It was a good movie , could have been much better but never mind loved Nawazuddin
... View MoreIn our everyday life, we take many decisions. Some are of great importance and some are casual, some may prove right while same may lead to a disaster. This movie gives you a understanding of such dilemma and the possible outcomes of the decision taken.A cop equipped with a gun, faces an encounter with a local gangster after a very long chase. Not sure whether the man standing in front of him, whom he chased so long is the actual gangster he is looking for. And a prompt choice has to be made either to shoot and kill or try to persuade him to surrender. And the entire film is upon the thought process of the consequences of either of the choice made. But the biggest challenge is the given time which is just fraction of seconds.Every course of action gives birth to a fresh new situation which might be favourable or may not be. But one who takes the decision should also have guts to face the consequences. Need of the time is the biggest factor that influences our decision making ability and the course of action. Whatever one feels right is the correct choice for the time being, no matter what the consequences are.Human race has transformed from primitive man to a socialised and civilised man today. We might have chosen not to develop ourselves and save us from the natural disaster we have created today. But the call was to get upgraded and evolve ourselves with technological advancement, despite of knowing that we are planning our own end.Living life itself is a big challenge. In the road of life, one has to choose amongst the available paths to move on. And with one's intellectual smartness choices are to be made and one has to struggle hard to keep up on the chosen road and make it to the destiny. Remember, you don't have your lifetime to make a choice!Now, moving back to the film, you should watch it once. Plot is different, which is not commonly available in any Bollywood movie. The idea of the film is great but the execution was not up to the mark. But I really appreciate the efforts of the director for undertaking a project with such a unique concept!
... View MoreAbove all else, hats off to Amit Kumar for thinking of a story that very few movie producers would endeavor to make. Yet, not every single great story is converted over into great movies. The pace of 'Monsoon Shootout' is very uneven. For instance, there's a Chase arrangement going on and soon as the grouping gets over, the film turns out to be too moderate. A spine chiller ought to have a screenplay that keeps you on the edge-of-the-seat, yet here separated from a couple of successions that doesn't occur. Amit's portrayal after a specific point turns out to be exceptionally dull. The film neglects to give us some stun factors separated from some blood streaming grim scenes. Be that as it may, one thing that I might want to bring up is that fortunately this film doesn't lose all sense of direction in saying three unique stories. It isn't at all confounding and that is the place we are awed with the altering done by Atanu Mukherjee. Indeed, even the cinematography done by Rajeen Ravi is great. The film stars Vijay Varma ahead of the pack part and he is simply flawless. He is essentially astounding as Adi. However, the show-stealer is Nawzuddin Siddiqui as Shiva. He assumes a supporting part in the film, however nails it at whatever point he goes ahead the screen. Neeraj Kabi as Khan is brilliant and Tannishtha Chatterjee likewise awes us. Geetanjali and Sreejita De don't have much to do in the motion picture, yet are great in whatever part they have. All in all, 'Rainstorm Shootout' is a decent idea that is lamentably not executed that well. Yet, it's most likely a treat for Nawaz's fans.
... View MoreMONSOON SHOOTOUT at the 12th Indian FIlm Festival of Los Angeles LAIFF Reviewed by Alex Deleon-Sinha, April 29, 2014. --- Monsoon Shootout", a brilliant multi-layered debut feature by Amit Kumar is, among other things, a dazzling noir thriller drenched in rain starring Nawaz Siddiqui as a serial hatchet killer (!). It was really the main event of the 2014 IFFLA, but was inexplicably programmed as a throwaway on the last day and not given much attention while a dumb movie in the main hall pulled in the biggest crowd of the week.Director Amit Kumar of Monsoon Shootout did show up on the very last night, in and out ~ to accompany his film and hold a Q & A. after which, over a drink in the lobby, he revealed to me that he was very impressed by the Polish film "Blind Chance" (Przypadek) a 1981 masterpiece by Krzysztof Kieslowski -- and that the basic idea for Monsoon Shootoot came from the Kieslowski picture. In both pictures -- both classic mindbenders -- the same story is told three times over with different outcomes each time. In this one you see normally lovable Nawaz Siddiqi as a psychotic ax-killer in two versions, but the last one makes you question which one was reality, and which ones were fantasy. Did the rookie cop who was stalking him all the time really have to shoot him as he was clambering over a wall? -- and Maybe he wasn't really the killer after all ....Huh? This was a revelation to me because I too was greatly impressed by "Blind Chance" when I saw it in Poland years ago, and subliminally caught the parallels between the two films as I watched the current "Monsoon Shootout", but the Indian details as worked out by Kumar are totally different. It would make a remarkable evening of film watching to pair these two films up -- among other things to see the contrasting cultures and the contrasting acting styles of two fantastic actors-- Nawazzudin Sadiqi and Polish actor Boguslaw Linda who, in 1981, was the most popular film star in Poland. The film title is itself multi-resonant, suggesting an imploded version of "Monsoon Wedding" engaged to a Watery vision of "Shootout at the O.K. Corral" -- with the latter of which it has far more in common. A terrific movie that needs to be seen several time to pick up on all the nuances and counter- themes -- but do Bring an umbrella!
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