The movie was very heart wrenching. It is all very real for everyone in the audience, thanks to Patricia Hayden's superb portrayal of a woman ready to give up the fight.The only issue I had with the movie lies in the boy who lost his mother to suicide - he goes on to blame the train conductor! Violent fits of rage both directly after the accident, and midway through the movie when he seeks homage. The sons knows as soon as his mother parks her car on the tracks what she is trying to do. He tries in vein to pull her from the car. The train is already coming too fast - however he feels that it's not basic physics, rather someones fault.Now, it's possible that the boy - after losing his mother - is looking to blame someone - anyone - for this tradegy. That is a common coping mechanism. However there's no way that the coping mechanism kicks in minutes after the accident. When you see the kid in the first 10 minutes of the movie being forcibly restrained by police officers trying to go-for-throat on the conductor, you can't help but to begin to begin to dislike the child (not totally).However, whatever redeeming qualities there are in the boy go out the window when he rejects hospitality from what looks like a temporary foster home. He does not smoothly make the transition from poor kid losing his mom to adopted child of this new couple. He risks almost becoming a protagonist within the first 20 minutes of the movie.I believe the writers could have created another vehicle for the boy to intrude himself into the train conductor's life other than blind rage towards a man who was just doing his job. Or, if they kept that vehicle, more should have been done in the way of exploring the boy's grief. Either way, cut out the scenes that force the audience into either disliking the boy or thinking there's something perhaps mentally awry with him.6 out of 10 stars

Just saw my second showing of this film from Alison Eastwood. The movie is well shot and directed, with superb acting from the leads. The story ties together the tragedies in the lives of 3 people: a childless couple, Tom an Meg(Kevin Bacon and Marcia Gay Harden) who are grappling with Meg's metastatic cancer, and a young boy, whose mentally ill mother parked her car on a railroad track with the intention of killing them both. The journey these three take together moves from despair to hope. The emotions feel real and the film moves along evenly and deftly under Eastwood's direction. I hope we see more films from Ms. Eastwood, she made a very watchable film with wonderful acting.

This is definitely a "chick flick", but it is so well acted and directed that even men can sit through it. (Though I warn you, guys, you'll be at least close to tears. So be forewarned who you watch this with.) Kevin Bacon is a train conductor faced with the consequences of putting on the emergency brakes, and (he believes) derailing his train and hurting or killing passengers, or driving on and striking a car a woman has parked on the tracks to kill herself. He chooses to slow the train down but not use the emergency brakes and kills the (suicidal) woman. The son of the woman shows up at the door of the conductor and his wife who are struggling to survive as a couple themselves. Initially, the boy wants to confront the conductor, but the conductor's wife's love melts his reserves and the boy stays on in hiding with the couple. You never realize the depth of their struggles until it's revealed towards the end of the film. Again, what could have been a maudlin and pathetic (in the worst sense) plot twist is completely acceptable because of the acting and subdued directing.Not one you'll remember for its plot but I think you will remember the acting and think you should watch it, implausible as it is, for what it is. Saying you'll "enjoy" it seems strange, and there's really no moral lesson here except perhaps that life has a way of delivering what you need though it seems like just the opposite sometimes.

RAILS & TIES, under the guidance of first time director Alison Eastwood, tackles an implausible subject of multiple tragedies resulting in repairing personal breaks and with the able assistance of a groups of excellent actors makes a finely tune, sensitive study of little lives struggling against major odds. It is well conceived, well written (Micky Levy), well acted and sincerely moving.Tom Stark (Kevin Bacon) is a train engineer, married to his job as well as being married to his nurse wife Megan (Marcia Gay Harden) who is facing the ugly fact that her breast cancer is terminal. The cancer has spread beyond Megan's body into the tenuous space that keeps a marriage glued: Megan attempts to hide her desperate need for emotional support by continuing to work as a nurse and Tom takes on extra train runs to avoid the reality that face him at home. The other side of the story is equally sad: young Davey Danner (Miles Heizer) cares of his psychologically shattered mother (Bonnie Root) and unknowingly accompanies her on a jaunt to 'see the train' - a ploy well planned by the suicidal mother to drive in front of an oncoming train to end her life along with Davey's. The conductor of the train is of course Tom Stark, and when Tom first sees the car on the tracks, he keeps to company policy that recommends gradual slowing rather than the danger of an abrupt stop: the result is the death of Davey's mother but Davey escapes the crash while trying to pull his mother from the car. The tragedies mount: Davey is left homeless, being placed in a foster home run by the cruel 'mom' (Margo Martindale) only to escape to find the 'killer' of his mother; Tom is put on leave for the incident; Megan gets the final word that she has very little time left and is ready to leave the distant Tom. It is this inadvertent entrance of Davey into the lives of Tom and Megan that results in a healing of three souls who are desperate for the connection of love. While some my find the story implausible and saccharine, others will appreciate the manner in which Eastwood holds rein on the story, playing it for quiet honesty instead of explosive situations. Both Bacon and Harden deliver the quality of sophisticated performances that have marked their careers, and the remainder of the cast gives strong support - especially Eugene Byrd, Marin Hinkle, Bonnie Root, Margo Martindale, and of course Miles Heizer. This is a tough story to tell but the film holds an indelible mark on the viewer. Grady Harp