Nothing Personal
Nothing Personal
PG-13 | 18 November 2010 (USA)
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Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

Reviews
eumenades

A unique storyline that captures the viewer's attention, wondering what these two will make of each other where primarily neither want to relate intimately with anyone else. A very interesting film in terms of every unspoken gesture, facial expression and events-packed silence. Part of the fascination is the viewer constantly wondering, "What will happen between them next?"And it is this tension that makes for a total attention. Can they love? Will they connect? Who will open up first? Why were they so alienated in the first place? Yes, a very existentialist piece reminiscent of Bergman movies, perhaps; certainly treating similar themes. By the end of this film, I was half in love with 'You', the female protagonist. Yup, it really got to me. Maybe you too.

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Sam DeRenzis

This films exceptionally well done as it leaves out so much of what films today do not, music at every moment and constant dramas. Instead we get a fresh perspective on two people, one that wants to be a loner and escape and another that sorta/kinda doesn't want to but is a loner non-the-less.Honestly his life didn't seem so terrible that he would end it, which is the final outcome of the film. However it's unclear if he off'd himself or it was a natural death, I would say natural in my opinion except for his letter to her which pretty much says it all. Of course the letter is all about giving her his place only for her to leave it! Irony! The only real issue I have with this film is, well OK more than one: 1. He doesn't sleep with her when she offers herself. Unbelievable since he clearly had been wanting to the entire film, and what man would not want too I mean dear lord.2. He off's himself for no real reason (we are aware of) however based on the trend in the film of him slowly letting her move closer it makes no sense at all, none. I'm offended and annoyed they went the easy route instead of tying up all the loose ends in this movie. I mean seriously what normally would've happened is they begin to feel something romantic for each other, and we learn more about who they are, finally they end up together, perhaps cliché but still a brighter end than this film makes things out to be. Her alone anyway in that crummy apartment abandoning his stuff for god knows whom to pillage! Some would say a movie that makes you talk is great, this sure will do that for you let me tell ya. But I would have ended it on a happy note, why not? And he wasn't that OLD OK so it's not really crazy to expect they'd end up together. Alright bye!

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Armand

precise, minimalist, strange. almost a form of poem. maybe a visual haiku, story of a trip, a meeting and solitude. a circle. impressive images. memories from Bergman. and dust taste. a portrait. or only testimony. a search and its terminus point. a parable. or only fragments from a house and a garden. the mixing of algae remains for me the central image. a gesture like a prey. or only need to save essence of search. because, the actors , in this case, are shadows of places. and sign of subtle desire to be part of them. sure, after film end, a lot of hypothesis bloom. but it remains only the taste of honey and ash. and a white package. like last gift.

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marekbouchard

After watching this film for the first time, I was intrigued. I felt the need to watch it a second time, parsing every minute detail to try to figure out what the hell was going on. So many questions; but I think I figured it out. Why did You go into Martin's house (before even meeting him) and rearrange his coffee mugs, then roll around in his bed naked? What happened in Amsterdam? Who was the woman in the house? Why in the world would Martin want to die after having this gorgeous girl move in with him?Most importantly, who is You? You is a witch.The events of the movie can only fully be explained by witchcraft. The weird coffee mug and bedsheets behavior was probably a hex of some sort. In Amsterdam, she probably killed her former husband before taking off to the next sucker (Martin.) I don't know who the women was, but it doesn't matter. Martin killed himself because he was under a spell and the vile temptress he invited into his home was actually slowly killing him for his house and his money.Bummer. Seriously, don't judge this interpretation till you've watched it again with this in mind. It's the only way I've found to make the movie make sense.

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