Among the pluses in this movie:We get two top English character actors, George Zucco and Henry Daniell, who both appeared in other Rathbone-Bruce Holmes films.The script offers Holmes some witty rejoinders to the lovable but slightly dim Watson, which Rathbone delivers with wonderful dryness.Fans of the films will notice British actor Gerald Hamer among the cast. Hamer appeared in no less than five of these Holmes films!The plot is fast moving, and there are no "slow" moments.The chemistry between Holmes and Watson is superb, as always.

Claustrophobic War Time Entry as Holmes takes on the Roll of Secret Agent and Uses a High-Tech American Lab to His Advantage. This is One of the more Clunky Entries but as Always Manages to Entertain because of the Character Actors, a Lively Story and of Course the Team of Basil Rathbone and Nigel Bruce.There is Virtually No Atmosphere in this as it All takes place in Extremely Crowded Rooms. There is a Neat Musical Chairs Gag with an Important Document and the Double Threat of George Zucco and Henry Daniell add some Pizazz. But Overall it is a bit Stiff.Watson's Comic Relief Concerning Americana is Painful (chewing gum and milkshakes, etc) and when Things do go Outdoors it is all Rear Projected Landmarks. There is One Bit at the End when Holmes and Watson are Driving in a Cab to the Conclusion that is Edited just Awful and the Rest of the Movie Struggles at Times. The Sherlock Holmes War Escapades End with this one (there will be no more Patriotic Pep Talk) and the Films can Devote Their Energy to Other Things like Scams and Spidery Women.

SHERLOCK HOLMES IN WASHINGTON (Universal, 1943), directed by Roy William Neil, marks the fifth entry of the popular series and third installment in the newly updated format starring Basil Rathbone (Sherlock Holmes) and Nigel Bruce (Doctor Watson). Once again there's assurance for its movie going audience this is the Holmes and Watson of modern times by lifting the original titled opening from SHERLOCK HOLMES AND THE VOICE OF TERROR (1942) to read, "Sherlock Holmes, the immortal character of fiction created by Sir Arthur Conan Doyle is ageless, invincible and unchanging. In solving significant problems of the present day, he remains - as ever - the supreme master of deductive reasoning." Since Tarzan can go to New York (TARZAN'S NEW YORK ADVENTURE (MGM, 1942)) and/or every other movie sleuth venture around the world solving individual murder cases, why not Sherlock Holmes leaving his natural surroundings of England? This is what Holmes and Watson get to do for their next assignment, coming to America and visiting our nation's capital, Washington, D.C. Though Holmes doesn't get to have tea with the president in the White House lawn, he does, however, have opportunities getting a glimpse of many of its landmarks while doing what he does best, deductive reasoning.The 12 minute prologue opens at the London Terminal Transatlantic Airport where an assortment of passengers come on board an airplane bound for New York City, one of them being Sir Henry Marchmont (Gilbert Emery), a British diplomat who, unknowingly, is being carefully observed by William Easter (Henry Daniell). Arriving at the last moment before the plane's departure is the seemingly drunken, accident prone John Grayson (Gerald Hamer) who seats himself across from Easter. While on the Washington Express bound for Washington, D.C., Grayson, senses great danger as he notices Easter and his spies, Cady (Bradley Page) and Howe (Don Terry), keeping close eye contact on him. While conversing with other passengers, Grayson permits himself by lighting a cigarette for Nancy Patridge (Marjorie Lord) before placing a match folder with well concealed microfilmed documents inside her purse. Moments after a sudden blackout, Grayson is abducted. Because Grayson has never reached his destination, Mr. Ahrens (Holmes Herbert) of the British Empire, assigns Sherlock Holmes (Basil Rathbone) and his associate, Doctor Watson (Nigel Bruce) to Washington, D.C. Aside from being in constant danger themselves, Holmes and Watson attempt to solve Grayson's disappearance, some murders, and locate the now missing Nancy Partridge, believed to be connected with Grayson's missing document by Richard Stanley (George Zucco), a local antique shop owner.For the first time in the series, the story reportedly doesn't use any of Sir Arthur Conan Doyle's "Sherlock Holmes" stories as its sources, but borrows in areas from its previous installment, SHERLOCK HOLMES AND THE SECRET WEAPON (1942). Though the opening titles credit Bertram Milhauser for its original story, the screen treatment repeats the idea of subject matter, this time a London lawyer turned secret agent, falling victim of enemy spies, and Holmes called to locate a secret document before reaching enemy hands. While Holmes in SECRET WEAPON finds its ringleader to be his arch rival, Professor Moriarty (Lionel Atwill), he matches wits here with the an earlier Moriarty, portrayed by George Zucco (THE ADVENTURES OF SHERLOCK HOLMES (20th-Fox, 1939)) and future Moriarty, Henry Daniell (THE WOMAN IN GREEN, 1945). Such a missed opportunity by not having Zucco reprise his most memorable role, considering how his new character, using the frequent saying of "Permit me!" to contain enough ingredients of the sinister Moriarty. For classic moments, be on the lookout for Rathbone's most amusing guise of an eccentric art collector and Zucco's method of introducing the captured Holmes to his hostage Nancy: "Allow me to present Mr. Sherlock Holmes, the world's famous detective. He's here to rescue you."SHERLOCK HOLMES IN WASHINGTON, the most Americanized of the Rathbone-Bruce installments, contains familiar American types including Thurston Hall (Senator Henry Babcock); Edmund MacDonald (Detective Grogan); Clarence Muse (George, the train waiter); and John Archer, Nancy's fiancé, Peter Merriam, lieutenant in the United States Navy. There's also some fine insight centering upon Doctor Watson's interest in America customs as drinking milk shakes, chewing gum and reading the comics and sports pages from newspapers. Though Sherlock Holmes smokes a cigarette or two, which he's done before in prior modern day London installments, he does get to recite a then current speech by Sir Winston Churchill. Overall, how that match cover passes in and out of enemy agents' hands without them knowing about it, should rank this another winning entry. And yes, Mary Gordon returns briefly as Holmes' landlady, Mrs. Hudson, for one brief scene.Distributed to video cassette by Key Video (1988) and two decades later onto DVD, SHERLOCK HOLMES IN WASHINGTON, along with other Rathbone/ Bruce installments, premiered December 26, 2009, on Turner Classic Movies as part of the cable channel's tribute to the legendary detective. Permit me in concluding the next installment being SHERLOCK HOLMES FACES DEATH (1943) by adding to the pun, "When didn't he?" (**1/2)

When a British agent carrying vital war plans to Washington D.C. is kidnapped, the ace detective Sherlock Holmes flies in to investigate. Can he recover the missing document and apprehend the dastardly culprits ?This fifth film in the Rathbone-Bruce series is a strong entry with an excellent script by Lynn Riggs and Bertram Millhauser, featuring a perfect example of the MacGuffin as we follow the vital matchbook from person to person, cringing as it falls into the hands of the uncomprehending villains. Whilst the movie is padded a little with some pleasant stock footage of the US Capitol, the action moves swiftly along from some early machinations in London to a high-society party to a final showdown in an antiques shop. Rathbone is as effervescent as ever, Zucco and Daniell (both of whom played Moriarty in other films in this series) are suitably creepy as the heavies, and the whole enchilada is laden with thrills, laughs and scares. Trivia - Archer and Lord, who play the young couple, were real life husband and wife, and the parents of noted actress Anne Archer.