One Hundred and One Dalmatians
One Hundred and One Dalmatians
G | 25 January 1961 (USA)
One Hundred and One Dalmatians Trailers

When a litter of dalmatian puppies are abducted by the minions of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement. In a Disney animation classic, Dalmatian Pongo is tired of his bachelor-dog life. He spies lovely Perdita and maneuvers his master, Roger, into meeting Perdita's owner, Anita. The owners fall in love and marry, keeping Pongo and Perdita together too. After Perdita gives birth to a litter of 15 puppies, Anita's old school friend Cruella De Vil wants to buy them all. Roger declines her offer, so Cruella hires the criminal Badun brothers to steal them -- so she can have a fur coat.

Reviews
Sean Lamberger

A mad mistress gathers spotted puppies, including a freshly-stolen litter of fifteen from a small metropolitan family, to harvest their pelts and produce a line of fur coats. When the lost pups' parents send out a distress call, half the hounds of London take the case and the great chase begins. The theme and tone are fitting for a Disney picture, retaining some of the fantasy elements that first brought the studio to fame, while continuing the lean in a slightly darker direction that would continue throughout the next thirty years. Disney Animation had to cut some corners to make this one, after Sleeping Beauty underperformed at the box office, and many of those cost-saving measures show up in the finished product. Xeroxed and reused character animations are abundant, artwork often seems rushed and over-simplified, and the extensive use of rotoscoping is often distracting. It's also a very short film, running just an hour and nineteen minutes with credits, and the story suffers for that brevity: villainess Cruella De Vil's great comeuppance seems short-lived and inconsequential, while the focal family's happy reunion comes off as narrow and happenstance. There's also very little music in the picture, surprisingly so considering the human father's occupation as an always-working composer, which makes for a less jolly, wholesome vibe than one might expect. It isn't bad - the core characters are charming and they're aided by a full, well-rounded supporting cast - but it does seem terribly shallow and borderline incomplete. The beginning of a difficult transition away from the days when the studio was churning out classics every other year.

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Hitchcoc

Still sitting amidst the height of Disney's animation, this film about a puppy mill to make fur coats for an evil woman is quite startling. Cruella DeVille is the villain (I used to joke about her saying how could she have lived anything but an evil life with a name like that). She of the chiseled cheeks and cigarette holder, with that cackle. What we have is an effort by the good guys to overcome the machinations of the bad guys to rescue all those dogs. The story's strength is in outwitting fools. It's always been interesting how bad people in film hire some of the biggest idiots on the planet to work for them. This is the case once again as those two bozos hatch their plans. Since events are entirely predictable, we need only look to the excellence of the animation and the soundtrack to really enjoy this film.

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saxguygb

This is a Disney film I first saw as a kid and I liked it. Several years later, I watched it again and I still like it. It's a charming film with a laid-back quality and more contemporary look and feel than any of the Disney movies that came before it.The animation certainly doesn't compare to the animation in the Disney films that came before it such as Sleeping Beauty and Lady & The Tramp, but it works well enough on its own. The characters (both human and animal) are drawn with more of a sharp and angular look and the backgrounds are drawn with that same kind of style as well.The opening credits sequence is fun to watch even though it mostly consists of using Dalmatian spots as a series of visual puns, but the sequence does help to get you to look forward to the rest of the film.The songs are a nice delight to listen to, despite that this movie isn't really a musical like most Disney films, but the two songs (Cruella De VIl & Dalmatian Plantation) are catchy and kind of memorable. The rest of the music works fine with the movie. My favourite part is during the opening credits sequence.Cruella De Vil is a really fun villain and a lot of that comes from the way she's drawn, animated and voiced. She is probably the best character in the movie. The rest of the human characters are fine, but nothing outstanding. The main Dalmatian characters are fun to watch (especially during the scene where they're watching TV or when they have to disguise themselves as Labradors to get past Cruella's evil clutches) and most of the other animal characters have some fun moments as well. The plot is a bit out-there, but it works fine for a family film.Overall, 101 Dalmatians is a charming, laid-back and entertaining movie that has been enjoyed by kids and adults in the past and should continue to be enjoyed for generations to come.

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Armand

one of the great classics of childhood. because it is not a fairy tale but it preserves the flavor and the freshness of it. because it is magic for the splendid drawings and for the delicacy of story. because the dalmatians are more than dogs and the clash of the real dalmatians is almost disappointed after see the film. because it has magnificent characters and admirable rhythm. because it is one of precious memories of adult and , again and again, a seductive show. because, after two films, the animation remains not only the best but unique. a film for each age and for lovely trip in past. a film about small basic things. with humor, grace and high precision. short - one of the animation who must see . again. and, surely, again. for a form of joy, tension and humor who seems be part of different world, almost strange by ours.

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