It's 2002, 3 years after the events in Patlabor 1. The collapse of the United Nations Labor team in South East Asia began the build-up to form a deadly terrorist plan that threatens to send shock waves throughout Japan's military. A fighter jet crashed into a bridge as a first sign of disaster. With evidence of an impending military takeover, the scattered members of the original Second Division must gather to defend Tokyo against any possible danger or an outbreaking war.This is known to be the most political Patlabor anime ever made. The topics discussed in it make it feel like your watching a live action film. As well as long monologuing scenes that can be a snore. But the characters, story, and labor robots are all there.Unlike the other Patlabor anime. This one focuses on Captain Goto, Shinobu, & Detective Matsui throughout the movie. And it's very meaningful in war, terrorism, and politics.

"Japanese cartoons are for kids"...This is yet another movie to show to people who wrongfully believe that!A movie like "Ghost in The Shell" and the series "Neon Genesis Evangelion" have proven to contain more plot in the screenplay, and even afterthought in the mind of the audience, than most Hollywood-movies I know of. "Patlabor 2" is definitely another addition to my list of movies I would say disproves the first sentence in this comment.As other commenters have noted, "Patlabor 2" resembles a Tom Clancy political thriller. The storytelling was so good that it got my heart racing in some scenes, and that is saying a lot from my point of view (Trust me on that one - I've seen "The Others" and similar movies, without moving a muscle when the rest of the theatre screamed).If the story was tightened here, and the plot was elaborated there, "Patlabor 2" could be made into a Hollywood-movie as a frame-by-frame copy! I really mean that - There is always room for improvement, but in my opinion there are only very minor blemishes to the flow of the movie. I enjoyed every second, although some other commenters found the "slow parts" boring or irrelevant.The music (or lack thereof) is also definitely worth a mention. It's hard to describe - I just couldn't imagine it being any different for this movie. The reason I write lack of music is because there are scenes where any Hollywood-producer would have slapped on some generic classical music, but in this case there is none. For example there is a scene after a climax where you just see different parts of the cityscape, with snow falling, and there is no sound at all. THAT's movie-magic. It's part of what draws me to this strange, exotic type of movies - it's so different than what most of us are used to.Recreate the visuals using a film-camera, actors and a special-effects crew, copy+paste the music, label it "made in Hollywood" and you've got yourself a blockbuster-hit!Japanese cartoons are for kids - not. If you have a brain, and an attention-span bigger than your average action-monkey, this movie is for you.

This movie has great animation. If you pay attention to the details, you will notice subtle effects, such as someone's hair blowing in the wind. No 2 fps on this anime. There is no obscene violence and no nudity in this anime, which is a plus. It also has a very deep and thought provoking storyline. It is so deep and thought provoking that you should watch it more than once to catch all of the details. It is hard to tell the difference of all of the Japanese names of the characters, which can get a little annoying. This movie is very meditative in that it has many scenes where there are just two people talking and you get views of the city. During these dialogues, they questions on wars, and peace. Which is worse, a just war, or an unjust peace. You will spend many hours thinking about this film after you have seen it.

Director Mamoru Oshii gets it right the second time round. His penchant for deep philosophical stories is executed with the right touch of pathos and aided greatly by the superior quality of animation and more "mature" character designs.Followers of the TV and OAV series would know that the chief of Section 2, Goto harbours a crush for chief Nagano of Section 1. However, being the stoic man that Goto is, he could never openly admit his affection for her.The plot focuses on Nagano's past as a brilliant student of labor tatics - and her relationship with her much older mentor.Their affair was doomed as he was a married man. The political fallout caused her high-flying career to to come to a halt and ended up with her posted to the "lowly" Special Vehicle Section 1.Her mentor took charge of a UN labor peacekeeping force which got slaughtered in the jungles due to inept commands from his superiors. He returned to Japan a changed man.The story is a vastly superior adaptation of "SV2's Longest Day", one of the outstanding episodes in the first OAV series. The film is filled with poignant scenes and quiet, surreal sequences in the heart of the city that are a prequel of sorts to Oshii's masterpeice Ghost in the Shell. Like I said, fans of the series will especially appreciate Goto's dilemma in the closing scene.