Jess Franco had finally a big budge to make this production,but have some mishaps along the movie to take over,like using Klaus Kinski just for a day only to save money,he didn't wants Romina Power as Justine imposed by the producers, this way the picture has some damages,nevertheless the results are acceptable anyway,Jess Franco is a legend to me whatever he did is relevant,he is a genius,immoral and provocative but a true genius!!Resume:First watch: 2018 / How many: 1 / Source: DVD / Rating: 6.5

Sisters raised in a convent, Justine, naive & virtuous innocent, and Juliette, wholeheartedly prepared for any wiles of carnal desire the world has to offer, are sent out after the loss of their parents and finances run out. While Juliette dives in head first without a second thought into a wicked world, embracing it to the fullest, Justine is almost like a rabbit tossed into a den of lions. Her trust in people leads to being taken advantage of, penniless, destitute, on the run for crimes she didn't commit, and facing perilous situations towards her life and virginity, seemingly always able just to escape by the skin of her teeth through fate and happenstance. Meanwhile, Juliette, commits the very atrocities Justine is accused of, and rises through society living lavishly, but never emotionally fulfilled. All the while the film returns to the Marquis De Sade(..the always powerful Klaus Kinski, showing a very tormented man seething with agony like an imprisoned zoo animal longing to escape his misfortune), behind a jail cell, alone and haunted by his muses, the very creations of Justine and Juliette as their story unfolds.Essentially a series of (mis)adventures as Justine seeks shelter from a world that wants to devour her..nearly every possible sanctuary from harm seems to hold someone(..or multiple someones)with sinister intent. Just when you think Justine might've finally escaped the evils of the world around her, someone hostile spoils her happiness. While one is branded a thief and murderous who is not guilty of the crimes against her, the other does commits these deeds and reaps the benefits substantially..perhaps the Marquis sees the world through a different pair of eyes, as in his story those who take to committing wicked and carnal acts are rewarded while virtue and innocence leads to mistreatment and cruelty. Or, in order to survive in such a harsh and barbarous environment, one must succeed and triumph by being ever more treacherous, sadistic and savage...obviously the examples of Madame Dusbois(Mercedes McCambridge, living it up in her role as one of those devouring lions who poses a major threat to Justine, even after the poor girl helps her escape prison and a certain hanging for a list of deeds committed against mankind)and Juliette work in this line of reasoning's favor. Yet, by the end, Justine is justified for hanging tough and enduring each and every hardship faced along life's way. Juliette sees that the lifestyle she has lived leaves her an empty void yet unfilled despite being where she is, and Justine, having found love through a kind, handsome artist, has come full circle understanding the world for what it is.I think the story of these two sisters is perfect material for a director like Jesús Franco who operates without restraint working with more of a budget. While I believe many will find the film frustrating as Franco uses zoom and often toys with focus(..although, I think it works to great advantage in the opening as we see De Sade moving throughout his jail cell while the characters of Justine and Juliette take shape in his mind while also presenting themselves "in person"), I think this is one of his best films, using the locations at his disposal to full effect, actually having the ability to establish time and place thanks to period costumes and lavish sets. I think many will find his cast rather average to hammy. I relished McCambridge and LOVED how Franco introduces her. The camera moves with her in frame as Dubois exposes the joy of being who she is..through McCambridge we can see that she basks in the lifestyle she has led up until this point, not expecting to die. I thought Dubois was one of the most entertaining characters in the film, far more lively and ferocious than Romina Power as Justine, whose performance never dramatically cuts the mustard(..it almost appears as if she's about to crack a smile, even as her character faces dangerous situations, remaining fresh-faced and bubbly like a school girl). Franco mentions in an interview that he wanted Rosemary Dexter(who plays Juliette's murdering cohort and lover)for the role of Justine, who could display the pleasures that were starting to form through the agonies occurring to her. I think one can see in her opening scene in the Paris brothel that this would've been more ideal casting..just the way she lies in a room presents something unique and interesting. Maria Rohm fits her seductive role as Juliette, this type of casting works because she has the type of look the character needs. I did think Romina Power had this precocious child-like spirit that Franco elicits for the character of Justine, and she certainly is a gorgeous creature, young with a "post-card" beauty which photographs well, but there's not an iota of depth. Franco admits that he often even shot Power's scenes as Justine when she had no idea they were for the movie! Fans of Jack Palance will revel in his deranged portrayal of a "minister", who operates a sect of monks who use females left behind by the world as examples of their doctrines of pleasure through pain..often almost a drunken buffoon spouting gibberish as if he were on the verge of a nervous breakdown, this might also leave some who have seen Palance elsewhere burying their heads in their laps in embarrassment. I'm not sure if this is the user comment to read because I thoroughly enjoyed the film despite it's various weaknesses. Sure, I agree that Franco doesn't tap into the beast as he could(..because it's certain that there's room for some serious exploitation and brutality that goes unfurled), but I found this film stylistically inspired, specifically his use of color, camera-work, and setting. I do wonder what the film could've been if Franco had been able to use his choice for Justine.

Jess Franco's interpretation of the Marquis de Sade's Justine, seems a bit tame for my taste. I really wasn't expecting much going into this (it IS Jess Franco, after all...) so I can't say I was that disappointed. I was expecting a pretty average sleaze film, and that's what I got...Justine and her sister are banished from a private school when their father dies and leaves them no money for tuition. The one sister goes to a whorehouse to work, Justine decides that ain't her thing. The rest of the film is pretty much comprised of Justine being subjected to different forms of exploitation that would have been way worse than what she would have experienced in the whorehouse...Nothing really notable about JUSTINE, other than the beautiful women that show far too little skin. Don't get me wrong - there is nudity in the film - even some brief full-frontal - but it's never long enough or in the right situation to be arousing or memorable. The acting is decent - the sets and costumes are very well done, and the story is relatively entertaining - but it tends to drag. It actually took me three viewings to watch it all the way through, because I kept falling asleep (though I partially blame that on the bourbon...). Not a horrible film, worth a look to exploit fans, just don't expect too much...6/10

Sorry to disappoint, but Justine is by no means the welter of non-stop gore and perversion you might expect from a confluence of Franco, de Sade and producer Harry Alan Towers. Adapted from the Marquis's sublimely immoral 'moral tale,' it plays for much of its length as a bawdy 18th century romp in the style of Tom Jones. Naturally, with the added joys of cut-rate production values and dodgy acting.We only hit familiar Franco territory when our heroine (a bland Romina Power - yes, Tyrone's daughter) is ravished by a coven of depraved monks. Cue for lots of naked Eurotrash starlets, trussed up in chains. Gee, it's good to be home!So Justine is not quite your typical Franco production. For a start, it has something approaching a budget. That means a lot of semi-big names (most of whom have seen better days) show up as 'guest stars.' Indeed, the film is best watched as a vast costume party, whose guests have been invited to Come-As-Your-Most-Embarrassing-Moment.Hence we get Akim Tamiroff as a drunken pimp, Mercedes McCambridge as a lesbian brigand, Sylva Koscina as a cross-dressing noblewoman and Klaus Kinski as the Marquis de Sade himself. The grand prize must go to Jack Palance as Brother Antonin, spiritual leader of the above-mentioned depraved monks. His may be the most deranged performance in the annals of screen acting.Weighed down by the baggage of an international tax-shelter epic, Justine never comes close to the dreamlike delirium of Succubus or Virgin Among the Living Dead or any of Franco's more extreme, smaller-scale works. Still, it's a lot of fun - in its utterly reprehensible way.Franco himself even crops up as the ringmaster of a grotesque peepshow, where Justine is forced to appear after she survives any number of Fates-Worse-Than-Death. Now that's what I call typecasting!