Shark Skin Man and Peach Hip Girl
Shark Skin Man and Peach Hip Girl
R | 15 September 1998 (USA)
Shark Skin Man and Peach Hip Girl Trailers

In dreamlike mountain scenery, Toshiko makes a daring escape from her sexually warped Uncle Sonezaki. Fortunately, she met Samehada as she runs for her life, which is also escaping from some slayers. What follows is a wild chase that leads the audience into a comically violent world.

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Reviews
Peter Mckain

Shark Skin man and Peach Hip girl is a quirky little film based on a short manga series. The premise is that shark skin man is on the run from a gang he was a part of after running off with a load of money. On his path he meets peach hip girl who has run away from the hotel owned by her awkward pervy uncle and they decide to run away together. The film its self is a mixture of dark Miike humour with many offbeat moments of awkward silences. The henchmen are very slapstick and cartoonish like in many manga adaptations. Unfortunately, it suffers from having so many characters as they appear quite 2-dimensional besides the two protagonists. I also found some of the scenes were poorly lit which was quite annoying and there wasn't much in the way of shootouts besides maybe two. What it fails in plot it makes up in humour not everyone will take to it but i found it quite fun to watch and it paces itself extremely well so avoids getting dull. so overall id say give it a watch at least once it's worth your time but its not as amazing as the hype says would benefit from a few sequels maybe. Violence 3/5 Plot 2/5 Humour 4/5 Acting 4/5 Music 3/5

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frankgaipa

The action and the road trip, the hyper-restrained interplay between Toshiko and Samehada, the yakuza boss actor's razor's edge blend of straight man and dire threat, the lethal slapstick of his gang are all riveting, hilarious, okay. The extremely slow burn, leading to deux ex machina betrayal, by the long-faced actor who frequently plays Beat Takeshi's second is just right. But best of all, both funniest and most frightening, is (I'm sorry I can't figure out the actor's or character's name) the buddy/assassin the hotel manager sends after Toshiko. The road-stop men's room sequence is just one of several superb bits written round this character. A very vague touchpoint for him might be the sporadically violent, reluctant loner at the center of Punch Drunk Love. But the Japanese guy's much more impish, more driven yet almost elfin.

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ETCmodel02

Like a Japanese answer to Snatch, this film is EXCELLENT! Well crafted, shot, acted and developed, simply a delight of a ride to be on. The development from sequence to sequence is a model of solid storytelling without cheese gimmicks or overt style. The reveals, character turns and incident occasions are masterfully handled. Simply delightful!

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Simon Booth

A man called Samehada ("Shark Skin") steals some money from his Yakuza boss, and goes on the run. He crosses paths with a girl called Momojiri ("Peach Hip", or "Peach Ass" if you prefer) who is fleeing from a hotel manager who doesn't treat her well. They decide to throw their fortunes in together and try to escape the Yakuza and an assassin. The credit sequence introduces you to the cast of the characters you are about to meet, and it was very worrying... so many characters, I thought "it's going to get real confusing", but this is not the case at all. Even though there are a lot of characters, each one is well developed and unique - no problem following who they are and what their relationships are. It's one hell of a set of characters too... "colourful" hardly seems sufficiently descriptive, but they are all brilliantly conceived and portrayed. The main focus of the movie is the interplay between all these characters, with lots of sharp and witty dialogue throughout, and a generally black humour in the situations they get into and the way they get out of them. The movie is fast moving... very well paced in fact, and beautifully filmed & edited too. There's a little bit of violence, but nothing that's going the slightest concern to anybody who's seen some Kitano or Miike. Almost wholesome in fact It's difficult to say what makes the movie so good - it's not really any one thing - it's basically just an all-round clever, funny and exceptionally well made movie. Recommended!

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