I just watched "Nancy Drew Detective" from 1938. I thoroughly enjoyed it, although it was a bit silly in parts and every character was iconic- or maybe stereotypical. Critics would say it was a "formula film." Maybe so, but I sure liked it!The plot: Nancy Drew (a teenager with her own car, whose father is a well-known attorney) and Ted Nickerson (her slightly older neighbor boy who loves her madly but won't ever show it) solve a kidnapping case of a wealthy elderly lady. Ted has to disguise himself as a nurse while Nancy becomes a widow in order to locate the lady they are rescuing.There is much activity involving an idiot police chief, bad guys who catch Nancy and tie her up, and threaten to shoot her (but who never even thought about the possiblilty of doing what we'd expect bad guys to do these days,) racing about the countryside in a roadster following homing pigeons, even aerial mapping from a biplane (which cost $10 for the flight!)It was well worth watching just for the scene where Nancy gets her hands on the bad guy's gun- a .45cal 1911- shuts her eyes and lets the bullets fly! The police chief, after he'd come out of the cover he leaped into to avoid being shot, remarked that he was surprised that she could even lift "that hand-cannon!" There are also hidden delights such as Ted's being a ham radio enthusiast (remember this is in 1938) as well as being an amateur photographer who developed the aerial photos. It was fascinating!This film was aimed at a young audience, who probably rolled their eyes at it when it was first shown, but who would have admired the qualities that Nancy displayed: courage, independence, perserverance, loyalty- but also being mischievous and not inclined to follow orders meant to keep her safe. They would have seen right through Ted's little act of "aw shucks, I'm a guy, I want Nancy to leave me alone to do guy stuff," which they were intended to see through, and see that Ted was steadfast and determined to help Nancy in every way, even though he loved her dearly and was worried about her getting in trouble over her head. Sex did not raise its head at anytime in this film, and its omission bothered me not at all; there was plenty of love and tenderness.All in all, a delightful film. If they made movies like that these days, I'd be at the theater regularly- but they don't, and I'm not. Which is a pity!

First in the short series of Nancy Drew movies made in 1938/39. The mystery here has Nancy (Bonita Granville) searching for a missing wealthy dowager and tangling with crooks. Granville is dynamite in probably her most famous role. John Litel is good as Nancy's encouraging but protective father. Frankie Thomas plays her sidekick, best friend, and would-be boyfriend. Great female role model for young girls, way ahead of its time. I never read the books so I can't say how close to the source material these movies are, but I enjoy them. Fun script, likable characters,and short runtime make for an entertaining B detective movie. Not the best in the series but good.

The first of the four Nancy Drew mysteries that Bonita Granville did for Warner Brothers finds her trying to find an old woman who donated some big bucks to her high school for a swimming pool and promptly disappears.Our intrepid heroine to four generations of young girls goes into action to find what's happened to the old dame. The high school benefactor has fallen into the hands of a gang of crooks led by James Stephenson. They've got an interesting way of communicating by carrier pigeons.When Nancy discovers that she and her ever helpful boyfriend Ted Nickerson go in hot pursuit of the bird. Of course as things developed in the series the biggest pigeon for Nancy was Ted as played by Frankie Thomas.No heavy drama here, but Granville and Thomas are enormously appealing, though gloriously out of fashion with a new Nancy Drew coming to the silver screen.

I've tried looking it up but can't seem to find any reference to the importance or usage of that particular number: 2380 - twenty-three eighty.They'd use it like, "I'll bet you twenty-three eighty that..." or "It was twenty three eighty million miles away" or something of that sort, but always as twenty-three eighty.Does anyone know what that term refers to?As for the movie itself, it was just OK.I always pictured Nancy Drew as more sure of herself and less bungling and helpless girlie-like.