A nice stab at what we get on our TVs. Apart from the commercials (and the fact that they cut movies in Germany to show them) it's the main reason I don't watch any TV anymore. "Reality" TV shows and other stuff have taken over. So the movie is still and will be relevant. Shouldn't it have impacted a lot more though and make people think about what they watch? I don't think so and I don't really agree with where the movie goes towards the end. It takes the edge of a bit for me. Of course this only being a movie and only wanting to entertain is one thing. But I would have liked if it stayed as cynical as it started off. There are some phrases thrown in, that could spark discussions though (what was there first: bad programming or the viewers?). But again I don't agree with the answers the movie provides.

With "Das weiße Rauschen" and "Die fetten Jahre sind vorbei" Hans Weingartner was well on his way to become one of the most promising Austrian directors. Then he goes on to make this movie and his talent seriously has to be questioned."Free Rainer" seems like the story an over motivated class representative would think up. The little message that the movie has got - most of what's on television is stupid - is driven home with a mallet. The conclusion - people watch whatever is on, and if you give them "intelligent" television they'll be more than happy to imbibe it - is implausible, to say the least.The acting and editing are awkward for the most part. The usually mediocre Gregor Bloéb shines as a sleek program director, but the rest of the cast is forgettable at best. From the get go, when Rainer (Moritz Bleibtreu) drives through the streets, drinking Vodka, toting a gun and a baseball bat, listening to "aggressive" music (Downset's "Anger"... Jesus Christ, you seriously live in the past, Weingartner), you can't help but wonder: Is this meant seriously? Is it just a dream sequence or something? Is it going to get better? The answers to those questions are Yes, No and No."Free Rainer" is an embarrassment, a career shatterer. Its intentions might have been good, but the result is a boring, unbelievable and annoying movie, that wishes it could maintain the anarchic power of "Die fetten Jahre sind vorbei" (which is awkwardly referenced as a "quality" movie in "Free Rainer"). Weingartner's next project will have to make up for this mess.

We saw this film in a screening down at the film society. Loved it. This film is an excellent comment on the sick media world. Quite dramatic and brutal in the first part, warm and funny in the second. Full of mad ideas. A prankster movie and at the same time a political statement on the brainwash. Is it comedy? Drama? I don't know. Does it matter? Definitely worth seeing. I also really loved it, because it's so different from the standard European art-house flicks. More fun, more diverse, crazier. A raw film. Moritz Bleibtreu, the male lead, seems to be one of Germany's finest. Camera is doc style, hand-held, but never nauseating.

Someone said that if you want to know them you're funny, don't tell them you're funny, tell them a joke. In this case, the last laugh is on the audience. Hans Weingartner's movie is all telling and zero demonstration. Irrespective of temperament and motivation, his characters preach to the camera on the corruptive influence of mainstream television, the liberating powers of learning and movies as a moral institution. At no point in the story do we have any idea why the characters behave the way they do. Laughable. Three reasons to see "Free Rainer" anyway: Rainer's initial display of road rage that leaves even a group of short-tempered skinheads green with fear, an amusing portrayal of a nameless millionaire's wife, and the very lovely Elsa Gambard. It's obvious she can't act, but with face and grace like that, she should have no trouble at all finding work as a model. - Guest appearance by Sarah Kuttner. God knows what's gotten into her.