Old 37
Old 37
| 21 March 2015 (USA)
Old 37 Trailers

Two brothers intercept 911 calls in their Father's beat up old Ambulance to exact revenge on a group of careless teen drivers.

Reviews
GL84

After a string of disappearances around town, a group of friends find that the events are committed by a pair of psychotic brothers posing as paramedics intercepting emergency calls to kidnap and torture victims and forcing them to stop their rampage.This here was decent enough and had some good parts. What really works nicely here is the fact that there's some rather fun times to be had here from the way this one goes about delivering the torturing and tormenting that the two guys dole out, providing a great amount of bloodshed. The opening attacks on the different travelers, from the father's assault on the girl to their present- day ambush on the other couple and finally appearing to the high- school kids manages to really get quite enjoyable with the different dismembering and torturing done on the victims while getting this one set-up quite nicely Several other rather fun stalking scenes are found throughout here, from the stalking of the couple in the car out in the woods or the rather creepy attack on the lone victim in the impound lot, though the fun really comes from the finale where there's plenty of highly enjoyable stalking and chasing done throughout here, from the confrontation in the woods where they get abducted into the ambulance and the great stalking through the darkened impound lot, the brawling with the family in the shack and finally the big finish which gets some nice action and gore involved as well. These here are the film's best parts. Still, beyond these issues there's quite a few problems to be found here. There's not a whole lot that's of any real interest here for the majority of the film, really dragging the pace out in the first half. The storyline about the teens getting ready for the party aware of the different accidents afflicting their classmates and the utterly banal social hierarchy involving everyone there which manages to include the cliché story about their secret back-story and the mean girl structure that involves everyone out trying to outwit each other in order to better themselves, and none of this is all that clever, original or enjoyable in the slightest. It just makes the film quite bland and boring while also highlighting the other flaw in that the brothers don't really have a whole lot to do here. By forcing all that into the film, they tend to take a backseat and show up for a few brief scenes which are quite enjoyable somewhat but don't really generate the kind of interest they really should seeing these hulking behemoths on-screen which is somewhat frustrating. Their back-story isn't all that enjoyable anyway and really tends to come off as so cliché and expected it's all going to be guessed without much difficulty and really brings down it's effectiveness. Likewise, the other small flaw here is the finale which features the turn for no reason here other than giving the heroine a chance to escape out of the situation as it makes no sense why that would occur or the motive behind it. Otherwise, this one wasn't that bad.Rated R: Graphic Violence, Graphic Language, Nudity and strong themes of child abuse.

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Bloodmarsh Krackoon

What's a good way for a director like Alan Smithee to get people to watch his horror film? Releasing it right before Halloween is one way - and casting Kane Hodder and Bill Moseley as serial killing brothers, is another. I've never met Kane Hodder, but I'm willing to bet he's probably the nicest guy on the planet, because for some reason directors want to work with him. This is a guy who is best known for walking around with a hockey mask, with absolutely no dialogue. The reason for that is quite simple - he's the most wooden actor I've ever seen. He has no screen presence/charisma, no sense of timing when it comes to line delivery. He just snarls and bullies his way through every single role, without a care in the world. He does a pretty mean chicken dance, though.'Old 37' is dull slasher film about two serial killers (Hodder/Moseley) posing as paramedics (Uh, I think it's about a boob job, too.) If you think this is a pure horror film, you're wrong. It's more teen drama than horror. It takes entirely way too long to get to the killings/torture. The character development is something you'd see from 'I Still, Still, Still Know What You Did Last Summer.' There's absolutely no reason to add any type of character development to this film, because the characters are dull, bland rip-offs of previous 'teen' slashers. You will be pleased to know, or at least you should be, that Brandi Cyrus doesn't manage to last 20 minutes into the film. If you're like me, you probably feared she'd somehow land the main role as the helpless victim. You won't be pleased to know, that if she hadn't been killed off, she would have ended up being the best actor/actress in the film - and that's not meant as a compliment.Random Ramblings of a Madman: 'Old 37' is mind numbingly awful, filled with bland characters, awful acting, and the worst drivers ever put on film.

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marydeveau-248-947926

I saw this movie at the Mass premiere at Randolph Lux Cinemas. I have always loved horror movies but this took the cake! Suspenseful, gory and dark. The story line is a work of art, all from a nightmare the writer had one night. It makes me wonder what goes on in his head on a daily basis. The music was right on. Shepherd was especially great. Great job selecting just the right songs to fit the mood the writer wanted us to feel. I have preordered my own DVD and can't wait to watch it again snuggled up on the couch and hiding under a blanket. Maybe not under the blanket, I wouldn't want to miss a minute of this movie. I really look forward to any new movies Paul Travers, writer, creates. If you love horror, don't miss this one!

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philarmitage21

Where to begin without spoiling too much?There is a prologue, then the opening titles (which feature a great score and an interesting credit:Directed by Alan Smithee), and it's all downhill from there.It becomes quickly apparent that things won't be very promising with almost immediate bad dialogue given to badly-written characters who do stupid things in unrealistic, only-in-movies cliché'd manners. The actors didn't really stand a chance with this script.Nothing works. Not the antagonists' motivations (revealed in numerous flashbacks) or their M.O., the unfortunate ''character development'' which takes up so much screen time and only succeeds in being incredibly unbelievable, (once again) cliché, uninteresting and unoriginal. Not the storyline, which throws in ''revelations'' that are completely unnecessary and illogical and doesn't bother trying to do anything remotely original. I could go on. NOTHING works.This is one of the worst films I've seen recently. It may sound harsh but I was marvelling at how much I disliked everything with every passing minute.This is lazy filmmaking. No attempt to try to do something original, or to create good, interesting characters. If there was, then something happened and it prompted the director to take his name off the credits.I can't blame him.

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