Cogent, well written, well acted, and well directed.Filming was excellent. The film moved in the correct tempo with ample economy and control .Story was of an important matter that is often suppressed.Much more poetic than polemic.Strong female lead and direction was not self-righteously or overbearingly so.Creative and multifaceted script.More than adequate character development.Balanced presentation between societal and personal.Nice lighting.

This is a film well worth seeing by people who want to know more about the reality of the Palestinian tragedy. Artistically made, with no hysterics about showing daily material sufferings, but instead, the ordinary life of Palestinians which has to somehow go on, with laughter, anger, happiness, pain, love, etc. It also reflected the psychological pain felt by the Palestinians wherever they may be (in USA in this case), showing how a Palestinian-American young lady seeking her roots in a country she had never seen before can in fact have the feeling of "longing" and belonging, not in any way different from the feeling of an adopted child upon meeting her/his real parents. The film is of course about Palestine and Palestinians and not about Israel and Israelis, however, it does not "demonize" anyone! See it for yourself and be the judge!

Jacir paints with precise strokes, each hue reflecting the truth in a way that entertains and enlightens. She creates a virtual travelogue of dispossession in the form of an outrage wrapped in a tragedy; paradoxically revealed in a beautiful film. It takes us beyond the fair and balanced view of history that each side has a point and reminds us that we are all on the same side and that is the only point that matters. The film forces us to see what is plain and in doing so makes clear the choices we make and the consequences of those choices. We are the central characters in this human drama.The film unfolds easily in a style that is both free and rebellious, through the reflection of a bruised and suffocated Palestine. The courage of the heroine, her unwavering strength, faith and rejection of injustice mark a path where everything is but difficult and her refusal to bury her dreams contrast starkly with the reality imposed on the characters. Salt of the Sea is a deeply layered film, a film that is quasi-militant and seeped in passion, but devoid of hatred of any kind. Salt of the Sea has proved to be a great discovery, a film that is both courageous and necessary. And as a bonus, a sublime find: Suheir Hammad - both beautiful and vibrant as she moves through a variety of emotions.Salt of This Sea compels us to make a choice between the cold comfort of indifference or the knowledge that we can make a difference. The turnstiles were installed by us in the land and in our hearts. Salt of This Sea reminds us that we have the power to tear those turnstiles down.

Cinema, in my eyes, is an art. The best pieces of art in almost any medium are subjective pieces of work they allow you to understand what the artist's feelings, emotion, messages etc. are. However when inducing politics into art one should be very objective. It is impossible to set out a rational film on a political issue if the movie is made in a subjective manner. 'Salt of this Sea' is one such movie where a strive has been made to critique a very delicate situation in Isreal/Palestine, however it is done in such a narrow scope, and at times, disgustingly sentimental way. The mere fact that in the movie, the main character feels such a strong connection with a place she has never been before, is almost laughable, as is the demonising of almost all Isreali characters throughout the film. There can be no doubt that some of the plot and events in the film have merit, but there is an overwhelming bias toward one side of a very complex and challenging issue, that it does no justice to history of the story it is trying to tell.