I remember a contemporary review of this film from a major news magazine - Time, Newsweek, that level of profundity - juicily enthralled with this insipid cartoon, a psychobabble valentine to an endlessly self-aggrandizing generation. After seeing it a few years later at a student cinema, I realized one of the reasons I hated American pseudo-radicals is their utter contempt not only for "law and order", but for ordinary Americans, as well. ...For me. One visionary hippie burbles, "we don't have to call them pigs because they know what they are." That pretty-much sums up the world-view of all our trust fund revolutionaries in that thankfully ancient era. They grew up to be Wall Street traders, bankers and other affluent thieves who've reduced the American working class to near-poverty status. They won. The pigs are suffering.Like some overheated reviewers here, the alternative press often has praised "PP" as a "chilling vision of the future". OK. It's 43 years later. Hippies have vanished as counterculture vanguard - not because they were hunted down in the desert, but because they outgrew their own retarded fables. So... Where are these killing fields? Where are the American gulags? This turgid agitprop is for true believers, the ones too tendentious to realize this musty dream failed decades ago. Power to the people. ...But only in Malibu and Great Neck, apparently.Enjoy!

Peter Watkins' rarely seen Punishment Park is a brutality-laced, uncompromised political weapon set across a never ending desertscape. An unapologetically left leaning anti authoritarian abuse fest, the escapades at first appear to be so over the top militaristic and sickening that it could come off as some distant fantastical dystopian alternate history, one Harry Turtledove would even enjoy. But once we delve deeper in and really pay attention to the abhorrent diatribe spouting out of those presiding over the tent topped tribunal, as well as the shotgun toting guards overseeing the bloody affair, our eyes are truly opened. Suddenly we realize just how prescient Watkins' film-making is, as much of this is the kind of neo-con talking points about youth culture and the legality of divergent thought tossed around by politicians today. Granted, much of it was drivel pouring out then as well, but it really shows us how little has changed, and informs of how, in some ways, we are closer to such a world where Punishment Parks would be a real and frightening operation.The main players in nearly every scene are seasoned non actors, mostly chosen for their rash political views and desire to get them on camera. This lends an unprecedented heap of authenticity to the entire experience as we never, even for a second, question the reality of all the chaos. Shot documentary style with 16mm film, this appears like a gritty documentation of some despicable government test project that was classified until found years later. At least it appears to have that history to it now, maybe not as much when it was (barely) released. But this gives an added weight to all the proceedings and helps draw you into this incredible not-so-alternate universe of torture for convicted dissidents.

This extraordinary pseudo-documentary, made in 1971, perfectly captures the zeitgeist of America today...which makes it all the more scary and relevant. "subversives" (college students, hippies, black activists, academics) are being rounded up by the government and given lengthy prison terms for what amount to thought crimes and social protest. As an alternative to life in prison, these convicted "criminals" are offered three days in "Punishment Park". Their objective inside the park is to make their way to the American flag where freedom awaits them. Not surprisingly, the Punishment Park option is a dirty lie. This brilliant film from Peter Watkins even pre-dates "Battle Royale" and "Series 7", though its angle of attack is more blatantly political. Shot in '71, it looks and feels as fresh as anything made today. The performances are exemplary and the direction is razer sharp. The narrative cuts back and forth between various groups trying to survive the harsh conditions of the park and the McCarthy-like trials that convicted them. Today, this film still retains its power. In '71, there was nothing but nothing quite like it. This is a masterpiece that succeeds on a dozen levels. It has the balls that most people today have lost.

I loved the first 15 minutes, and I loved some of the dialogue in the tribunal--which proved to be the best showcase for the director's ahead-of-its-time method acting technique--but this movie ultimately disappoints. Even when viewed purely as a metaphor of the oppressor/oppressed dynamics that were and are prevalent in the relationship between the US government and its more "disobedient" citizens, it still lacks punch and believability, and ultimately left me looking at my watch hoping the obvious ending would happen already.And for the record: despite rampant rumors to the contrary, this movie has never been banned in the US (I can't comment on the rumors of UK censorship, but I'm suspicious). Hollywood refused to distribute it after its initial film festival showing, and I am more than willing to believe the Nixon government had some influence on this decision; however, the fact that it never appeared on American television is merely a reflection of this medium's rather careful and advertising-driven fashion of doing business. As for the present, you can have your very own copy of the DVD delivered to your door via Amazon in a few days.