On Probation
On Probation
| 29 September 2005 (USA)
On Probation Trailers

Mariano is a psychologist who must fulfill community service after losing a lawsuit by a traffic accident. He is forced to provide therapeutic support to Alfredo, a policeman depressed over his wife cheating on him. Mariano is then accidentally involved in a double homicide investigation being conducted by Alfredo.

Reviews
jednostavno-ja

I never write reports and this is my first one, for a reason. I've watched many movies and none of them made me write any review. There are no spoilers.BEFORE --- watching a movie I expected an intelligent psychological drama containing humor. And that was in the beginning. What I got later was so much different from this, and it was still in a good way. What turned the film upside down was the ACTION that was added to it, but then, the REALISTIC side of the film was fading out (more about the policeman). PLOT --- If one was watching it while not really paying attention to the plot you could say it's realistic, but it wasn't fully anymore. That was the only minus, but as this is not a documentary it doesn't matter. Moreover, the not-realistic later part of the movie had the great IDEAS. The idea of – FRIENDSHIP as itself, despite of the environment saying bad things; the idea of the LIARS, hypocrites, sanctimonious people around you who are lying to you in the face and your decision what will you do about it; the most important! the idea of the EVIL around you, people accepting it as something normal and your decision what will you do about it. I know all this could sound maybe sound too philosophical for one movie, but that what it was about, right? The psychological part of the movie was actually the whole movie itself.END --- when Diaz felt relieved and positive again, it wasn't because he spent the time with the psychologist as one short free time they were having together and talking, but it was about him REALIZING the meaning of life. How it wasn't just about living as surviving or trying to survive, or even having a family or a work. It was about realizing the VALUE OF ONE MAN'S LIFE and the GOODNESS the human life could spread – here, by saving the policeman's life because it is worth. The psychologist realized Diaz was on the good side, being honest and FAIR, and even if he was the only good one in the police station, the psychologist decided to turn against everyone to help him.Those ideas make the film very valued in my sense. The acting was marvelous with putting an emphasize on Diego Peretti who was the only unique character in the film. He was the only positivity in the whole film, who would tell the most serious characters in the movie not to be so serious because it's not worth anything; who was able to tell the most dangerous serial killers not to say bad words when they were threatening him; who helped a good friend – in the hypothetical fiction, Diaz could be the last good person in the world, and the question is – would we rather stay in the hypothetically whole evil world by continuing to live OR to save the last fair person who has that value? I recommend the movie to everyone.

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David Traversa

Impeccable production characterizes this jewel of a film. The photography, as realistic as present technique allows it to be, introduces us in intimate contact to this couple --the policeman and his psychoanalyst-- so cozily that we feel we are there with them, following their casual conversation in the car, few minutes into the movie, while looking at a lovingly photographed Buenos Aires on hand picked locations as if we are just seeing a background on an apparently casual route.The camera movements are awesome. Its smoothness throughout the whole movie makes of every scene a natural happening helped by a precise use of lighting, either for the day scenes or the night time.What can we say about the director --Damián Szifron-- and his actors? they are a sheer joy in every scene --not only Diego Peretti and Luis Luque, the above mentioned couple of psychoanalyst and patient --every single actor in this movie is role perfect, delivering their lines with a naturalness that was absolutely unknown in the historical Argentinian films. There are many clever lines, in the comedy scenes and in the dark --very dark-- serious moments, specially with that cameo intervention of Gabriela Iscovich --the psychoanalyst wife-- in a hilarious role.A superbly entertaining film with a bit of everything, comedy, noir, mystery, violence, all done with that Argentinian flavor unique to this country, like that scene in the policeman car, where the three guys are drinking Mate --the Argentinian familiar drink par excellence-- as if drinking Mate in a police car was a natural, everyday situation.Excellent film from any point of view.

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jruvira

Should this be an American movie I'd rate it 7: we've seen this before. Being this an Argentinean movie, and being myself Argentine, I'd like to give it a 10, since it's the kind of quality I'd been hoping -rather than expecting- for. It's superb quality is astonishing, given all the limitations imposed by the 3rd World...I can't forget the scene when Díaz forces Silverstein's fiancé to confess -you know what I mean if you saw the movie. I think that's the key moment of the movie, not surprising maybe, yet original. That's when the real action begins.Before watching a movie I always try to gather some previous information. Being this a mainstream, satyric, commercial one, I press "Play" and make a suspension of reality and logic, I'd say the best state of mind to enjoy movies like this. It's impossible to discuss the plausibility of the whole plot, yet it's believable in a certain way. As for me, I couldn't stop laughing at every single joke and commentary -"sos malo" ("you're mean")... put in the mouth of Díaz, the greatest one.I'm rather tired of seeing movies "designed for" Peretti. I know he's a superb actor, but sometimes I feel his roles unfairly opaque the rest, Luis Luque's role in this case. I'm not very fond of Argentine television, so I haven't seen much work from Luque, but it's pretty obvious that he's an excellent performer. His physical role, his stares, his content attitude in this movie made me fall in love with his performance. I think his role should need some upgrading, just to let him show us how great he can be!I don't know whether Szifrón is planning to make a sequel or not. I know he won't make it if it's to follow the rule that "second parts were never good", so if he makes it, I'll surely go see it. And I hope that, in the future, takes into account the possibility to give Peretti's counterparts the same chances to develop their roles.Great movie, great performances, and lots of laughs!

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Lucia Fernandez

Very intelligent humor Excellent performing I can't believe how people could think it deserves a 1/10! I hope this movie will be shown everywhere so everyone can enjoy it If you ever have the opportunity, watch it... don't miss it There is a part when the principal actors are driving and singing "Happy birthday" and "el payaso plinplin" (an Argentinian song for kids (I think... it could also be south American, I'm not sure)). This two songs that have the same melody... but people don't usually realize that... it's just grate! I tried to write this in both Spanish and English, because it's an Argentinian movie... but the page wouldn't allow me :( Hope you enjoy it!

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