Mune: Guardian of the Moon
Mune: Guardian of the Moon
PG | 12 August 2017 (USA)
Mune: Guardian of the Moon Trailers

When a faun named Mune becomes the Guardian of the Moon, little did he had unprepared experience with the Moon and an accident that could put both the Moon and the Sun in danger, including a corrupt titan named Necross who wants the Sun for himself and placing the balance of night and day in great peril. Now with the help of a wax-child named Glim and the warrior, Sohone who also became the Sun Guardian, they go out on an exciting journey to get the Sun back and restore the Moon to their rightful place in the sky.

Reviews
WondrousMoose

There's something nice about being able to pull up Netflix and stumble upon little films that I would have otherwise never heard of. This one in particular had caught my eye a while back, so I finally got around to watching it, and for the most part, I enjoyed what I saw. From the thumbnail and synopsis, I expected that the movie would have some nice visuals and a bland story; to my pleasant surprise, it did have both of those but also had a heaping ton of imagination and creativity.Mune's strongest point has got to be the world it takes place in: this place is completely alien to our own and yet is entirely believable. The film features such a thorough world and mythology that I assumed it was based on an existing TV or book series, but it is in fact a completely original story. I won't go into detail on what all it is about, as discovering each little feature along the way is a wonderful experience.The movie is originally in French, but Netflix's English dub is seamless, and this in no way feels like a foreign film. I'd also like to point out that the score was written by Bruno Coulais, who also scored Coraline and Song of the Sea.Aside from the strengths I pointed out, though, Mune is fairly generic. The story beats and characters are what you'd expect for this sort of movie. Although I did enjoy Nicole Provost's spirited performance as Glim, the voice cast is for the most part nothing special. There's a mischievous guy who's unsure of himself, an arrogant dude who learns to help people, etc., and each character sounds the part without adding anything special.With that said, I would like more movies in a future franchise to see how they expand on and dive into all that they've set up. If there aren't any sequels, though, I'll still be able to remember Mune as a happy little accident I had while browsing Netflix.

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Reno Rangan

France is only next to the Hollywood when it comes to the 3D animation. Not sufficient films were made in this format, but still the quality and creativity are laudable. When I saw one of this film's poster, not just for me, but anybody would think of the Na'vi from 'Avatar'. That's a misconception, only until you watch this film. Because it was totally different and awesome. Directed by two not very well known filmmakers, but their firsthand experience prior to this might have helped them for this project.Like in any animation films, this tale takes place in a fictional world. The story of legends of the guardians of the sun and moon. Both of those heavenly bodies were created and guarded by ancestors for generations of the two races to keep the planet in peace and harmony. A youngster named Mune, from the night world was accidentally chosen as the keeper of the moon during the ceremony to hand over the guardianship. While it was a successful in power transfer on the day world to another youngster, Sohone.The two youngsters eager to dedicate their lives to keep the order of the ancient practice. On his first day of duty, Mune messes up everything, followed by Necross, from the darkness who hidden underground for the centuries tries to bring chaos. Now, a girl who lives on the border of the day and the night joins those two to a quest to retrieve what is lost. Facing a tough challenge by an evil opponent, these three has to do impossibles. Meanwhile, it is an opportunity for them to prove themselves to their capabilities.The creativity was brilliant. Those characters, settings, story and its developments, so genuinely done. Not just Disney or Pixar, totally Hollywood got a close competition here. Quality films like this, 'The Little Prince' and 'Asterix', can help to grow French animation industry faster and to the standards. Especially this film was short and sweet. Despite a beautiful imaginary world, the storyline was pretty much clichéd, like the same old formula applied to a bunch of new characters."What? You think adventure is to fly a unicorn! And to go with the elves? Bad news! We do not live in a fairy tale."I mean like any fantasy film, there's always something bad happens in the opening and the remaining is trying to resolve it, which are mostly a lifetime journey for them. We know that as an outline, but not in the pictures, so that's why we watch it. There's also nothing wrong in that, but how smartly the film narrates its story remain pivotal to calculate its success and according to me it fared so well. I hope you would think it that way as well after watching it.Very much a kids film, but I don't see a reason why grown ups should avoid it. In fact, this kind of stories are created by the adults with their imagination and that is not easily done work. You can compare it to our real world. Like how different races can live together peacefully. Besides, between two worlds, there's also a thin world exist that separates these two worlds, as well as unifies. As much you enjoy watching it, you will admire what they are doing and for why. Such an inspiration, particularly for the children.The parts of the film were comparable with other popular animations around the world, but not entirely, only the small portions. Maybe because of creative common, but I think the writers had done an incredible job with the screenplay, especially when there's no original source like perhaps a book. I watched it a little late, but the point is I did not miss it. I laid my eyes on it a very long ago, but could not get the right time till now.It's a great relief, moreover, I loved it. Well composed music, the background score was perfectly matched with the visuals which so colourful and attractive. The film also won a couple of international awards. I hope they make a sequel for this. Usual that does not happen in French animation, also the box office result is not in its favour. I think it is slightly an under-appreciated, but definitely an under-recognised film. So it needs your support, if you're an animation fan, you should try it. It was just like another Hollywood film, but was in the French Language. I say go for it!8/10

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ChazzJazz

Wonderful, Charming, Cheeky and lots of Heart for the Whole family, in the Ghibli story telling tradition and imagery.It has a blend of 3D animation and 2D dream sequences...It seems like a fairytale you should know but have forgotten. And thats the pity, the story telling is great, the animation is lovely and English voice actors did a great job.It's the story of the Sun and the Moon, and the Guardians that protect them.This animated feature deserves an Audience. Do yourself a favour and grab it

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in1984

7.75 of 10. Stylistically and in terms of the quality of animation and imagery, one of the best recent cartoon films. The story is pure fantasy and works as sort of new a fairy tale clearly for children but with various themes that make it enjoyable for everyone in a family and certainly safe enough for kids to enjoy alone.The deeper messages of the story involve the complexity of the universe and the benefits of working positively with one another as opposed to alone with minions doing your bidding under the threat of your power. The other ongoing message is a softened version of curiosity killing the cat. Curiosity here is both good and can get you into serious trouble, as can over confidence, arrogance, and too much power.The story and cartoon is all woven together, as is the cartoon within the cartoon. It also makes beautiful use of new voice actors as opposed to relying on stars. It deserves to catch on as an underground classic that the critics and production corporations failed to identify and properly distribute.

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