Mitr has a pretty good concept, interesting story, and a dynamic performance by Shobana who illuminates the screen whenever she is there which, luckily, is most of the movie. Nasir Abdullah, who plays her husband is OK but everyone else in the film seemed like they got their acting chops from Grade D late night cable TV. The daughter, friends, neighbors, -- everyone else -- gave stilted performances as if they were reading their lines. Fortunately, the daughter's performance got better towards the end of the film but the director should have elicited better performances from everyone unless that was their best and the casting crew would have to take the blame for not finding better actors. I would have preferred the over-acting of a lot of Hindi actors than some of the drivel and inane delivery that permeated this film.Despite my misgivings of Mitr, I will still give it a 6 because of Shobana's performance and look forward to seeing her in other projects of better quality. Watching Shobana in action is worth enduring the cringe factor that occurs when watching the other actors.

'Mitr' attempts to portray the conflicts experienced by a traditional Indian mother living in the USA. She devotes her life to her family while her teenage daughter and ambitious husband grow increasingly independent.Far from being a Bollywood production, I felt Mitr is closer to being a a high-school drama caught on film, based on its production quality. The lighting was flat and strange (candlelight dinner on a sunny afternoon?). Every line of dialogue was forced and overdone (clearly the director's decision). The audio was plagued by echo (too distant microphones?). The soundtrack was nonstop georgewinston-ey, with cricket chirps dubbed into the nighttime scenes. Mitr boasts "an all female crew," but the the quality of their work does not reflect well on female professionals in the film industry.Mitr is partly redeemed by its strong character development, but it's poor production quality is so distracting that I did not enjoy watching it.

Mitr plays like a Seventh Heaven episode, a sweet domestic drama about an Indian mom and dad living in the US whose marriage is in trouble and who have a rebellious teenaged daughter. The film is set in the US and must've been made to appeal to the NRI (Non-Resident Indian) population. It was pitched to me as an exploration of the differences between Indian and US culture, but Lakshmi isn't so much an Indian woman as she is a repressed and overprotective mother (this sort of woman also exists in America as no doubt everywhere in the world), and it's a disservice to blame her attitudes on her cultural background.Mitr is a very accessible Indian film, being 95% in English, relatively short (~100 minutes) and lacking the elaborate music-video numbers typical for a Bollywood product.I found it ultimately unsatisfying, primarily because I watch Indian films in order to experience the color of exotic cultures and locales.

Lakshmi, a traditional Indian woman, marries an American-Indian and lives in America with him and their daughter. Both husband and daughter are "American" (i.e., very independent, living for own self) while Lakshmi lives only to please them. Their lack of concern for her leads her to pursue her own life and the other two feel left out and abandoned, instead. I really enjoyed the story, music, and acting. We had the privilege of having the director herself come to present this movie to our university and were permitted to ask questions. She told us that at first, the all-women technical crew was a fluke, until the final member was chosen, when she decided to stick with all females (though would have compromised had an adequate female not been found). To me, the acting was a bit rough at times, and characters and actions seemed misplaced, silly, or over-Americanized. Otherwise, I really enjoyed it and would recommend it as a good cultural pick.