Save the Last Dance
Save the Last Dance
PG-13 | 12 January 2001 (USA)
Save the Last Dance Trailers

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Reviews
oye411-131-640824

I shed a few tears at the end because its always great when you actually live your dream

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Avid Climber

Save the Last Dance is a good romantic movie, and even though the characters are teens, the subjects treated apply as much for adults. So, it's not teen-centric. I'd say most guys will find their groove in it. There are beautiful women, hot dancing, and testosterone fueled conflicts. The romance is real, there's no Hollywood tricks, all of this could happen in real life.The acting is excellent. Julia Stiles really got established in the eyes of a wider audience with this film, and for good reasons. Sean Patrick Thomas is solid. And Kerry Washington seems a natural as Chenille.The story is touching and very interesting. The scenario doesn't run in a straight line, and it touches lot of subjects. The hip-hop and classical music is great. The dialogs are nice and smooth, realistic. The characters have nice emotional depth to them, some complexities, and good backgrounds.Quite frankly, I gave only 8* because there are other movies I'd rather watch before this one, but I can't really find anything wrong with it.If you want to see a simple touching romance that will have men interested to watch, this is for you.

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RResende

This is a teen movie. This means it works under strict formulas, ruled by market and by what the big bosses of Hollywood think teenagers want. There is a big contradiction behind the majority of these teens movies.: In most cases (this is no exception) these films tell stories of people who try to outdo themselves. These characters try to make special things, to get over the underdeveloped environments (socially, culturally, economically) from which they come from. So, ordinary people trying to reach special goals, trying to be special people. But than, all these films are perfectly ordinary, made massively, one copying the other, with absolutely nothing special beyond any of them. This one doesn't totally enter that kind of film for one redeeming element, but it practically does it.Here, the female character is someone whose attempt to grab her personal dreams led her (in her view) to a personal downfall, her male match is someone who fits perfectly the stereotype i described above. The matching of one against the other and the conflict this generates is mildly interesting, though not enough to take the film out of its vulgarity. The redeeming element is how dance is used to illustrate this contradiction. Ballet vs hip-hop, internal vs external forms of expression. I frankly thought Julia Stiles didn't go well in this part. She was strangely stiff and uneasy. She has a sober way of acting, but here it sounds like if she wasn't quite sure of how to express, like if she couldn't "dance". Yet the idea of placing dance as a displayer of characters attitudes towards their reality and what happened/may happen to them was interesting. The overall product was quite flawed.My opinion: 2/5 interesting concepthttp://www.7eyes.wordpress.com

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Darrell

This is my wife's favourite movie of all time. I watched it with trepidation, but to my surprise I enjoyed it and actually consider it to be a well-made movie. I should keep my comments about this movie, but I think it is worthy of note that this title has led to many copycat movies which all seem to have the same story... girl meets boy, girl and boy both have problems but overcome them through their love of dancing. You could view this genre very cynically for that reason, but I genuinely think that 'Save The Last Dance' was at least original at the time. The characters are real, the acting is solid and the music is well chosen. You can enjoy this film even if you don't enjoy hip-hop.

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