On the Job
On the Job
NR | 27 September 2013 (USA)
On the Job Trailers

On The Job is about the ambitions and passions of four men trying to make a living, for themselves and their families. It shows the parallels between two prison inmates who are contract killers, and the two agents of the law investigating the murders. As they get caught in a web of machination of corrupt government officials, their jobs lead them on a head-on collision against each other with their loved ones as collateral damage.

Reviews
jukangliwayway

This movie is beautiful despite the fact that it depicts the dirtier aspects of our country - geographically, politically, socially speaking. Seriously, this movie is a must-see for everybody. I wish I see more of this in mainstream Pinoy cinemas. Everything is well put together, the music is exciting, the editing and cinematography is professionally done, the story is tight, the camera-work is engaging (a work of art, a labor of love. It's that good), the opening scene captures your attention, and the ending leaves you satisfied (or wanting more). It's perfect. read my full review on Blogger: http://strangereview.blogspot.com/2014/01/on-job- 2013.html#sthash.GKoXwyiy.dpuf

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Barry Miller

I am surprised to see this movie is just 6+ here on IMDb as it's definitely an 8+ movie. It's full of action. They movie has good acting, good story and good speed. It's never boring and is made well. There is lots of action and it's done very well. The actors are well cast and their acting is good too. There is a story and we get to see the life in Manila. The shooting is realistic and so are the action scenes.See the trailer before you decide to skip this movie as that will change your mind. Don't go by the rating here as this is definitely skewed (I am not sure why?)This movie is way better than that and lot's of Hollywood action movies. If you like action movies this is for you and it will keep you on edge right through.

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Sirfaro11

On The Job is exciting not only because of its story that tackled the gun-for-hire business, something that maybe unique in the Philippines, because of its rampant killings; it is also exciting because the birth of new Philippine cinema is now palpable. The past years have seen new writers and directors handle different urban poor stories, this one not only gives us a glimpse on the machinery of the killing business and how it affects the lives of the poor, but also let us see the powerful rich (the military) that runs the country. Every actor did a good job, although I feel Angel Aquino looks a little too glamorous for her role. The script was believable, the pacing was fast, the characters were given enough time to develop (except maybe Marquez's son's story that did not develop further) and most of all, I love the realistic ending. I also like that the movie left a glimmer of hope when the police partner recovered the phone. With all the horrors happening in the society, there is still hope. I think this is one of the year's best, I am happy that people went to see this movie and I hope other worthy films will get wider audience next time.

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Garrett Wheeler

The story and pacing smoothly complimented each other. I like how the intensity just builds up right from the get go during the first scene up until the last one. Wonderfully moody cinematography combines with an excellent soundtrack and some breathlessly tight editing to create a surprisingly dark and nihilistic film.It's also great to see characters that were fleshed out especially that of the three main characters. We get to know them more instead of simply just following what they do. This is one of the things I like about the film in terms of characterization, we get a glimpse of their individual lives as opposed to just going right at the center of the conflict.This film pretty much shows what an ensemble really is. There are really no small roles here, as everyone's given something to do and they all did their parts well. From the opening assassination to the hospital shootout to the sequence that closes the film, the action beats in "On the Job" are technically polished while simultaneously visceral—even intimate—in their brutality. Matti and his cohorts have scored a home-run here.

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