Dan Dailey and Cyd Charisse provide some good chemistry in this 1956 film. Unfortunately, they're a little too old to play the parts of the gambler and ballerina who discover they're meant for each other.In her short appearance as Dailey's mother, Agnes Moorehead's part would have been more suitable to the likes of Marjorie Main. Her booming voice was needed with the scenes on the farm.Charisse dances up a storm and Dailey is given little musical talent, except that he sings very well with a young Japanese child.As her manager, Paul Henried looks so different in color, but maintains the same smoking tradition as he did with Bette Davis, 14 years before, in "Now, Voyager."Cara Williams is able to dance up a storm and really vamps around the stage. Who did the coloring of the hair in the movie? Williams and Moorehead have that same heavy red tint. What kind of henna were they using?Since we're dealing with the Las Vegas night club scene, the appearances of Frankie Laine and Lena Horne are worthwhile. Don't think we don't see Frank Sinatra and Peter Lorre at the slot machines and tables as well.

I primarily started to watch this to see who Cyd Charisse was. I heard a lot about her through the years, and know she passed away this year to much fanfare. So I wanted to check her out.This movie was perhaps not the best movie to try to showcase her talents. Let me start by saying Im not a huge fan of the Musical genre to begin with. I often find their plots to be lacking and contrived. This one was no different.Cyd was indeed very beautiful and a talented dancer. Her acting was so-so, however. I guess I just don't find loosely strung together numbers with no real plot to tie everything together a waste of time.

Cyd Charisse has always knocked us off balance with one of the greatest pair of legs in show business. In this film she shows us a human side which, from what I have seen, has always been lacking. She gets drunk as a skunk in a hilarious scene and gets up on the stage with the show girls and instantly outclasses them. She and Dan Dailey really work well together. It seems, in the movie, if they hold hands they will have unbeatable luck in Las Vegas. It creates a situation which everyone who has ever gambled (and there are a few of us) would love to be in. I will play the tape just to watch the tipsy scene but the rest of the picture is also very rewarding. I've always liked Dan Dailey as an actor and performer. Sammy Davis Jr.'s voice is used in a great sexy ballet number "Frankie and Johnny", in which Cyd really wows 'em. I can't imagine anyone doing a better vocal rendition of this particular number. It is a classic. Treat yourself to a better Cyd, a nifty Dan and Sammy's terrific, raucous rendition of "Frankie and Johnny." ... get the video. comment welcome ... [email protected]

Modestly, very modestly, entertaining romance/musical is worth seeing only for Cyd ("Legs for Days") Charisse dancing at her best; and her acting is better than usually.Plot has rancher Dan Dailey and ballet star Charisse fall for each other in Las Vegas. Charisse shows off her versatility in two dancing ballets, a burlesque bump and grind, an "Oklahoma"-esque cowboy dance, and in a "Frankie and Johnny" number as well-sung by Sammy Davis Jr.The dance numbers were choreographed by one of Hollywood's all-time best choreographers, Hermes Pan, and they show off Charisse at her leggy best. The burleque number is a hoot and the second ballet is high camp.Other musical numbers are by Jerry Calonna, Lena Horne and Frankie Lane. Dailey even does a song and dance with Japanese kid singer Mitsuko Sawamura (from "Tea House of the August Moon").Watch carefully for brief cameos by Frank Sinatra, Pier Angeli, Debbie Reynolds and Peter Lorre (he's a blackjack player saying "Hit me"!). George Chakiris (credited as George Kerris) has a brief role too.It looks like a lot of mid-50s casinos helped with the filming, so there are no Godfathers behind the scenes. Vegas appears positively plain compared to today's glitz.If you're into this type of show you'll love it.