Monsignor
Monsignor
R | 22 October 1982 (USA)
Monsignor Trailers

The vows of an ambitious young American priest are tested during World War II. Not only does Father John Flaherty get involved with the black market to raise money for the Vatican, he also falls in love with a young French nun.

Reviews
lpersons-2

I had never heard of this movie but thought I would spend the 2 hours watching it. I was very disappointed. The acting, including Christopher Reeves was very disappointing. Many times throughout the movie the sound seemed impossible to hear clearly what was being said, so it made the movie hard to follow. I am surprised that the catholic church didn't object to this movie, it paints the catholic church and the Vatican in very poor light. The plot line left much to be desired as well. The entire movie did not fit well.... I believe there was suppose to be time lapses, but they are never explained and it leaves you scratching your head wondering what is going on. This movie is not worth the 2 hours to watch it.

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blanche-2

Someone on a game show once named this as his favorite bad movie, citing that hilarious scene in the church when Genevieve Bujold, playing a tramp postulant, realizes that her boyfriend is a priest.There's nothing good to be said about this film except that it has glorious scenery. It's sad today to see Christopher Reeve healthy and walking - and wasting what little time he was going to have in rotgut like this. As someone raised in the Catholic church, I loved hearing the Latin again. Also with the recent scandals in the church that have come to light, I don't really put much past the Catholic church or the high mucky-mucks. But this movie is really ridiculous.The performances were okay, given what these poor people had to deal with. The Genevieve Bujold character is a riot; the role is a career-killer. I mean, bare breasts exposed, the woman is asking the Reeve character, "Do you think I'll make a good nun?" The Christopher Reeve character - that of a mafioso priest - is preposterous. I used to love Jason Miller. Not in this. I'm old enough to remember the old pope - were they kidding with that characterization of him? Alas, today, you really wouldn't watch this with friends for a few laughs (as one of the older posts suggests) because it's just too awful to see young, handsome Christopher Reeve. So probably the best thing some higher-up can do is take this baby out of circulation. If I'm going to watch Christopher Reeve, I'll watch him fly and remember him when he was just starting out, vital, handsome, with it all in front of him.

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HEFILM

If you love bad movies this rates a 10. A sad Camp Triumph for the great, for a while, Frank Perry the director. Christopher Reeve stiffly makes no impression, as he did in most of his non superman roles. Some good European actors do what the can, for Genevieve Bujold all this amounts to is stripping naked. John Williams composes perhaps the most over the top piece of music in film history for the scene in the cathedral where sinner and saint meet. Also in the mix are some mob killing scenes leftover from a Godfather movie, actually these are the best done scenes in the film, the only ones that work. The rest is either over or under acted and done in a way that tries to be serious in a way that makes it totally campy. A better approach would have been to just go for the sleaze and make this one of those sort of exploitation sex-in-the-confession-booth films, that's really all this is at heart. In case you are a snob and think that only low budget films can suck, look at this beauty and realize that with money you can suck really really hard, and I mean that in a bad way. Everyone involved in this should or could rate this as a career low. Reeve claimed there was a great film and they lost it in the editing room. Well, no it's still here to be enjoyed. One of the worst Hollywood films ever, but if you take in in the bad film frame of mind there are many highlights.

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Tom Wassel

One of the worst films ever made by big Hollywood. Sometimes it's so bad, it's funny, but not funny enough. Reeve is out of his depth, but the script is so bad no one could have saved it. Genevieve Bujold is a fine actress and tries gamely, but this part nearly destroyed her career. Classic scene: when the postulant (Bujold) discovers (in church) that the man who seduced her (Reeve) is a priest. We're supposed to feel her pain, but it plays as comically absurd rather than tragic. A complete miscalculation on all fronts.

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