Paraiso Travel is by far much more than just an illegal immigrant story. I found that the story was well built and narrated with the only exception of the part about lost mother. The characters were very human in all their complexity and what i appreciated the most was that none of them were perfect or "superhero" type. Even Marlon, the main character, is not completely positive. He is weak and lost, doesn't know how to deal with his anger and sexual desires but in the same time he has a good heart and is willing to go through hell to find his lost girlfriend instead of just going back home to Colombia to his fairly well-off family.I don't agree with one of the users saying that the film director probably hated women because of the way he portrayed Reina. She is just one of the numerous female characters there and she definitely belongs to the type of women who discover early how to exploit men with their sexuality and in the end it's the only thing they know do best. She never had feelings for Marlon luring him into following her to New York only to keep her company perhaps. So in the end Marlon realizes that beneath that sultry body and pretty face of Reina, there is no soul or heart or moral values. I didn't even feel bad for her having to live in a trailer with a baby and drunkard mother because in the end she deserved all that.

It was surprising, at least after all the media attention in Latin circles it received, to come out of this movie as if I had just lost 2 hours of my time. If anything after having seen Mexican and Colombian cinema and being familiarized with the themes they depict, "Paraiso" doesn't seem to know where it wants to go and what subjects it really wants us to familiarize ourselves with. The theme of illegal immigration, a hot topic these days, has received plenty of attention from many media outlets, even film. Pick any Mexican or Colombian film from the last decade and the idea of an "Better American hope of life", is soon to be found, however, "Paraiso" fails at showing us what really motivates these characters or what lies behind their intentions. Possibly, poor acting has something to do with that, hiring non-actors from some of these roles was a huge mistake by Mr. Brand, who could learn plenty from his Mexican and Spanish counterparts, he lacks the experience to be able to take a mediocre script and really bring a believable and manageable story within the confines of the Spanish language. Hopefully Latin-American cinema has a little more to offer than this.

I enjoyed watching Paraiso Travel. The plot line is fairly simple, about the hardships gone through by a Colombian emigrant (Marlon) trying to settle into a gritty-looking New York. Several (clever and quite gripping) flashbacks bring Marlon back to the journey from Medellin to the USA. Though it is simple, it is nonetheless shot with much enthusiasm and with an unbiased approach to the plight of emigrants trying to make it from scratch.Yes, it is on the whole quite catchy, without too many off-topic errances which frequently marr such films. The film delivers on its depiction of hard-by emigrant families, never allowing itself to wallow into pessimism despite the hero's predicaments, I believe its message is essentially one of hope.A last note: the ending was in fact very good, a good point for this movie which is worth catching.

OK, I saw this movie at the tribeca film festival and came face to face with the director as I tried to get the hell out of there. I wish I could have said this to him now.the guy must have a vendetta against the female race or something because the young (18 years old!!!) female lead Reina seems to be everything he wants you to hate about women. She is a cock tease, she uses her sexuality to get men to do things for her (quel horreur!), she cares about only one thing, coming to America to find her drug addicted mess of a mother and have a better life. Throughout the movies, she is robbed, raped, crosses the rio grande, is stuffed in a hollowed out tree stump and abandoned by her boyfriend in a skanky hostel in brooklyn. She is such a pathetic figure in the end of the movie, how could anyone possibly look this young messed up mother of an infant, prostitute and caretaker of a indigent mother in the eye and tell her to kill herself? well, thats what the director/writer and lead character does. what a mensch.which leads me to the male "hero". although attractive in the face, he has the personality of Nomie Malone from Showgirls, and I have trouble believing all women fall for his charms. He continually gets himself lost by running around like a person who's never lived in a big city, I have a hard time swallowing that a colombian from medellin is that ignorant of neighborhoods and how to retrace their steps, that city has 3 million people in it. I've met colombians, they seem to do just fine with streets and landmarks, they even know how to drive!!!! They are a sophisticated and street savvy people. Even worse, he often stumbles into NYC landscapes that are right out of 80s movies clichés (trash can fire bums, squatters, s&m, payphones - your movie needs to be updated when it looks like a scene from bonfire of the vanities) This is not NYC, this is NYC circa 1988,there's so much "ick" factor in this movie, there's even a sex scene with a sleeping grandma in the room. A SLEEPING GRANDMA PEOPLE!! Thats farrelly brothers gross, and not in a good way.With a plot so similar to Showgirls its spooky, this movie is simply really really really bad.