This is a cheap and antiquated production - upon seeing it, if one didn't know better, one might assume that there was almost no advancement in any areas of filmmaking between, say, 1931 and 1941, which of course is not true. The script has some knowing moments of satire at the genre (the outsider who comes in the "last 3 pages", the disappearing corpses "just after the middle of the picture", the closing gag about the Hays office, etc.), and fairly unpredictable culprit(s), but the final twist leaves a bad taste behind since it renders the preceding deaths both meaningless and avoidable. As the eccentric and sharp-tongued aunt, Sarah Padden is the best out of a generally B-level cast. ** out of 4.

Thsi film is one of those Old Dark House murder mystery films that Hollywood was so fond on in the 1940s. This B movie stars Wallace Ford as a popular newspaper columnist and Marian Marsh as his secretary/girlfriend.A rich old lady (Sarah Padden) is claimed to be insane by her family and is taken to court. The court declares her sane. Shrotly thereafter she invites all her family members to her mansion in upstate New York to spend the week so that she can watch over them to decide who to leave her $3 million estate. One by one family members are murdered, with the killer seemingly hiding and watching from hidden passageways that are throughout the house.A typical second feature film, this movie is somewhat enjoyable, but for those of you who are used to suspenseful spooky house movies, this is not what you are looking for. This movie is in the public domain and as such can be easily found on DVD and VHS.

An old lady is taken to court by her heirs because they feel she is wasting her fortune and that she should be put away for her own safety. Turning the tables on the greed family in the courtroom she insists that any of her heirs who want a piece of her money show up at her house that night. What happens next is a very enjoyable murder/comedy as people start dying as every scrambles to find the fortune.Anyone expecting anything other than a silly time should stay as far away from this movie as possible. Yes, there is a mystery, but there are a good bunch of laughs as well, as reporter Wallace Ford and his girl wander among the crazies trying to get a story while trying to stay alive.I really like this film, especially the old lady that who is smarter than the relatives who are trying to put her way. This is a good friend of a movie that I'll take out now and again when I need to just sit and veg.If you come across it, by all means give it a try, we all need to laugh now and then.

No doubt prompted by the success of Elliot Nugent's 1939 remake of THE CAT AND THE CANARY, Monogram's MURDER BY INVITATION is a spit polishing of dusty doings distinguished by a cagey awareness of its own derivativeness. Like the imperiled teens of Wes Craven's SCREAM, the dramatis personae here – heirs to a sizeable legacy - enter into danger with full knowledge of the rules of the game - with comic star Wallace Ford (FREAKS) even cracking: `I'm the handsome young juvenile of this story – he never gets hurt.' Supporting the ever-watchable Ford is a cast of faces familiar from the Poverty Roll payroll: Sarah Padden (THE MAD MONSTER), Dave O'Brien (THE DEVIL BAT, REEFER MADNESS), Minerva Urecal (THE CORPSE VANISHES) and John James (DEVIL BAT'S DAUGHTER), as well as Marian Marsh (Trilby to John Barrymore's SVENGALI) and Gavin Gordon (Lord Byron in THE BRIDE OF FRANKENSTEIN). A former Edison camera man turned prominent silent film director (ABRAHAM LINCOLN), Phil Rosen exhibits little enthusiasm for George Bricker's scenario, and seems grateful that the conventions of the murder mystery allow characters to remain seated for long stretches at a time. French cameraman Marcel Le Picard also shot the low-rent SPOOKS RUN WILD and VOODOO MAN.Not a must-see film, but undemanding fun for fans of the murder mystery - and Wallace Ford never disappoints.