I am a white man over the age of 50, so this film wasn't really made for me. That doesn't mean there wasn't anything here, and I could see that this was a quality production.This film had occasional laughs, which was good because it could get very depressing at times.I really liked the family reunion, where the movie's main characters pretended to be part of the family just to get some free food and found themselves being accepted rather than questioned. I got the impression they might come back someday just because they liked being with these people. This is also where Maya Angelou delivered an elegant performance. Yes, this film was worthy of her, and she added something to it.As for her poetry, not my style. Janet Jackson did a great job reading it offscreen, but again, not by sort of thing. For many people, this will be a wonderful part of the movie.One of my favorite parts of the film was the scene at the gas station/convenience store, one of the few places I heard recorded music that appealed to me (Tammy Wynette's "Stand by Your Man").Actually, a lot of the background music was smooth jazz with violins or synthesizers that pass for violins. It was actually kind of pleasant compared to the rap and other styles the main characters liked.Family was important here. Although Jackson's character didn't seem to have anyone except her cat, at least she had friends and a job. I did like the cat and its friends, in the one scene.Chicago was probably my favorite character. He was funny and likable, most of the time.Janet Jackson has a nice smile and she can have a nice personality when it is called for. Sometimes here, she had to be depressed or angry. That's fine. She did it well.And this is my third or fourth time seeing the talents of 2Pac, who was taken away too soon. Although it was not necessarily his finest work, he did a good job here.I mostly know Regina King from "227". Has it really been that long? She was so much older even here, but she did a good job. Beautiful mountains and magnificent bridges added to the scenery. Some scenes, and not necessarily pleasant ones, let us enjoy these longer.These people live hard lives and have tragedy all around them. That's why this is not an easy movie to watch. But having family around means a lot.It may not be for you, but if you need to get outside your comfort zone, this will be a worthwhile experience.

It's clear what Singleton attempted to do with this one, and I'd say it was a noble effort. Of course the script could've been tighter and the climax stronger and more rewarding, thus resulting in a more worthwhile film. However, in the film's defense, the charismatic Tupac shines while convincingly helming the sole well-conceived role. He's the best reason -- perhaps the only reason -- viewers should join in on the film's road trip to Oakland. He's subtle but confident, forceful but not heavy-handed, complex but genuine -- all the things that have also made him a legendary (and sorely missed) rapper. On the other hand, regarding Ms. Jackson... Well, I'll attempt to simply and kindly take the high road and say she probably shouldn't attempt to act again (unless she takes some drama classes). Janet simply doesn't get it. She doesn't understand the craft. She "acts" throughout the entire movie, something a skilled and experienced performer would never be caught doing. Perhaps Singleton was just too smitten with her to inform her that performing requires more than just emoting and script recitation. I understand that fans of Janet's music will invariably take issue with my comments, but if they'd simply separate her on-screen skills from her (heavily studio-enhanced) musical skills, I believe they'd have to agree with me. And it doesn't help that Janet's character (Justice) isn't a well-written, fully-developed and focused role; that's Singleton's fault -- not Janet's. Also, in the movie, fans of Maya Angelou will enjoy her cameo and the verses she wrote for Janet's character, a poet. And the fan(s) of Regina King will appreciate the challenging, range-revealing character stretch she takes on: she portrays a sassy, shallow, one-dimensional young lady with an attitude (that's something we've never seen her play before). Overall, Poetic Justice isn't one of Sigleton's finest moments, but again, revisiting Tupac's performance makes it entertaining and somewhat worthwhile.

How can you read along in that tone and not feel like you are making fun of your own race of people. The time would arise when someone would need to get the people to do something to save themself and due to this mind tripping experiences it because a cause of grudge management. Testing because of a on screen Kiss and setting up a vicious murder on anyone only sways you all to another world of failing at your predestined goal. Make better sense and stop with the whining and finger pointing and all things could become fruitful for you and your generations down the line. The work is only good enough for you all to become more arrogant.

this movie was very uninteresting. The movie centers around four people traveling to South Central, LA on a postal mail carrier, come on! Maybe Janet thought Singleton had another "Boyz n DA Hood" in mind with this project "Poetic Justice", but after "Boyz n DA Hood" Singleton moved to less edgier movies to mundane movies like: 2 Fast 2 Furious, Baby Boy, and Shaft. Tupac and Janet give believable performances, but the plot is dull and dry. Seeing it once is definitely more than enough. Janet made the comment during the promotion of this movie, that she had a difficult time finding the right script before reading "Poetic Justice". She explained that most of the scripts she read were "too violent, too corny, too much profanity, too something... " She failed to realize that this movie was just too boring.