This was not an enjoyable film to watch, and it took a conscious effort of will to stick with it until the end.It is by no means terrible. In fact, on the surface it should have been my kind of flick. The central teen character is struggling with her bisexual identity. I did that when I was her age. She goes to stay with her offbeat bohemian aunt who is a celebrated author, academic, and general all-round intellectual. Well, I used to stay with my offbeat bohemian grandma, who was a celebrated author, academic, and general all-round intellectual. So I should have, at least to some extent, related to this film.But from the outset the whole movie just reeked of intellectual masturbation, of the sort frequently perpetrated by film students.Technically it is more competent than a student film, although many of the secondary characters are played by actors who seem inexperienced and lacking technique.The script is uneven, and way too verbose - to the point that it seems to be deliberately alienating the audience, rather than drawing them in. The direction does the same thing (no surprise since it was directed by the writer), and the first two thirds of the movie lurched from unfinished thought to unrealised idea, with jarring edits that confuse the narrative and create a near-constant state of discomfort in the viewer.At first I wondered if the awkward and discordant storytelling was intentional, and if, perhaps, the writer-director wanted to discomfort his audience as a way of proving some deeper point. But by the end of the film I still can't figure out what that point might be.I should have connected with the story, because of the specific parallels with my own life, and the fact that it has wider resonances with the human experience. But I wasn't able to settle into it until it was nearly over, and then, after a few good scenes, it lurched into a rushed and clunky ending.Ultimately I can only put it down to poor filmmaking, from initial script to final edit.

3/14/18. This is a delightful coming-of-age story about 16 year-old Cyd, who spends the summer with her unmarried aunt, Miranda. While their personalities are very different, they are family and they do eventually bond. In the process they learn about each other as they are, and accept each other for their uniqueness. Cyd explores her bisexuality and Miranda, a gifted writer, learns to be more spontaneous in her life. Worth catching because it shows how family ties can really make up for losses that may otherwise destroy one's hope for the future.

(No spoilers) I started this movie with pretty low expectations, and it started out pretty slow and typical, with a predictable story line. But after about 20 minutes I was strangely fixated on it. I think it was due to great cast, the very strong acting, and the dialogue which was out of the ordinary and gets you just far enough out of your comfort zone to be interesting, but stays enough towards the middle to keep it 100% believable. There are some sexual scenes and explicit language, so don't watch with kids or family members unless they're on that level. Everything is done in a tasteful and artistic manner though, but still sexually explicit. I almost didn't want this movie to end, but it ended at the right time. The scenery and cinematography were pretty basic and standard, nothing special because it didn't need to be, the film doesn't rely on it, but the lighting and camera angles worked perfectly with the story and cast, lots of close-ups, filmed in an intimate manner, felt like I was there in the movie. Once again, fantastic acting by wonderful actors. Most of the newer movies of this genre disappoint me, I watch for 20 minutes then shut it off. So glad I decided to give this one a try. Bravo!

Princess Cyd (2017) was written and directed by Stephen Cone. Reviewers have described it as a coming-of-age movie, and that's what it is. However, that's only partly what it is.Jessie Pinnick plays Cyd Loughlin, a young woman who is visiting her Aunt Miranda in Chicago for the summer. Cyd hasn't clarified her sexual identity, but, as far as we can tell, she's bisexual. As you'd expect, experiences during the summer help shape who Cyd is, and who she wants to be. OK--fair enough, but nothing truly unusual.Rebecca Spence plays Cyd's Aunt Miranda. Spence gives a riveting performance as an adult who has come of age. She knows who she is, she knows what she is, and she knows where she wants to be. It would have been easy for director Cone to make Miranda a fussy aunt, or a drunken aunt, or a sexually promiscuous aunt. She's none of those. She likes her life, she loves Cyd, and she is a whole person in herself, not just in relationship to her niece. It's wonderful to see the skill with which Spence portrays this role.Princess Cyd was shown at Rochester's excellent Little Theatre, as the opening night selection of ImageOut, the great Rochester LGBT Film Festival. My prediction is that it will win the audience award as best narrative film. It was certainly my best narrative film. It will work well on the small screen. It's definitely worth seeking out and watching.