Rent-a-Cop
Rent-a-Cop
R | 15 January 1988 (USA)
Rent-a-Cop Trailers

Detective Tony Church is forced to retire and become a store rent-a-cop when his drug sting operation comes to a tragic end by a masked killer. He joins forces with a prostitute, the only one able to identify the killer, to bring him to justice.

Reviews
adonis98-743-186503

When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug dealers. She gets rescued by vice cop Church who is accused of staging the aborted bust. Despite the 2 famous actors as the leads 'Rent-a-Cop' fails to impress and unfortunately is one of those by the numbers 80's films that mostly everyone will forget than actually remember and this one is definitely on that category and the silly storyline and dialogue can't save it for sure. (0/10)

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jessegehrig

Why did some one hire Liza Minnelli? Did they not think she she would show up? Was it a prank phone call that backfired horribly? These are the key questions that lie at the heart of Rent-A-Cop. Surely Ms. Minnelli wasn't hired for her looks or talent, so why did she end up on film? Her acting reminds one of the dangers of coke addiction. Hey and can you believe it, Burt Reynolds shows up in this movie too, I think he might even play the lead role as Detective Bandit, the Trans Am is in the shop. A human is given a writing credit for this movie which must be a typo, also Bobby Benson appears as the voice of the Beast for Disney's Beauty And The Beast, although he has to dress like a human in Rent-A-Cop, I guess Disney wouldn't let Benson wear the costume, something about copyright law.

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lost-in-limbo

Detective Frank Church resigns from his job when a drug bust goes wrong with the blame being put on him, as he survived along with prostitute Della Roberts who happened to be at the wrong place at the wrong time. Della saw the face of killer and now finds herself a target. So she seeks help from the out-of-work Church. Burt Reynolds seems to have his fair share of nothing features and the late 80s crime-thriller "Rent-a-Cop" is hard not to categorise in that bracket, but still it can be amusing and at the same time overbearing. Thanks to the appearance of Liza Minnelli as a flamboyantly overactive hooker who just won't quit talking. She overpowers many scenes. Not helping the case is that the off-balance script is asinine. I just wished it kept on the straight and narrow, than throwing in some light-hearted touches and trite comedy elements. It can be violent pulp and the main killer (a terrifically threatening James Remar) is rather a cold-hearted maniac who has a noticeable costume get-up and deadly arsenal, although he does like to dance (swaying back-and-forth in front of a mirror) and a good dancer he is too. With a nickname Dancer, he must be. Burt Reynolds is pretty much on cruise-control and the chemistry with Minnelli just doesn't seem to click. Someone has already mentioned it, but its true that I couldn't get Reynolds 1981 cop-thriller "Sharky's Machine" out of my mind when watching this. Both films have similar plot threads and are staged in the windy city Chicago, but "Rent-a-Cop" felt like a self-parody of it. Also making appearances are Richard Masur, Bernie Casey and a stern John P. Ryan. Director Jerry London (who mainly does TV) surprisingly gives the film a certain crisp slickness, creating moments of suspense (like the glorified cat and mouse shootout climax that ends with someone losing their head) and uses the wintry urban Chicago backdrop to good affect. Jerry Goldsmith contributes the music score. Routine, clingy star vehicle."Read my lips. Don't screw around."

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trinityparadox

I was sick one day and was skimming channels and I came upon this terribly rank movie. The plot and even the subplots (if you can find one) have been done to extinction. BUT, as bad as the story was, I reserve a special comment for Liza Minelli. Her character was absolutely one of the most annoying characters I have ever has the misfortune of seeing on film. Her only two competitors in this category are John Leguziamo in "The Pest" and Julia Stiles in anything she's done (or half-done). Maybe she performed exactly as the script suggested or maybe (groan!) that is the limit she has to her acting range. Either way, they should have had a rewrite and killed her off in the first 30 seconds of the film (eg. Like the girl that fell off the balcony in Lethal Weapon (I) (but at least she had nice breasts))Most Humbly Submitted...Douglas Neidermeyer

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