Certainly one of my favourites alongside Goofy Gymnastics. It is not just one of the funniest cartoons I've seen with its inspired Jekyll and Hyde vibe, but with the serious problem of motorists in cars it is also important. The animation is just wonderful, sometimes scary and sometimes cleverly exaggerated. The music is full of energy and never feels out of place, the humour is imaginatively timed in that it would tickle your funny bone in an appropriately jarring sort of way and the narration is sardonic and thoughtfully delivered by John McLeish. Goofy is a tour-De-force as Walker and Wheeler, lovable as the former and quite scary as the latter. All in all, a superb cartoon and one of the best that Goofy has been in. 10/10 Bethany Cox

A Walt Disney GOOFY Cartoon.Even the most mild mannered pedestrian becomes afflicted with MOTOR MANIA when he gets behind the steering wheel of a car.This little film is not only humorous - in a bone-jarring sort of way - but it also deals with a serious problem: emotional drivers who are a danger to everyone else on the highway. This was the first of Goofy's car safety cartoons and would later be followed by FREEWAYPHOBIA NO. 1 and GOOFY'S FREEWAY TROUBLE (both 1965). John McLeish narrates in his best documentarian manner.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.

I've been wanting to find this on video ever since I saw it in Traffic School after receiving a traffic ticket 15 or 20 years ago! I guess our Traffic School instructor meant to use it as a funny way of showing us what not to do while driving. Now, finally, it will be available in Disney's Treasures Series, the Complete Goofy.The Jeckyl/Hyde transformation feels just like what happens to me when I get behind the wheel of a car. The best comedy is the kind you can see yourself in, and that you can relate to. Disney hit the nail on the head in this one. I didn't realize drivers had this same problem in 1950!

NOTE: CONTAINS BRIEF SUMMARY OF BACKGROUND INFORMATIONDisney here combine two themes to create this cartoon. One is their version of the classic Jeckyl/Hyde story, the other being an exaggerated account of motorists when in their cars. The comedy is brilliant, the animation is superb, and although the cartoon is not the greatest thing since sliced bread, it is certainly one to look out