Justice (Janet Jackson) loses her boyfriend when someone shots him right in front of her on a date at the drive-thru. It's the violent world of South Central L.A. She withdraws into her hairdressing job and her poetry. Lucky (Tupac Shakur) is a postal carrier who is sweet on her. His ex is a drug addict whom he has a daughter with. Going to the hair show convention in Oakland, Justice has to ride with Lucky in his mail truck. He's going to his friends to work on his music. They argue. He throws her off his truck. And then they start to talk to each other.This is more of a romance within the gritty backdrop of violence. It's a surprising follow up to director John Singleton's debut 'Boyz n the Hood'. Justice is an angry character. Janet Jackson doesn't play it quirky or lightly. She is just bitter. She doesn't have the sweetness. Tupac shows that he was a good actor. It's a fairly safe romance. I like the minutia of everyday life. I don't really buy the romance. The chemistry is slightly off. I think it's Janet, but it's not fatal. It doesn't help that I find the poetry annoying. Her grumpiness just got me down.

After making the effective tear-jerker Boyz N The Hood, John Singleton returns to the field of film with Poetic Justice. While this one is significantly different from that masterpiece, it still has its perks and a solid message to add to its formula of an urban-drama. It is the second film in what Singleton has branded his "Hood trilogy," but yet, it is definitely the weakest of them all.The plot: Justice (Jackson) is a young woman who lives in South Central, Los Angeles, and is still grieving over the loss of her boyfriend who was murdered during a silly confrontation. Justice writes numerous poems, and narrates them throughout the film. The actual poem were written by writer Maya Angelou, but the authenticity of the writing is the least of our concerns.Justice works as a hairstylist, and one day, a mailman named Lucky (Shakur) waltzes in one day trying to flirt with several women, when Justice and her friend play a mean joke on him. Karma has its way of reuniting the mailman and the stylist when Justice's friend Iesha (King) forces her to come along on a trip to Oakland with her boyfriend Chicago (Torry) and his coworker Lucky. Justice needs to go for a hair show, so reluctantly agrees to hitch a ride in Lucky's mail-truck.From then on, the film plays like a buddy road-trip film lacking the buddies. These characters must tolerate each other to survive the trip, but social and emotional conflicts continue to get in their way. Some of these situations feel genuine, but others feel contrived and meant to happen only so the film can advance.Poetic Justice is very distant from its predecessor, with the only similarities being the setting and the fact that Lucky's uncle, seen in the end of the film, looks a lot like Laurence Fishburne's character in Boyz N The Hood. I can't quite figure out why this one is inferior to them. Maybe it's because the characters aren't as well developed and dripping with charisma, maybe because each one of the characters can be bitter and selfish at points in the film struggling socially, or maybe it's just because.In Boyz N The Hood, Cuba Gooding Jr. was extremely developed to the point of almost going overboard. In Baby Boy, Omar Gooding was extremely developed. But in Poetic Justice, about a chunk of Janet Jackson's personality is almost snatched away. Same with the ending being a little perplexing and open for explanation.But this can all be overlooked by two things; the writing and the acting. John Singleton manages to squeeze the premise dry in terms of character dialog. It feels like real discussions being had by real human beings. And Tupac Shakur's acting talents are definitely the strongest point in the film.Poetic Justice has three meanings when I look at it. It describes redemption for one's previous actions, the character herself in the film, and what the slick writing achieves in this picture.Starring: Janet Jackson, Tupac Shakur, Regina King, Joe Torry, Tyra Ferrell. Directed by: John Singleton.

Pretentious. Unrealistic. Awful. Crap. I'm actually shocked this came from the writer of "Boyz in the Hood" & "Higher Learning." I had a hard time figuring out the plot of this one, on the surface level it was evident enough, but no, I thought there had to be more to it...It turns out I was wrong, all there is is the surface level. It doesn't stand as a romantic movie, it doesn't stand as a road trip movie, it doesn't stand as buddie movie. I'm actually depressed that Maya Angelou was in it,but I am comforted in the fact that she doesn't have to make a living as an actress. But it does strike a cord in me. I once dated an artist in university, I spent a lot of time with her and her friends, the film reminded me of them: shallow, pretentious, and totally awful.

This is one of the greatest movies. the greatest romance movie to. Tupac performance is so great. he proves he can do different roles every time he acts. this is probably john singletons 2nd best film next to boys n tha hood of course. Tupac just gives a thug from the streets performance to a romantic performance. the movie is fun to watch especially when tupac and janet get in to arguments.