I have an odd history with the "Patlabor" series of Japanese Anime' OVAs, TV shows, comics, and feature-length Anime' films.I saw "Patlabor: The Movie" (1989) when it was first released in a limited edition DVD set back in 2006. I had the good fortune of watching the movie over the Fourth of July weekend that year, and I must say that I remember thoroughly enjoying the picture for what it was: a detective story mixed with a strong science fiction backdrop laced with all sorts of thematic material about technology's ascension over human beings (there is little doubt, in my mind, that the story was inspired by "Blade Runner").But I've only seen the movie once, unfortunately, which was just that one time. Now over the Christmas break 2012, I have the fortune of watching the film's sequel, "Patlabor 2: The Movie." If you remember, the series is set over what at that time was the future (1998-2002). The story involved large robots (called "Labors") that were used for both construction work and law enforcement duties; the series focused mostly on the law enforcement Labors, which are called "Patrol Labors" ("Patlabors").Mamoru Oshii (most famous for the 1995 sci-fi cyber-thriller "Ghost in the Shell") returns for the directorial duties of the sequel (as does Kazunori Ito on the screenplay, who also worked on the script for "Ghost"), which is set three years after "Patlabor: The Movie." The film shifts the focus of the story from Noa Izumi and Asuma Shinohara, the plucky heroine and hero of the first movie, to Kiichi Gotoh, the understated yet calculating commander of the Tokyo Metropolitan Police Department's 2nd Special Vehicles Section (SV2), Division #2. He and his immediate superior Commander Shinobu Nagumo attempt to investigate a series of terrorist incidents that they believe are the work of a disgruntled ex-Japanese Self-Defense Forces officer named Yukihito Tsuge. His main goal appears to be revenge for a failed United Nations Labor operation in Southeast Asia three years earlier in 1999."Patlabor 2: The Movie" is a very plot-heavy film with a strong political subtext meant to raise questions about Japan's place in world affairs in the late 20th century/early 21st century. Make no mistake, this is a politically-charged Anime' film, one that may be lost on non-Japanese audiences that addresses Japan's role as a (forcibly) pacifist society as a result of its defeat in World War II. According to Carl Gustav Horn in the booklet for the DVD of "Jin-Roh: The Wolf Brigade" (1998), Tsuge's campaign of domestic terrorism is meant to force Japan to face up to its largest "political contradiction": Its forced rejection of war (as a result of Article 9 of the 1947 Japanese Constitution - which was written by the Allies, not the Japanese people themselves) and the fact that Japan must rely on the United States for its primary defense (as a result of the U.S.-Japan Mutual Defense Treaty of 1954). Tsuge's plan, in effect, almost brings Japan to the brink of war. It is a troubling question, but a thoughtful one of what Japan should do to defend itself - without violating its commitment to peace (or at least within the confines of stiff Article 9 regulations)."Patlabor 2: The Movie" is a great film, one that may not be as action-packed as the first movie, but it's a more thoughtful picture than the first movie.10/10

Mamoru Oshii has created an amazing work of political and military intrigue wholly different from the haunted proto-ghost story of Patlabor: The Movie. Although it parallels its predecessor in some plot elements (lone madman with delusions of affecting a world-change), the movie departs from all other aspects of "typical" Japanese cartoon work and enters a realm reserved for potboilers like Three Days of the Condor and The Hunt for Red October.Commander Gotoh, caught between his loyalty to his men, his sense of duty and his relationship with one of his troops and a coming civil war finds himself on the sword point of a massive socio-political upheaval with overtones of covert U.S. backing. What it all leads to is a potential breakdown of civilian governance of Japan and an end to that nation's independent self-rule. The terroristic acts of a lone military mastermind who bears a grudge against short sighted bureaucrats - and has the reasons for his contempt proved time and again during the crisis he engineers - push Japan into a state of near panic as the military and the police including Commander Gotoh's Special Vehicles Unit face off against one another. Will the final showdown end in the madness of a civil war? Watch the movie, find out.Forget preconceptions about Japanese cartoons, and discard the mental image brought up by the "giant robot" on the cover of the DVD. The "Labors" serve as mere background icons (much as the powered armor did in R.A. Heinlein's seminal Starship Troopers (not the execrable movie loosely based on that work)) and as subtle statements on the separation of men from society by duty and law.Please, if you have a prejudice against Japanimation, don't let it override your judgment. Don't miss this one. It's that good.

I was like many people upon viewing this film for the first time. I could sit through it without getting bored or falling asleep. It's not your typical robot anime at all. Its more than that really. The film isn't like its mecha predessors - its not about the action. And if your watching this film purely for action than you will be disappointed. Because this film is mostly dialogue and politics all the way through. But once you have a greater understanding of the film, you will realise as I have how wonderful and amazing this film actually is. The film is a commentry on Japanese 'common-sense' pacifism to war. It asks the viewer to question this pacifism: how can Japan claim to be peaceful nation if it ignores the security of others. The film makes it's point very clear, and it is effective in bringing this message across. But of course if you only want to watch the film for its action sequences, then obviously your missing the point of what makes this thoughtful film so amazing to watch.

This movie has great animation. If you pay attention to the details, you will notice subtle effects, such as someone's hair blowing in the wind. No 2 fps on this anime. There is no obscene violence and no nudity in this anime, which is a plus. It also has a very deep and thought provoking storyline. It is so deep and thought provoking that you should watch it more than once to catch all of the details. It is hard to tell the difference of all of the Japanese names of the characters, which can get a little annoying. This movie is very meditative in that it has many scenes where there are just two people talking and you get views of the city. During these dialogues, they questions on wars, and peace. Which is worse, a just war, or an unjust peace. You will spend many hours thinking about this film after you have seen it.