Jess Franco made a lot of films that are liable to make you want to claw your eyes out; but then he also made a lot of films that made you wish he took more care of his overall filmography as the man clearly had talent. Night of the Skull is firmly in the latter category; as while the plot is not particularly original and has been done many times before and since; Franco makes good of it and Night of the Skull is a very successful thriller overall. The basis for the plot takes influence from the often used idea of a will reading causing trouble within a family. The film takes place in England and we focus on the residents of an old castle. The Lord of the manor, Lord Archibald Marian, has been murdered. As the family gather for the will reading, they are shocked to learn of two wills; one to be read in the case that the Lord was murdered, the other in the case that he died of natural causes. The family are shocked further when all of his assets are left to his illegitimate daughter, but there are twists in store before the will can be executed.The film gives a writing credit to the great Edgar Allen Poe for his story "The Cat and the Canary", although clear influence is taken from crime writer Edgar Wallace and indeed his novel "The Terror" (which was adapted in 1965 as The Sinister Monk) features basically the same story. The film has some similarities with the Giallo genre also and Giallo fans will no doubt enjoy this one too (genre entries such as The Weekend Murders and Deadly Inheritance also use the same base for a plot). The film is set in England and Franco takes care with his setting and the film does actually have an English feel; despite the fact that all the characters speak Spanish. Franco also creates an effectively creepy atmosphere that benefits the film immensely. The film is of a higher quality than a lot of Franco's stuff also - with the acting from the ensemble cast being well above par. The storyline is interesting for the duration despite the fact that it will be familiar to most genre fans; and the ending does deliver something of a surprise. It's an unlikely way for the tale to end, but at least it sort of makes some sense. Overall, Night of the Skull is a very decent thriller and comes recommended.

Roger Corman apparently isn't the only director who can do Edgar Allen Poe adaptations, even though he undoubtedly remains the reigning king thanks to his SEVEN masterful films during the early 60's starring Vincent Price. The least you can say about this movie is that it's a likable effort. If you compare the oeuvres of exploitation master Jess Franco and early 19th century author Edgar Allen Poe, an amalgamation of their works seems nearly impossible and ridiculous. And yet, "Night of the Skull" is a very compelling and atmospheric Gothic horror film, worthy of Poe's good reputation and a class above the majority of Franco's other movies. The screenplay is based on Poe's "The Cat and the Canary" and revolves on the despicable Marion family as they gather around to hear the will of the murdered patriarch Archibald Percival. Since his death was unnatural, the inheritors all of a sudden get to hear a completely unexpected testament that divides the family fortune differently. Then at night comes a skull-masked killer to eliminate all the family members in gruesome ways, referring to the four basic elements water, wind, earth and fire. Our good old pal Jess manages to create a wondrously sinister Goth atmosphere, complete with dark mansions near the seaside and loud thunderstorms. There's always a certain level of suspense to enjoy and the murders are impressively barbaric. Especially the first murder, that of the family patriarch, is quite creepy. This movie probably contains the smallest amount of sleaze in a Jess Franco movie ever (even Lina Romay keeps her clothes on at all times, which is truly odd), but there's constant hinting at perverted themes, such as incest, voyeurism and adultery. The decors are great, the acting is more than adequate for once and the recent DVD release looks very nice. This film isn't dubbed, which is a real pleasure. Definitely top 3 Franco material, alongside "Faceless" and "The Awful Dr. Orloff".

It's difficult to know how to rate a Franco film. Do you compare his films with all other films, or do you just compare Franco's films with his other films? Compared with the entire population of movies, Night of the Skull probably isn't that good. But for a Franco film, it's not too bad. And when you consider that this is only one of ten films Franco is credited with directing in 1976, it's amazing that Night of the Skull is at all comprehensible.I haven't read this anywhere so I have no real basis for knowing this, but Night of the Skull seems to be Franco's attempt to make a Giallo/Krimi type film. A hooded, cloaked, skull-masked killer is offing the members of a wealthy family gathered together for the reading of a will. Almost everyone in the family is a suspect, that is, until they're killed. Some of the scenes are almost expertly handled like the first murder where the elderly patriarch of the family is buried alive with only his hands, which have been tied behind his back, sticking out of the ground. There are also very few scenes where Franco appears to lose his (and the camera's) focus and stays pretty much on course throughout. On the downside, the killer's identity is, unfortunately, too easy to guess and leaves little in the way of a surprise once he/she is finally unmasked. And, while the acting is never as bad as in something like Franco's Oasis of the Zombies, no one was going to win an award for their performance either.In the end, Night of the Skull is something of a treat for fans of Franco. Non-fans would probably be best advised to steer clear.

The label "thoroughly average" is borrowed from the Aurum Horror Encyclopaedia and, for once, describes the movie very well.That does not imply that the movie is without interest. There are nice decors and several interesting scenes, e.g., a man is buried alive with only his hands, which are tied to the back, sticking out of the ground like a cry for help or a women is tied to the rocks and left to the tides. Of course, the movie features also Franco's usual dilettantism such as badly focussed shots.All in all, it is worth a try. No suspense or blood, though. So, watch it only if your are fully awake.The already quoted horror encyclopaedia contains a plot summary which differs slightly from what I have seen. This could mean that, as so often, there exist several different versions of the movie.