Gorgeously filmed bit of Americana, although it's a rather dark vision American about of loneliness and the struggle to achieve the "American Dream." Director and star Gary Sinise, with screenwriter Horton Foote (who memorably adapted the 1962 film version of "To Kill a Mockingbird"), craft a faithful adaptation of the John Steinbeck novel about two depression era drifters, George and Lennie. I won't bother summarizing the plot, as I'll assume anyone reading this has already read the book in middle school (or maybe you're a middle schooler watching the film instead of reading the book?), but Sinise is perfect as George, but the seemingly miscast John Malkovich as Lennie is surprisingly good in his role as well. Malkovich has never been a physically imposing presences on screen, which is one way he seems wrong for playing the hulking Lennie, and Malkovich is typically cast in sharp-tongues verbose roles such as "Dangerous Liaisons" or the villain in "In the Line of Fire," but he does a wonderful job as the childlike Lennie. If I had to compare this performance to another of his, he did play a simple minded character in "Making Mr. Right" (along with a dual role as a more Malkovich-like of scientist). Ray Walston is the other standout in the cast as the old ranch hand Candy, who should have put down his own dog. Walston's role is a smaller one, but it's a particularly moving one from a veteran actor who's best remembered for his more comic of performances ("The Apartment," "The Sting," or "My Favorite Martian"), which really speaks to his talent. There really isn't a false note among any of the cast members, who include Casey Siemaszko, Sherilyn Fenn, John Terry, Alexis Arquette, Joe Morton, and Noble Willingham. These brilliant performances, elegant direction, and beautiful writing are complimented by one of composer Mark Isham's best scores (and that's saying something) and golden hued picturesque photography by Kenneth MacMillan. Overall, I'd rank Gary Sinise's "Of Mice and Men" among the best films of the 1990s and it's a crime the he hasn't directed a feature film since. FUN FACT! Walton's Candy is missing a hand and Walston is best known for playing Mr. Hand in "Fast Times at Ridgemount High."

It's never an easy task tackling an adaptation of a famed novel and revered writer John Steinbeck's oft talked about and well-loved title from 1937 Of Mice and Men is a risky proposition for the big screen with its deep themes, hard hitting examination of human nature and multilayered characters but all the way back in 1992 actor/director Gary Sinise (a face still perhaps best known from Forrest Gump and now sadly the TV series CSI: NY) alongside John Malkovich, helped turn Steinbeck's source material into a drama filled with heart, soul and against all odds, humour.Sinise's masterstroke of casting himself into the lead role of caring soul George Milton who takes ownership of Malkovich's hulking yet handicapped Lennie in the farming plains of America in the late 1920's/early 1930's helps bring Steinbeck's words to life with the two unlikely comrades enacting a banter and chemistry between each other that quickly brings the viewer into their worlds, both through the eyes of the driven George and the child like Lennie, who in many ways is but a small child trapped in the body of a stronger than he knows adult who's main concern is getting a puppy or tending to rabbits when indeed every day of his existence is threatened from more than one angle.Through these two fine actors we have access to two men we come to care for and relate to, Sinise has arguably never been better even though his role requires little flash while Malkovich's considered and measured turn as Lennie is quite the feat, which makes the fact his turn was largely ignored upon release quite mystifying. The two are ably supported by fine turns from side players Ray Walston as the aging yet loving Candy, Sherilyn Flynn as the hard done by wife of a farm owners son and farm hand Slim played by John Terry. With the actors on song in front of the camera, Sinise shows sufficient craftsmanship behind the camera while screenwriter Horton Foote delivers a hearty dose of emotional heft in a script jam packed with delivery of human kindness and the tough decisions that sometimes need to be made despite the hardship it will no doubt offer in the short-term.A fulfilling and quietly powerful adaptation of a loaded novel, Of Mice and Men stands up well against the test of time and makes one wish Sinise had in the years proceeding this film's release gone onto more memorable ventures behind the camera as well as in front of it and while the tricky subject matters may not be classed as entertainment in the typical sense, Of Mice and Men is a quality title deserving of its fine reputation by those that have discovered it as the years progress.4 dirty overalls out of 5

Saw in one of the episodes Sawyer reading the book "Of mice and men" the title was catchy. Googled it and came to know about this movie. Awesome acting. Might want to read the book someday. Though I am not an avid reader. Saw in one of the episodes Sawyer reading the book "Of mice and men" the title was catchy. Googled it and came to know about this movie. Awesome acting. Might want to read the book someday. Though I am not an avid reader.Saw in one of the episodes Sawyer reading the book "Of mice and men" the title was catchy. Googled it and came to know about this movie. Awesome acting. Might want to read the book someday. Though I am not an avid reader.

Based on the classic John Steinbeck novel and released in 1992, the story focuses on two traveling companions desperate for work in rural California during the Depression: George (Gary Sinise) is of average stature and smart whereas Lennie (John Malkovich) is big and mentally challenged. They get a gig at a big ranch while dreaming of owning their own one day when the opportunity suddenly presents itself. Unfortunately, the arrogant son of the owner, Curley (Casey Siemaszko), and his flirtatious wife (Sherilyn Fenn) complicate matters. John Terry is on hand as Slim, Ray Walston plays Candy and Joe Morton plays Crooks.I've been a fan of this potent Western drama/tragedy ever since I read the book as a teenager and both this version and the 1992 version are worthy film adaptions (I have yet to see the 1981 TV production with Robert Blake and Randy Quaid, which I've heard is good). It seems that you just cannot do a 'bad' "Of Mice and Men," as long as you have decent actors and filmmakers.Some people scoff at the moral of the story, as if it all comes down to shooting your aged, useless dog yourself, but it's way more than this. It's a commentary on the nature of companionship and loneliness: Whereas George and Lennie compliment each other many of the other characters languish in isolation, like Candy, Curley's wife and Crooks, even Slim. Questions of strength, weakness, usefulness, reality and utopia are explored as the story leaves you scratching your head.Comparing the two versions, I slightly prefer the newer rendition because it's in color and is just overall better made with a superior score and cast with the exception of Lon Chaney as Lennie. Malkovich is very effective in the more recent version, but Chaney's Lennie is just more likable. While I don't like the addition of cussing in the 1992 rendition, it's probably more realistic and it isn't so bad that it makes the movie unwatchable (for me anyway). In any case, Sherilyn Fenn is a vast improvement over the original's Betty Field, who's annoying and not desirable enough to pull off the part (but, then again, she might be desirable to male ranch hands with no other females within a dozen miles).The film runs 115 minutes and was shot in California.GRADE: A- COMMENTARY ***SPOILER ALERT*** (Don't read further unless you know the story) Curley's wife has only ever been valued for her sexuality, which she has learned to use to attract attention. Not only is she the only female character, she's also the only character not to be given a name in the book and the 1992 version, which emphasizes that she's a sexual plaything, currently owned by Curley. She was repressed by her mother and taken advantage of by men who made her empty promises. She prefers to believe that her mother stole her letters from the "Hollywood" man who used her, instead of accepting reality. She is married to a boor who places little value on her and so she seeks the only attention she can get from the men on the ranch as the only woman there: sexual attention. The contact with Lennie in the barn is as far as sexual as it gets. When she says "It feels good" to have her hair stroked, she isn't speaking sexually. She is enjoying the only nonsexual attention and affectionate touch she has had in a very long time, if ever. It is almost a meeting of children between this woman who long ago lost her sexual innocence but remains hopelessly naïve, and Lennie, who also longs for soft things in his life. It is a beautiful, tragic scene.Someone argued that Curley's wife wanted to get Lennie on her side so that he would kill Curley and she would be free to leave. If Lennie killed him, no one would believe him if he ever said that she told him to do it; and since she didn't do the deed herself, she could easily leave and start her life over, hopefully as a movie star. While an interesting theory, the young woman doesn't come across this devious or cunning in the story where her actions are more natural and naïve. Similar to Lennie, she was a child in an adult body, albeit not mentally challenged. She was starving for companionship, but none of the other men would hang out with her due to Curley and the threat of losing their job. Lennie was alone in the barn and so she just took advantage of the occasion to converse with someone. Add to this the fact that Lennie was the only man on the ranch to humble (conquer) her arrogant SOB husband, whom she hated. Plus, she noticed earlier how Lennie appraised her with obvious awe. So there was a subconscious attraction and she wanted the gentle giant to touch her, stroke her hair; perhaps to "reward" him.