Basically Agatha Christie is not my cup of tea (Exceptions: "And Then There Were None" & "Murder On The Orient Express"), but this film is different. The reason is Leslie-Anne Down (Bridget Conway), beautiful as always (And perhaps never more so than in this film). Spoilers: The basis for the film is interesting where Luke Williams (Bill Bixby) meets Lavinia Fullerton (Helen Hayes) on a train heading for London because of the mysterious deaths happening in her small Village. When he sees her get run over by a car, and get killed, he realized it is statistically impossible for so many deaths in one small town to occur, so he decides to play amateur detective and prove his theory correct. There he meets and falls in love with Bridget( Who is engaged to a much older man (Major Horton (Patrick Allen). Now although his computer said Bridget was the killer, he refused to believe it, and of course, she is not. Who is the killer? It was pretty obvious, but I will not say. Needless to say, at the end, Maj. Horton who also is NOT the killer, realizes that marriage is not for him, and Luke has a very quick marriage proposal for Bridget, which of course, she accepts and they leave the village and live Happily Ever After. I give it 9/10 stars, mostly for Leslie-Anne but also for Constable Reed (Freddy Jones) who is a fun chap always loving to ride his bike, and is very happy when the small town returns to normal.

When Luke Williams meets an eccentric old English woman on the train and she tells him she knows of three murders and she is subsequently murdered, I felt that the film had started well and was likely to develop into a good whodunit. Unfortunately, it was down hill from there on.With one exception, the suspects are wooden, providing little other than simply having a list of suspects to consider. The exception is Bridget Conway, the object of the Luke Williams' desire. Attractive as she (Lesley-Anne Down) is though, there is a limit to how often I want to see close ups of her facial expressions.The plot - will Bridget Conway prove to be the murderer damming Luke Williams hopes or will it be someone else? - first stumbles along and then grinds its way to an inevitable slushy conclusion.

... and worlds apart from the dire new UK TV versions. Bill Bixby is attractive, charming, funny and vulnerable. Lesley-Anne Down is beautiful and her outfits are... interesting, especially her loungewear. But should she really sleep in so much make-up? They're surrounded by a solid cast: Leigh Lawson, Anthony Valentine, Timothy West, Helen Hayes, Olivia de Havilland (but surely that's not her voice?). Shane Briant makes a wonderfully creepy doctor - what happened to him? What makes this film so good, tho, is that it sticks quite closely to Christie's book, and Tells The Story, something that the present gang of Christie pirates seem to think is far less important than appalling overacting by self-congratulatory thesps. One thing missing from this version is the present-day witchcraft theme that's present in the book. (Ellsworthy has sinister visitors who congregate in the woods at night and slaughter small animals in sinister rituals, making him more of a genuine suspect.)

Agatha Christie's 'Murder Is Easy' gets off to a brisk start with Helen Hayes as a little old lady on her way to Scotland Yard to report a series of murders in her village. She describes the look that made her realize who the murderer is and tells Bill Bixby, "If no one suspects you, murder is easy." Shortly after she leaves the train station, she is killed in an auto accident. Thus, Bixby decides to investigate for himself. Carmen Culver's teleplay would have been better if it hadn't updated the Christie material and tried to modernize the story with foolish computer nonsense. Furthermore, by devoting entirely too much time to the red herrings and focusing almost all of the remaining time on Lesley-Anne Down and Bill Bixby's growing relationship, it turns the surprise ending into little more than a sham for which there is no preparation. Bill Bixby's character in the novel was a young policeman--here he is an American computer wizard who delves into use of the computer (to no avail) to solve the crime. He's charming and believable enough but too many scenes are throwaways involving him and Lesley-Anne Down. Suffice it to say that this is not one of the best adaptations of Christie's work. The technical aspects are excellent--the color photography of the English settings is impressive and all of the performances are first-rate. Nice to see Olivia de Havilland and Helen Hayes as "special guest stars". Helen Hayes contributes so much to the opening scenes that she makes up for the fact that there is no Miss Marple in this one. But the tight suspense of the final scenes in the novel when the murderer is caught and revealed is missing here and the explanations are too swift to carry much weight. Still, an absorbing who-dun-it for mystery fans although modernizing the story with computer detection work is no help at all.