Pepi, Luci, Bom
Pepi, Luci, Bom
NR | 10 January 1981 (USA)
Pepi, Luci, Bom Trailers

After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.

Reviews
tom van de Bospoort

The first slight disappointment when watching a film by Almodovar, It had promise at the beginning and middle but then followed on to a rather disappointing end, but never the less it is a starting point for his other films and you can see where his slightly unusual touches have started.The usual shooting of Almodovar is usually more refined, so is the music and acting, thus making this a slight disappointment, but then again who makes a good film straight away, you learn from mistakes, improve on the weak bits and get out your ideas to the audience.A six out of ten, not bad, but not recommended.

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Claudio Carvalho

While playing with her Superman's cards in her apartment, Pepi (Carmen Maura) is visited by her neighbor and dirty policeman, who saw her vases with a plantation of marijuana on the window, rapes her and she is not arrested. Pepi plots revenge and calls her punk friends, and they mistakenly beat the policeman's twin brother up along the night on the sidewalk of a street. Pepi introduces her punk singer friend Bom (Alaska) to the policeman's masochistic wife Lucinda (Luciana), and when Bom urinates on her face, she falls in love for Bom and leaves her husband. Pepi, Luci and Bom go to underground concerts, bars and parties, but when the policeman meets Luci alone, he beats her up and she returns to him, while Pepi and Bom stay together."Pepi, Luci, Bom y Otras Chicas del Montón" has not been released in Brazil and I saw this low budget movie in Spanish without subtitles, therefore I understood only parts of the dialogs. The first Almodóvar's feature is a calling card of his style: irreverent, twisted, bright, tacky, shabby, outrageous, hilarious, underground, a kind of Spanish version of John Waters. The women, as usual, have strong lead roles. The colors are very alive, and the costumes the most weird as possible. I hope to have a chance to see this movie with Portuguese or English subtitles to have more fun with a fully understanding of the details of the lines. My vote is six.Title (Brazil): "Not Available"

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Joseph P. Ulibas

Pepi, Luci and Bom (1980) is a twisted sexually perverse comedy from Pedro Almodovar. The story revolves around three working class women living in Madrid, Spain. Carmen Maura (an Almodovar regular) is the star of this very low budget film. A meek house wife is slowly seduced by her lesbian next door neighbor ( part of a plot to get revenge on her abusive husband) is one of the many strange events that occur in this farce.The seduction techniques are very "unique" and creative to say the least. The director flows the exploits of the three friends as they hang out in the emerging seedy underground of Spain.A n interesting movie from rising film-maker Pedro Almodovar. You also get a first hand look at life after the dictatorial reign of one Franco. A lot of sexual repression and tension was released in the streets after he left power. How much can the average viewer take? Well since this is an Almodovar film, it's only for die-hard fans or if you like some of John Waters earlier work. Others stay, don't say I didn't warn you.Recommended for viewers of esoteric foreign films.B

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fhernandez86

When seeing this film you try to say: OK, Almodóvar is improving his films with time and this (his first one)could be the best of his earlier films. However, you begin to disappoint with the first dialogue (silly and absurd, no provocative), and it's better if we don't talk about the papers and acting (what happend to great Carmen Maura?!!).If you take the challenge and go on seeing the film, it's full of bad directing, worse cinematography and the worst story and dialogues I've ever heard and seen. In sum, it's rubish.

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