Directed by Roy Rowland and written by Isobel Lennart, this average musical comedy romance's Score received an Academy Award nomination. Though it features the beautifully talented Cyd Charisse as an aloof ballet dancer who's just discovering the world outside of her own sheltered existence, Dan Dailey seems an odd (unworthy?) choice as her top billed co-star.Even though their lead characters' magical romance is purposefully a pairing of unequals, I think you have to be a fan of Dailey's to accept his folksy, homespun, losing gambler cowboy (let alone his singing) that's suddenly found his lucky charm in Charisse. Plus, Agnes Moorehead plays his (vibrantly dyed) red-headed mother back at the ranch! Jim Backus as a frustrated hotel manager, Lili Darvas as a Las Vegas-style dance talent, and Paul Henreid (among others) also appear.It's not a total washout though: it's fun trying to spot the various uncredited Las Vegas star cameos (including Peter Lorre, Debbie Reynolds and Frank Sinatra) sprinkled throughout, Lena Horne and Frankie Laine (and Mitsuko Sawamura) perform, and Sammy Davis Jr. (also uncredited) narrates Charisse's "Frankie and Johnny" routine. Plus, there's an hilarious bit where Charisse's ballerina character, tired of competing with Sari Hatvani (Darvas) for Dailey's attentions, gets a bit tipsy and joins some cancan showgirls on stage; this scene is topped by her demonstration of it to Lili (Liliane Montevecchi), a former ballet star that chaperons Maria Corvier (Charisse) for manager (Henreid).Oskar Karlweis plays Lotzi, a blackjack dealer at the Sands, where Maria performs, who's friends with Chuck Rodwell (Dailey), and even holds the winnings. George Chakiris plays a young groom who's honeymooning with his young bride (Betty Lynn). Dick Elliot (uncredited) plays one of the Sands co-owners for whom Tom Culdane (Backus) works.Chuck is a gambler who never wins until he grabs the passing ballerina's hand for luck and finds he can't lose when he's holding it. This eventually creates a spark of romance between the two and Maria learns that Chuck is actually a successful rancher who gambles away his profits to fill up his empty life. He takes her to his ranch where uncredited Roscoe Ates and Lee Tung Foo play a ranch hand and a cook, respectively, and his "cranky" mother, Miss Hattie (Moorehead), runs things in his absence.Their magic continues there: when Chuck holds Maria's hand, the chickens lay eggs, a cow with an upset stomach gives birth to a calf, and a hole in the ground starts to spout black gold (e.g. oil). When they return to the Sands, Maria's absent manager has arrived but the couple's magic has disappeared.Want to guess whether it all works out in the end?

Dan Dailey and Cyd Charisse provide some good chemistry in this 1956 film. Unfortunately, they're a little too old to play the parts of the gambler and ballerina who discover they're meant for each other.In her short appearance as Dailey's mother, Agnes Moorehead's part would have been more suitable to the likes of Marjorie Main. Her booming voice was needed with the scenes on the farm.Charisse dances up a storm and Dailey is given little musical talent, except that he sings very well with a young Japanese child.As her manager, Paul Henried looks so different in color, but maintains the same smoking tradition as he did with Bette Davis, 14 years before, in "Now, Voyager."Cara Williams is able to dance up a storm and really vamps around the stage. Who did the coloring of the hair in the movie? Williams and Moorehead have that same heavy red tint. What kind of henna were they using?Since we're dealing with the Las Vegas night club scene, the appearances of Frankie Laine and Lena Horne are worthwhile. Don't think we don't see Frank Sinatra and Peter Lorre at the slot machines and tables as well.

This almost unknown musical, like the (better) also forgotten IT'S ALWAYS FAIR WEATHER (1955) are two of MGM's real treasurebox surprises: modern time musicals instead of fantasy or historical setting musicals. VEGAS is yes, an advertisement for Las Vegas.... and the pre ratpack snazzy nightclub 1955 Las Vegas we all can dream about having been able to visit. With excellent MGM star cameos and even stylish and breathtaking Lena Horne solos this is a raucous rude musical with star turns in slot machine heaven. Jerry Colonna hosts a genuinely riotous number called 'My Lucky Charm" with showgirls dressed in such a funny array of hilarious goofy costumes, I am sure Mel Brooks pinched the 'look' when adding a new level of ridiculous to 'Springtime For Hitler" in "The Producers". The same idea turns up a year later in PAL JOEY with the "My Funny Valentine" tawdriness and costumes. It is a really funny number and as other commenters on this site will tell you, has Cyd wander drunk onto the stage and hilariously wreck the whole routine. The ballet sequence: Frankie and Johnny is a sensation and appears in one of the MGM That's Entertainment/ Dancing films. However, one really scary and sinister dance number is called 'The Girl in the Yellow Collar" with rough bumpkin men hounding Cyd alone around a tree, and is almost like a pack rape scenario. It is a horrible number, subconsciously un nerving with all these lustful rednecks pursuing this gorgeous dancer like a pack of sex hungry men. Otherwise this film is a dance and time/vogue sensation and well worth seeing in Cinemascope.... not the irritating and ridiculous pan and scan cropping of VHS.

One of the great blunders committed by MGM was the fact that Cyd Charisse was never cast opposite her husband Tony Martin. Right around this time musicals were winding down, but Tony and Cyd were just getting started on a joint nightclub act that made them a premier attraction around the country for many years.Don't get me wrong, Dan Dailey is a fine performer and he did a good job in the male lead role. But I would love to have seen Tony Martin playing the role of the rancher who gets on a hot winning streak at the Las Vegas casinos after he holds Cyd Charisse's hand. Making matters worse is the fact that Tony Martin does do one of the unbilled cameos in this film.Cyd Charisse has some fine dance numbers, especially the Frankie and Johnny finale where she danced to the famous blues song sung offscreen by Sammy Davis, Jr. Dan Dailey has some good numbers as well, he does a nice soft shoe routine with a young Japanese girl to My Lucky Charm which was earlier sung by Jerry Colonna.The nice thing about this film is the fact that because of the Las Vegas location you can integrate a whole lot of celebrities doing numbers and not have it mess with the story. Lena Horne, Frankie Laine and Jerry Colonna all do some nice musical numbers. Around the casinos one will spot besides Tony Martin, Debbie Reynolds, Peter Lorre, and the man most identified with the Vegas scene shortly, Frank Sinatra.Other members of the cast that have good supporting roles are Jim Backus as the casino manager, Agnes Moorehead as Dailey's mother, and Paul Henreid as Charisse's manager. Some of Henreid's performance seems to be modelled on that of Charisse's first husband Nico, according to the stories Charisse told in her joint memoirs with Tony Martin.Meet Me in Las Vegas is good musical entertainment, but what a blown opportunity not to have had Tony and Cyd as leads in a musical.