Pad Man
Pad Man
| 09 February 2018 (USA)
Pad Man Trailers

Upon realizing the extent to which women are affected by their menses, a man sets out to create a sanitary pad machine and to provide inexpensive sanitary pads to the women of rural India.

Reviews
westsideschl

For the most part a true tale w/a bit of Indian movie dramatization (i.e. a couple of song/dances; a romantic moment), about the use of female sanitary pads in India. Your first inclination on viewing this story is another boring Indian family going through issues. Wrong! When you begin to discover it's about males dealing w/the female menstrual period which is culturally an extreme no-no; it starts to get interesting, eventually really interesting. Background: At the time this story begins, the 1990s, only about 12% of Indian women used a "sanitary" pad, the rest you ask? Newspapers, leaves, and a continually reused rag washed most likely in unsanitary H2O. So, a husband buys pads for 55 Rupees which the wife refuses to use in part because their high cost is beyond their low income level. The husband as a low education, hands-on laborer, decides to make some for his wife. That's when the fireworks begins. The subject is a culturally stigmatized superstitious taboo - mildly put. He's shamed, ostracized beyond belief as he asks questions, and researches. His goal is to build a machine to make them for 2 Rupees all "for the safety of women". Read only after seeing: It took him six years. Introduced his low cost pad maker to thousands of villages. Hired abused, cast out, unemployed women (many beggars, prostitutes) to make & distribute the pads. Has exported his machine to 29 poor countries. Named Time magazine's "100 Most Influential People" in the world. Guest speaker at the UN & TED.

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hpal-03917

A great message, India more movies on such taboo topics to create more and more awarenesses and Make normal things in nature normal to talk about. Great acting by everyone. Loved it.

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mukherjeesubham93

Fantastic movie. Since Airlift, Akshay Kumar has carved out a space for himself by doing such entertainers with a strong social message. Padman will only strengthen this space of his. A bit understated and less commercial than his last movie, Toilet, this movie deals with the making of low cost sanitary pads, and addresses the condition of the women in India during their days of menstruation. R Balki has crafted this movie expertly. Akshay is as usual, Fantastic. Watch out for his speech towards the end. Inspiring,motivational and humorous, all at the same time. At a time his peers are still doing the same old fare to appease thier loyal fan base, Akshay is winning over new audience, who probably a few years ago thought he can't do anything other than action and comedy. All in all, a must watch.

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bobandlulureview

I had watched the trailer of PadMan, found it hilarious and was eagerly waiting to watch this movie. The wait was lengthened by a delayed release in a show of solidarity by Akshay Kumar to make way for Padmaavat. The movie is based on the book written by Twinkle Khanna titled "The Legend of Lakshmi Prasad" which in turn was inspired by the life of Arunachalam Muruganantham who invented sanitary napkin machines that manufactured cost-efficient pads making it affordable to rural Indian women. I generally look forward to Akshay Kumar starrers and I went to the theatre with high expectations. Moreover, I went with my crazy bunch of friends who, like me, do not believe in muffled laughter! The movie begins with a song that shows Lakshmikant Chauhan (Akshay Kumar) making minor inventions to save his wife Gayatri (Radhika Apte) from the inconvenience of stinging eyes while chopping onions and bumpy rides, sitting on the cycle's cross bar (A reminder that the film showcases life in the 1990s when people didn't have the convenience of viewing easy life-hacks on YouTube) The film was shot in a village near Indore and records the journey of Lakshmi who initially starts off with wanting his wife to have better menstrual hygiene by using sanitary napkins rather than continue using the cloth. When she refuses to use the pad on account of the steep price, he takes it upon himself to make affordable pads not only for her but also for other women in his village. However, all attempts at getting his wife and other women to use the pads he made, fail. Lakhsmi is now labelled a pervert in his village who despite many a warning continues to meddle in "ladies' affairs" and speak openly about "that, which should not be named". Gayatri returns to her brother's house claiming that she'd rather die of unhygienic conditions than of shame that has befallen her. Lakshmi leaves his village and sets out on a quest that leads him to invent the sanitary napkin manufacturing machine and this is where Pari (Sonam Kapoor) makes her entry. Pari encourages Lakshmi on his journey of manufacturing affordable pads and distribute it amongst the rural women and also ends up with the pad being named after her. Though the length of time is not divulged, Lakshmi makes the headlines by winning an award at IIT and later on, the Padma Shri and is now looked up to by the people in his village. I had a sense of déjà vu whilst sitting through the whole film. It reminded me of 'Toilet', another Akshay Kumar starrer that had a similar storyline. The Husband in an attempt to improve the wife's state of living, brings to light a much larger albeit a taboo issue, the whole process which has him shunned by not only the society but also proved tumultuous to his marriage. The movie, although has its funny bits, is a bit slow. The second half had us yawning and constantly checking our phones with the word "pad, pad, pad" ringing in the background. The actors have portrayed their characters well, the dialogues (especially the speech given by Lakshmi at the end of the movie) are entertaining, the movie succeeds in delivering the social message and yet the movie lacked the wow-factor. I suppose I was expecting too much from the Balki-Akshay duo. Also, in an attempt to conform to the Bollywood-scene, the introduction of the love triangle and the superfluous "kissing scene" had us all shake our heads in disappointment. Had the movie not borne a stark similarity to Toilet-Ek Prem Katha, we would have probably enjoyed it a bit more. Period. P.S: the tagline in the title of this post is from one of the posters shown in the film welcoming Lakshmi back into his village.

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