Although the plot and rating of "Schizoid" didn't look too promising, I nevertheless really wanted to see it for three (very good) reasons… Number one: I generally like slasher movies from the year 1980 or 1981, because back then this sub-genre wasn't yet impacted by the overload of "Halloween" and "Friday the 13th" clones. Number two: I was really interested to see a horror/thriller that starred both Klaus Kinski (one of my all-time favorite actors) and Christopher Lloyd in the earliest phase of his career (or at least, prior to the successful "Back to the Future" movies). And perhaps the biggest reason for me to track down "Schizoid" is the fact that it features so many typical trademarks of an Italian giallo! The killer, as he/she is briefly introduced during the opening sequences of the film, wears a long black raincoat and black leather gloves while his/her murder weapon is a sharp pair of scissors. These are preferred accessories of giallo-killers and, on top of that, he/she exclusively targets female victims and the murders bathe in a sexist atmosphere. My conclusion is that "Schizoid" is a moderately absorbing thriller with a handful of tense scenes and original touches, but regrettably also a large number of implausible twists. Beautiful Julie works as a columnist for a Californian newspaper, but she's caught in a difficult divorce and participates in the group therapy sessions of the acclaimed psychiatrist Dr. Pieter Fales. Julie starts receiving eerie letters that exist of newspaper clippings and talk of gruesome murders. The female members of her group therapy sessions are being killed off one by one as well. Who is the culprit? Is it the perverted Dr. Fales, who has sexual relations with all his patients? Or is it Dr. Fales' pre-ripe 16-year-old daughter, who hates her father and all the women he has sex with? Is it the mysteriously roaming and voyeuristic janitor Gilbert or Julie's ex-husband Doug who never wanted the divorce? Or perhaps Julie herself is the killer because, after all, the murder cases help increasing her popularity as a columnist! Like other reviewers already righteously pointed out, the biggest default of this film is the credibility of Klaus Kinski's character. As much as I worship this eccentric actor, he simply cannot pass for a psychiatrist; let alone a psychiatrist who manages to seduce and sleep with all his female patients. The search for the killer's identity, on the other hand, results in a couple of exciting sequences and a tense climax. The body count is sadly low for an early 80s slasher (only 3 victims) but the murder sequences are grim and atmospheric. The performances from the ensemble cast are just mediocre, with the exception of Donna Wilkes… She's downright fantastic and amazingly makes her young character Alison simultaneously sensual, creepy and forbidden. Solely based on her performance in this film, I've added the film "Angel" to my must-see list.

"Schizoid" is a so-so stalk 'n' slash 80s thriller with a cast of familiar faces but not much to really recommend it. As a mystery it doesn't exactly work; despite the presence of red herrings, most people will figure out who the killer is early on. The kill scenes have no flair, and slasher lovers will be disappointed with the almost complete absence of gore, even though the murder weapon is a pair of scissors. As for female flesh, the ever lovely Donna Wilkes (of "Angel" fame) does give us - and her leering father - a little bit of a look at the goods. The dialogue, courtesy of writer / director David Paulsen ("Savage Weekend") is downright silly at times, but the cast does whatever it can with the material.The pretty Mariana Hill ("High Plains Drifter") stars as Julie, an advice columnist who is receiving threatening letters from some unbalanced individual. At the same time, members of her therapy group are being knocked off. Who could the maniac be? Pieter Fales (Klaus Kinski), the sleazy psychiatrist moderating the group who has a habit of fooling around with his female patients? Doug (Craig Wasson, "Ghost Story"), Julie's soon-to-be ex-husband who doesn't want to divorce? Pieters' daughter Alison (Wilkes), an angry young woman who resents the presence of Julie in her fathers' life? Or off-putting, lonely maintenance man Gilbert (Christopher Lloyd)? The two detectives on the case (Richard Herd of "Trancers" and Joe Regalbuto of 'Murphy Brown') don't take Julie seriously at first but eventually come around.Also featuring Flo Lawrence ("Don't Answer the Phone!") and Fredric Cook ("Jackson County Jail"), this just isn't as much fun as the viewer might wish. It's trashy enough to keep it amusing and watchable. A glum looking Kinski is interesting to watch, as always. Hill and Wasson are likable, but Wasson has what is one of the dumbest moments in the film regarding Dougs' reaction to one of the letters. Wilkes is a delight as the somewhat disturbed daughter. Lloyd is good as he underplays his role. Herd is clearly just picking up a paycheck. Everything climaxes in an awkward sequence in which all of the suspects show up in one location. Perhaps the most egregious element of "Schizoid" is the awful - albeit sometimes amusingly awful - music score by Craig Hundley, who did much better work for "Alligator" the same year.Dedicated completists of 80s slasher cinema will want to see this, for sure, but they're advised simply to just keep those expectations low and they might have a reasonably good time.Five out of 10.

If you've set your mind to the fact that your going to view this low budget thriller than please don't expect to see something along the lines of "Psycho" or "Wait Until Dark" because this is eons away from resembling anything that well made. With that, despite all of it's faults you might still find this to be passable in terms of a late night viewing because the recognizable cast helps this film...in volumes! Story is about a Los Angeles psychiatrist named Pieter Fales (Klaus Kinski) who is a widower and having trouble with his angry and unbalanced daughter Alison (Donna Wilkes) who blames him for the death of her mother.*****SPOILER ALERT***** Dr. Fales is in charge of a weekly therapy group and he's sexually involved with two members including Julie (Marianna Hill) who has an advice column in the local paper and has been receiving strange letters from someone who contemplates murder. When members of Dr. Fales group start popping up dead the police (Richard Herd & Joe Regalbuto) start to wonder who might be responsible like Julie's ex-husband Doug (Craig Wasson), Gilbert (Christopher Lloyd) the horny maintenance man, Dr. Fales himself or the uncontrollable Alison.This is directed by David Paulsen who was a television writer but had also made another slasher-like flick earlier in his career but never seemed to make the best of his film efforts. Let's just come right out and say that Paulsen seems totally unable to deliver anything resembling suspense and the murders that we do see are shot in an incredibly clumsy manner and the music that accompanies these scenes (what happened Craig Hundley?) has got to be the worst I've ever heard. Talk about annoying! Two things that I noticed while watching this stand in my memory like the fact that Kinski smokes through the entire film. Besides the fight sequence at the end I can't remember one scene where he doesn't have a cigarette either in his hand or his mouth. In one scene Hill finally takes one away from him and puts it out! The second thing is the size of Dr. Fales house...it's the biggest thing I've ever seen! Scarlett O'Hara would be envious! I know psychiatrists make a pretty good living but...HOLY COW! This wouldn't be your typical 80's slasher flick without nudity and Kinski himself has two sex scenes with a stripper and Hill but it's the shots of a nude Wilkes (TV's Hello, Larry and B-film favorite Angel) that is primarily the highlight. The familiar faces in the cast help the viewer get through this (admittingly) sub par effort including Kinski (one of my personal favorites) but also Hill who was always a good actress. Sure it's bad, but I think it's a watchable bad film.

I rented this one beacuse the cast looked interesting. I figured anything which features Klaus Kinski as a shrink must be worth a look. I was wrong. This film is hard to stay awake through. It has no suspense and the murders can be seen coming a mile away. What's worse, the film is tacky and cheap looking. Wonder what Christopher Lloyd thinks of it?