It's good to see this western out on DVD, although the transfer is just "okay".I'll admit to being a huge Dino fan, but I disagree with a few others who have posted here...this is a pretty average western flick of the old style...which isn't saying a lot since by the 1970s most western flicks were pretty average. The story is actually okay -- two friends split up, one becoming a sheriff (Rock Hudson), and the other becoming a train robber (Dean Martin). Some would say the age of the two stars (Dean was 56 at this time and Rock was 48) was a bit illogical. But I don't suppose all sheriffs or robbers were young. So that's fine, but where the age doesn't work is in the flashback scenes as the two friends ambled along in earlier years. This was the last major starring role for both actors. Hudson soon turned to television, and Dean's films weren't making the bucks anymore. Dean does some of his own horse riding here, though not as much as in his younger years. Dean loved making westerns, and in many of his westerns he did most of his own riding. During the making of this film his favorite movie horse died, and apparently he was quite broken up over it.The scenery is genuine and very nice -- northern New Mexico and probably a bit of southern Colorado (and you can still ride this very train). Kudos for the director in selecting the locales.The story is this -- Dean teams up with some robbers to rob a train, then has a falling out with them, shoots one of them, and skedaddles with the loot. So the 2 remaining are after him. As is the sheriff -- his old friend, Hudson. Dean eventually gets caught...sort of...or gives himself up...sort of. But the DA breaks a promise while Rock is out of town with his wife (Susan Clark), Dean escapes, and the chase is on again. The end is pretty predictable, but the filming in the forest fire is a different slant on things, and quite effective.If you like old-style westerns, you'll like this one. The first half could be a little less sentimental, but it builds nicely. It's a GOOD film, but not a great one. Very watchable, however, and the second half is much better than the early portions.

Director George Seaton's last film, an inert, tepid western about childhood pals and one-time cattle-ranch partners Dean Martin and Rock Hudson winding up on divergent paths: Martin joins a small gang of outlaws and robs a train near Bisbee while Hudson becomes sheriff of the neighboring community. Formula drama without any hint of suspense or even wayward humor. As soon as the crooked foursome robs the train, they split up over greed (with Dino taking control of the loot); Hudson hears about the robbery and immediately takes off on his horse, only to end up at his office sitting behind a desk. Nothing in Theodore Taylor's screenplay seems fresh or well thought out, and most of the dialogue is downright atrocious ("That hold-up was as slick as spit on a round doorknob!"). Hudson gives a little more energy than enervated Martin, but all in the cast seem to realize this is fatigued material. David Shire's score is a minor asset. *1/2 from ****

Showdown is another version of the two buddies who take different turns in the road of life. It borrows elements from George Marshall's supremely enjoyable Texas which starred two very young players named Glenn Ford and Bill Holden.The buddies here are Dean Martin and Rock Hudson. They're a little older than Bill and Glenn were. Rock Hudson is now a solid respectable citizen ranch owner, married to Susan Clark, and who also happens to be the sheriff.Dino cleared out from the ranch they had and has been gone for two years so he doesn't know that Hudson is the new sheriff. Maybe he wouldn't have decided to rob that train with some very serious outlaw types. Unfortunately Dino was recognized and Hudson has to bring him in.This turned out to be the last western film for both Dean Martin and Rock Hudson. Martin, starting with Rio Bravo in 1959, did a whole string of westerns of varying quality. But making them is hard work, a fact Dean discovered one day out in the desert heat making these films. The rest of his movies were done in modern dress.Also for some reason two of the most agreeable stars to work with as attested to by numerous co-stars of both did not get along during the making of Showdown.Yet this Damon and Pythias story is still good entertainment and nothing either Rock or Dean had any reason to be ashamed of.

Though it breezes along at an amiable pace, there's really nothing special about this particular western. It has a lot of stuff that ends up being irrelevant, such as with the character of the sheriff's wife, and the multiple flashbacks. Though the technical side is professional, it resembles a made-for-TV movie of the time. Still, there is some interest here. In fact, I wouldn't be surprised if Hong Kong director John Woo saw this, because there are elements and themes here that can be found in his movies.