I'm a fan of Hillerman's mysteries, and had high hopes for Redford's film adaptations. I came away from Skinwalkers a bit disappointed. I should preface my comments by saying that I've read about two-thirds of the Navajo mysteries, and Skinwalkers is my least favorite, so in some sense my disappointment started with the choice of book to adapt. However, my main quibbles with the movie are independent of this issue. The foremost problem is what I see as unfaithful characterizations of Leaphorn and Chee. In the books, Leaphorn's defining attribute is his preternatural intuition, which he backs up with methodical procedure--sort of an aging Navajo Adam Dalgleish. Chee's essence is that he's a good cop who has to overcome frequent waves of self-doubt. Both are men of few words, Leaphorn because his mind is always whirring, Chee because he's moody by nature. Perhaps most distinctly, the relationship between the two is extremely unequal: Chee is in awe of Leaphorn's reputation, and as such is perpetually worried about making a wrong move within Leaphorn's view. However, what the Skinwalker movie does is take a single dimension of the characters--the fact that Chee is an active participant in Navajo spirituality and Leaphorn is not--and make that their defining contrast. This distorts Leaphorn in particular almost beyond recognition: rather than the icy logician of the books, whose attitude toward Navajo spiritual tradition is at worst pragmatic, the movie renders him as sort of a reservation Dirty Harry (with a smaller gun), informed primarily by cynicism about human motives. Given this, there's nothing for Chee to be in awe of, and their collaboration is presented as an equal division of labor, with Chee providing the "Navajo insider" angle and Leaphorn the "hardheaded cop" grounding.Beyond this, the plot of the movie diverged considerably from that of the book, for the worse in my opinion. Disparaging a movie for not being true to a book I didn't like all that much might sound like complaining about the small portions at a lousy restaurant, but the book did have some good moments, most of which got altered or left out. In particular, the book has an especially tense episode near the end when one of the principles is in grave danger, a scene that could have been adapted to great effect. Instead, the movie's denouement feels forced, as is not that exciting.For fans of Hillerman's books, I strongly recommend seeing the film of The Dark Wind, which I think captures the feel of the books much better than does Skinwalkers. I have a harder time recommending The Dark Wind to those unfamiliar with the books, as it has a slow pace and will probably be hard to follow. I also liked the adapatation of Coyote Waits quite a bit, less than The Dark Wind, but much more than Skinwalkers.

Movies in sub-cultural settings become exceptional when you quickly forget that it is, in fact, a sub-culture. Within minutes of the opening scenes of "Skinwalkers", I no longer dwelt upon the thought that a murder movie on an Indian Reservation is an unusual setting and, instead, focused on the murder mystery itself. In this sense, it reminds me of "Barbershop" (http://us.imdb.com/Title?0303714) in its ability to portray a particular sub-culture in America without actually dwelling on the differences between that sub-culture and America as a whole.In other words, these movies become successful when you are drawn into the story so deeply that you realise that the sub-culture is as much a world in its own right as the so-called "majority" of America.I would love to see this film turned into a weekly series. There's certainly enough potential depth of storylines to allow that.

Way to go Jamie! A great job! We hope this turns into a series. I like the fact that all the actors and the director were of Native-American descent, it gives the story more authenticity.A murder happened in an Indian country, thus the investigation and trial were subject to the jurisdiction of the tribe. This shows great aspects of Indian Law and culture. I highly recommend that law professors use this movie to teach the students how the justice system operates in an Indian Country. As a student of American Indian Law, I found that they were a minority group the was really hurt by the people that came to North America to find a land of freedom. Those who came in pursuit of happiness almost destroyed those who were living here so peacefully. I cannot believe that the American Indians were given land, but not given the right to use the water on the same land. Sorry, I am getting carried away in tangent here. I like anyone who gives any minority group an opportunity to be portrayed as `human beings' rather than the traditional stereotypes.The mystic side of the culture is shown as well, and it is done with details on their symbols and witchcraft.I think that the casting was wonderful, giving Native Americans a chance to shine. It would be a great to see a minority group that seldom has the chance to be portrayed in a positive fashion to have a series where they are not the `nasty, dumb guys' Jamie is following his dad, Robert Redford's, footsteps and breaking new ground in the American film industry! I am big fan of the entire family and will give them my whole heartedly support in any way I can! Robert Redford has given an endowment to the American cinema, as well as the International cinema like no one else I know of. It is so nice to see the second generation moving in the same direction!Suspenseful, extremely well written and very educational! BRAVO!

When you love characters in books, it sometimes makes you cringe to think some Hollywood types might ruin what makes them so interesting in the books. Fortunately, that's not the case here with Lt. Leaphorn and Officer Jim Chee as created so memorably in Tony Hillerman's brilliant mysteries about the Navajo Tribal Police. While much had to be cut from the book to fit into a 90+ minute time slot on PBS, enough character remains and it bodes well if PBS continues to adapt these mysteries. Fans of the books will know what's coming in the character arcs, and the casting for this production, for all characters, is exemplary. Particularly Wes Studi ("Last of the Mohicans" and "Mystery Men") as Leaphorn. Also, nice directorial work from Chris Eyre. Highly recommended.