A seance leader (Kim Stanley) convinces her husband (Richard Attenborough) to kidnap the daughter (Judith Donner) of a wealthy family. Stanley's goal is to "borrow" the daughter in order to use her as a means of gaining fame as a "medium" by convincing everyone that she would have found the daughter through her superior psychic abilities. Needless to say, it doesn't quite work out. The movie's plot is excellent and the director, composer, and cinematographer, not to mention the art director and the film editor, more than achieve cinematic nirvana in bringing it to the screen. The highest marks would go to the two main actors, Attenborough and Stanley, who portray both their relationship and themselves within it as if they themselves were these characters. Stanley's character is the dominant one in the relationship, but her plan to kidnap the girl illustrates her dangerous instability. Attenborough's character may be even worse off for its pathetic submission to the insults and bizarre logic of his wife, acts of which the film captures throughout, to its inevitable end.

The title of this film is a bit baffling. Two séances play an important part in the plot, but neither takes place on a wet afternoon. One takes place in the evening, the other on an obviously fine day. Perhaps its significance is clearer in the original novel, which I have never read.Billy and Myra Savage, a middle-aged, middle-class suburban couple, kidnap Amanda, the young daughter of a wealthy businessman. Although they send her father a ransom note, their motive is not financial. Even though Billy is unable to work because of ill health, they live in a large, imposing Victorian house and are clearly not short of money. Rather Myra, a medium who holds séances in her home, believes that she can become famous for her supposed psychic abilities by helping the police to solve the crime.When I first saw this film many years ago I disliked it for what I saw as a lack of realism. How on earth did Billy and Myra imagine that they were going to get away with a plan so obviously badly conceived and badly executed? Looking back, I can see that my criticism was unfair and that I had been unduly influenced by films in which a gang of master- criminals put together an intricate, seemingly foolproof, scheme only to come unstuck because of some minor detail, of the tenacity or brilliance of the investigating detective, or of sheer bad luck. Because the truth is that Billy and Myra are not brilliant master- criminals. Far from it. She is mentally unstable and detached from reality to the extent that she hardly realises that she is committing a crime. She insists that she is merely "borrowing" Amanda, not kidnapping her. She believes that she is in touch with the spirit of her son Arthur, who died at birth, but fails to realise that she does not actually have any psychic abilities. If she did, she would not have to go through such a ridiculous charade in order to "demonstrate" them. As for her husband, he is merely a weak and cowardly little man unable to stand up to his domineering wife, although at the end he does display a greater humanity than she is capable of.This is the only film in which I have ever seen Kim Stanley. She was, apparently, a theatre and television actress who had only appeared in one previous feature film, "The Goddess", and was only the third choice for the role of Myra, Deborah Kerr and Simone Signoret having turned it down. Yet she is excellent here, showing us the way in which her self- deluded character's personality disintegrates bit by bit to the point where she can no longer distinguish fantasy from reality and can see no objection to killing Amanda. Richard Attenborough, the film's co- producer and her co-star, paid tribute to her "complexity of dramatic impression". She received an Oscar nomination for Best Actress (losing to Julie Andrews in Mary Poppins) but this did not persuade her to make a career in films. It was to be another eighteen years before she appeared in another film, "Frances". (She was Oscar nominated for that as well). Attenborough is also very good as the cowed Billy.This was the third film directed by Bryan Forbes, who had made such a brilliant start to his directing career with "Whistle Down the Wind", one of the great classics of the British cinema; his wife Nanette Newman appears as Amanda's mother. Like Forbes's two earlier films (his second was "The L-Shaped Room"), this one is in black-and-white, something still regularly used in Britain (unlike America) during the mid-sixties, probably because colour television had not yet come to Britain. I was reminded of some of the early works of Alfred Hitchcock, especially "Shadow of a Doubt", another psychological thriller about a young girl in danger and which takes place in a seemingly tranquil suburb. "Séance on a Wet Afternoon" doesn't have quite the same emotional impact as something like "Whistle Down the Wind", largely because the two leading characters are so unsympathetic. It is, however, a taut and engrossing psychological drama.

I was not sure if I would like this movie, so I was very pleasantly surprised to find that I not only liked it, I loved it! The plot about a psychic seeking recognition by involving her husband in a kidnapping plot might seem trivial, but there was nothing trivial about the great acting by Kim Stanley and Richard Attenborough. They worked well together! What I really liked about Richard Attenborough's performance was that he did not say much(except for one scene), but he held my attention just the same with his marvelous facial expressions. In my opinion, an actor who does not say much, but still can gain your attention is an excellent actor, and that is Richard Attenborough! This movie might not appeal to everyone, but it will definitely appeal to anyone liking great acting, so I recommend it for that reason!

Forbes also wrote this one (as he often did). It's hard to find any fault with this movie. You can't get much better than a film, not only written and directed by Forbes, but starring an unforgettable pairing in Kim Stanley and Richard Attenborough. Ms. Stanley didn't make too many movies, but this one is enough to show why she's often thought of as the best stage actress of the 20th century.Just to tell a small bit of the story, it's about a woman and her husband who earn some money giving séances for people. It's unclear whether the husband, played by Attenborough, actually believes anything supernatural is going on, because as the story progresses, what does become clear is that his wife, played by Stanley, is having, or has already had, a serious break with reality.A word of warning to those thinking this is a movie about the supernatural given the film's title—it is not, although some may see something of the supernatural in the wife's delusional mode of existence. The film is actually about something entirely different—the kidnapping of a young girl. Very suspensefully done from beginning to end.