Never Again
Never Again
| 11 March 2001 (USA)
Never Again Trailers

A man and a woman who have pledged never to fall in love again meet in a gay bar.

Reviews
moonspinner55

Thoroughly charming! Jill Clayburgh masterfully plays another savvy, divorced woman attempting to date again, and though some viewers may say she has mined this territory before, Clayburgh absolutely nails the love/hate relationship fifty-somethings have with getting back into the swing of things (sometimes it's much more enticing to just sit home and mope). After a blind date goes south, Jill unintentionally winds up in a gay bar with her girlfriends and they decide to make a night of it; luckily, exterminator/part-time jazz musician Jeffrey Tambor has also wandered in and the two singles 'meet cute' (he tells her he's open to "experimenting" and thinks she's a transsexual, she finds the situation amusing). Writer-director Eric Schaeffer loves a good cliché, and he doesn't mind playing up the storybook aspects of this wacky romance, however the film does fall into a predictable pattern (they meet, they fall in love, they fight, etc.). Still, when the writing is this delicious, and the cast is so attuned to the straightforward, occasionally barbed material, the results can be joyous. While Clayburgh mixes her playful, feisty bit with a more serious, defensive undercurrent (and succeeds beautifully), Jeffrey Tambor is the revelation here. Too often cast in sitcoms as a dunderhead or buffoon, Tambor displays wonderfully dry comic timing--and the embittered quality of his character is never off-putting (we can sympathize). Tambor seems to have no notion of what a handsome lug he is, and his aw-shucks shuffling and nervous body language is that much more appealing because of it. He's thoughtful and deep (and troubled), but also an old-fashioned romantic at heart, and Clayburgh's salty, sneaky wit brings out the best in him (he's dry, she's wry). Despite some comically 'shocking' scenes, the film isn't about sexual humiliation (thank God), and Schaeffer wants these two to be together as much as we do. It's a hip, sassy affair that should resonate with a lot of folks over forty. *** from ****

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paraffintouch

First off. I would like to state I have never written a review in my life, let alone, one for IMDb. I watched this movie and felt so strongly that it needed a fair review on this site. There will be no major spoilers.The movie centers on Christopher and Grace. Both of whom are in their early fifties and love lorn, even though they won't admit it. Through a series of strange events (Chris's botched attempt to have a new sexual experience, to Grace's attempt to blind date) bringing both together at a gay bar.What's great about the film is the writing, first and foremost. Some may be put off by it's candidness. Some may also find it heartless at who it pokes fun at. I can assure you that the writer/director Eric Schaeffer gives everyone a chance to be the butt end of a joke. His characters tend to have imperfect qualities. Especially his lead male characters (i.e. Starved or Mind the Gap). He gives such respect to the sexuality of an older man and woman that has never been represented in Hollywood. They are portrayed as sexual, feeling creatures. He shows them as human beings looking for love and tenderness. Not just the typical older man/woman who can't let go of their ex or their kid who went off to college and that's what their life is about. The forever the parent without an identity of their own. These people go on with their life... like real people do. Outside of the writer/director are the performers. The characters are given direct, BS free dialogue. They are very open at any given moment to asking for what they want from each other. Which what I'd imagine ones demeanor to be when reaching their age. This especially comes out when dealing with their sexuality. Jeffrey Tambors portrayal as a disaffected bachelor is a quiet, sweet performance, but one that also has these moments of assertive strength that you are not used to seeing out of him as an actor. He's usually used as a goof or some weaselly character. As a lead, the man shines. Jill Clayburgh is wonderful as Grace, the spurned, icy divorcée that is ready to open up and love again. There is not much I know of her work, but her willingness to give herself to the role is something you don't expect on face value. Bill Duke is absolutely great in this film as Chris best friend and music partner. He there to give Chris' levity and does so in a very endearing way. While the rest of cast does a fine job, the last person that really stood out was Micheal McKean . I won't spoil where and how he shows up, but let's just say it's twelve hours since I watched it and my ribs still feel a little sore from laughing.The movie is sad. The movie is funny. The movie is touching. Is the movie sappy? Yes. But not in the way you'd expect. The movie has this Hollywood like ending but is justified because it's completely with the realm of the characters, and not forced. The movie makes you believe that getting older doesn't preclude the loss of desire and sexuality. Everyone should watch this movie. Teenagers, adults, senior citizens, they should all watch to see that being older doesn't mean your dead from the waist down.

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angrywomanent

I am totally enthralled with this film. Not only is the script, acting (for the most part), and the directing superb-- it has a plot that is not seen in ever other love film known to man! I would have given the movie a 10 out of 10, but I have an issue with a handful of aspects about it. I didn't like a lot of the soundtrack; the songs just did not seem to fit the mood of the film in the beginning. Also, there is a cheese factor towards the end. However, if that is all that can be wrong with a film, then it is near perfection in my book. This film deals with real life issues, underneath the humor, and is so well written from both the male and female aspects of things that I kept wondering if two people had written it. (Imagine my surprise when a man had done it. He's got us down pat, ladies!) Plus, it isn't afraid to show a sexual side to humanity beyond 35-- a triumph for this day and age. Currently, this movie is my favorite of all time, and in my opinion, is a masterpiece that everyone should take the time to watch.

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sumytra-2

I think you have to be over 50 to enjoy this film. The humor is mostly sublime not the stupid, over-the-top site gags that drive most of todays immature comedies. I watched this film alone and laughed out loud till my sides ached. That could be because I have arthritis and fibromyalgia and I'm one of those "Never Again" used and abused people.

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