A mischievous young boy with a Puckish smile, unusual table manners, and a sympathetic kinship to Laika the Soviet astro-dog is sent by his ailing mother to live with relatives in the country, where he discovers a town full of people even more eccentric than himself. Director Lasse Hallstrom's popular Swedish import offers a refreshing look at the mysteries and heartbreak of adolescence, with all the charm but none of the cloying sentiment of other, similar coming-of-age films. The rich humor is drawn around an affectionate portrait of small town life, closely observed; the pain comes from the realization that young Ingmar's bedridden mother has already passed away. The pace is often lazy and the film is overlong, but Hallstrom's understanding of human idiosyncrasies is reminiscent of a Jacques Tati comedy, choosing to laugh with instead of at his characters. It's a memorable look at love and mortality, as seen from the innocent eyes of a boy passing through that awkward age when he begins thinking like an adult while still unable to stop acting like a child.

After I had seen "The Cider House Rules" and "Chocolat", I took some interest in Swedish-born director Lasse Hallstrom, and so I decided to check out one of his movies from his native country. "Mitt liv som hund" ("My Life as a Dog" in English) really impressed me. This story of abandoned boy Ingemar hits the perfect balance between sentimental and gritty, with one scene that was probably there for a little comic relief (you'll know what I mean if you see the movie). Probably the most effective scene is when Ingemar talks about Laika, the Soviet space-dog. Just as happened to Laika, Ingemar didn't want to have to go through this, it was done to him. And both Laika and Ingemar got left in limbo. Both were victims of cold, abstract forces.Anyway, this is definitely one that I recommend. In my opinion, Hallstrom's American movie most like this one was "What's Eating Gilbert Grape", about a destitute family in Iowa. Both are worth seeing.

I am dumbfounded as to the reason this film caught flattering attention. I love foreign and art house, and I know why it caught my attention: I watch anything. But I actually stopped watching this tepid tragedy due to disinterest, waited a few days and re-played it, this time all the way through. Despite it's promising subject matter this script is far from adventurous; the boy learns nothing from his experiences and the townspeople are no more eccentric than your average Swede. Due to a miscast of the lead character (he is 12 years old, but the actor seems about 9) the sexual encounters he has are borderline creepy. There could have been a deeper, lost metaphor between the loss of his dog and his thoughts of his dying mother, but if so, it was either lost in translation or wound up on the cutting room floor.If you want an excellent film that tackles looming death or losing a loved one rent "Autumn Spring" or Hallstrom's better venture, "The Shipping News". Hmmm, Death. That reminds me. I was less bored watching the walking scene in "Gerry". Rent that too.

I finally got to watch this film from beginning to end last night, after having caught glimpses of it on television. What is there in this film not to love? Beautiful Swedish landscapes in summer and winter. Attractive blond haired children or women. Hilarious eccentrics who spend their entire lives hammering nails into their roof shingles. Children on the cusp of puberty who engage in a completely unrepressed journey of sexual discovery without tilting the film into x-rating.This is a true story based on the life of a real child whose mother was a famous Swedish writer, who had a terrible temper and also died of a disease of the lungs. As a special, there is a delightful interview with the director which is insightful on several levels. He talks about what it was like working with the child actors and how natural they were about their work. He talked about how he only realized how unconsciously hooked into the film he had become after seeing it several years after completion. The reason given was that he too was the child of a famous writer/mom who needed her space and privacy. He too had children and then was divorced. So, on many levels he found the film a cathartic experience AFTER he had watched it in a theater and watched how other people responded.What is clear about this film is that it is charming without being cheap or smarmy. The unpretentious manner in which a touching and sad story is told is such a joyful antidote to the average Hollywood film. Unlike most American films which say too much, are too loud and spoon feed all thinking into the audience with the assumption that we are dumb, insensitive and unable to connect the dots, this drama delights with it's simplicity, allowing the drama to come to us in an unhurried telling. This film won several awards and most deserving it was. At the end we both cry and smile at the outcome. What is strengthening to know, is that the real life boy whose story this is, thrived. A really great film indeed.