Halloween, and again two years later in Friday the 13th, its use is still as effective as ever, allowing us to bare witness to the slaughter head on, while keeping us guessing until that final shot.What kept the slasher genre running strong in theaters back in the day was its innovative, gory, and clever means of killing off hapless bystanders, attempting to give audiences its moneys worth. While Sleepaway Camp certainly doesn't bore the average gore seeker, it doesn't bring anything new to the table, with the most exciting kill feeling like a tribute to Lucio Fulci's The Beyond. Where the film truly excels is its perverse nature and promiscuity, wrapped around a well structured murder mystery. Even after the final shot is revealed and we're given a twist ending not seen since Norman Bates donned his Grandmother's wig, the suggestive perversion sits with us, seeping into our skin well past the credits.While Sleepaway Camp handles material that had been utilized before in a much sleeker and effective manner, all that doesn't stop it from becoming one of the defining slasher films of its time. It doesn't quiet sit up on the throne with the likes of Halloween, The Texas Chainsaw Massacre, or Friday the 13th, but with it use of the first person camera and a twist ending sure to make you tweet everyone you know, Sleepaway Camp has taken its post amongst cult- horror, and it isn't going anywhere.

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begob

Years after a boating tragedy on the lake at Sleepaway Camp, a summer's intake of teen campers is stalked by a mysterious killer.Oh my sainted trousers. I watched this because the twist ending has a serious reputation among horror fans - well, I didn't really watch, because everything about it is drek: script, acting, camera, direction, editing. And the music did permanent damage to my soul. One of the worst movies I have endured, and the FF button got regular use.So a great ending, the problem being it's at the end of this production - right? Nope, and you can fcuk me sideways if you disagree. As an ending it outdoes the final flourish of Inga the chimpanzee in Argento's Phenomena: so absurd I burst out laughing. Until I stabbed myself in the eye as punishment.At least Phenomena has a radical spirit - this stuff is just dull and conservative. But I only hated every second minute of it - skipped through the other half. Damn you, horror fans!

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